Mermaid Chronicles Part 1: She Creature (2002)

Good story, Not enough for a whole film

Don't Believe the Hype

A Disappointing Continuation

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Released to TV and video in 2001, "Sea Creature" is about a couple of carnies (Rufus Sewell & Carla Gugino) in the early 20th century who come across a real mermaid in Ireland (Rya Kihlstedt), which they apprehend and intend to transport to America as a freakshow attraction. Horror ensues. Reno Wilson and Gil Bellows are also on hand.Originally called simply "Sea Creature" the movie was unnecessarily burdened with the overlong title of "Mermaid Chronicles Part 1: She Creature," which doesn't make sense since there's no "Part 2," although the ending leaves room for that possibility.The movie plays like a modern-day Hammer flick with elements of "Bram Stoker's Dracula," "Species" and "Alien/Aliens." While it lacks the budget of those three films, the production is comparable to those Hammer horror movies that take place during the Victorian era. "Sea Creature" also shares similarities to 1961's haunting "Night Tide" with Dennis Hopper, which also was about a (possible) mermaid. There are three basic settings in the movie: The opening carnival sequence that segues into a (sorta) castle sequence and, lastly, the long ship sequence that takes up the bulk of the story. The last one reveals the greatest weakness of the movie in that sailing on a ship is a limited setting, which makes for a little dullness here and there, but the flick makes up for it with an over-the-top horrific last act. The renowned Stan Winston was on hand as producer and you can tell with the excellent F/X of something revealed at the end, which is on par with the Aliens, Predator, and Pumpkinhead movies. No kidding.While a TV movie, "Sea Creature" is adult-oriented in that the mermaid is top-nude the entire movie (the horror, the horror!) and there's at least one overt simulated sex scene. Keep in mind, however, that the movie was shooting for realism and not raunch; not to mention that redemption and comeuppance factor into the equation.BOTTOM LINE: Despite a couple of dull or dubious scenes, "Sea Creature" delivers the goods for those who appreciate Hammer's haunting Victorian-era films, as well as movies like "Bram Stoker's Dracula," albeit understandably no where near as lavish as Coppola's film. Carla shines in both beauty and acting chops, as does Rya (who's been married to Bellows since 1994); and Sewell plays a superlative protagonist. "Sea Creature" shows that a quality product can be made on a TV budget.The film runs 91 minutes and was shot in California.GRADE: B+

Like others here, I saw this not expecting much. A cheesy cover, no budget, a so so title bad effects -- but brother was I WRONG! This is a magical wonderful movie with a style like Polanski and Tim Burton too! Sexy and also really well plotted. I was shocked! Rufus Sewell (The Illusionist) and Carla Gugino (everything she's in!) are so underrated and sooooo good here! Rya Kihlstedt makes a great mermaid. Camera is efficient at all times and sense of unease well sustained. Subject is a bit adult with lesbian sexual tones throughout (executed in a very thoughtful manner) but kids could almost watch this for old fashioned mystery horror.WATCH IT WITHOUT PREJUDICE.8 stars

Early 19th century - Angus a carnival owner gets a visit from a grizzled old sea captain who believes that their mermaid is real and is there to warn them of the dangers of this creature. This is when the old man shows Angus and his girlfriend Lillian the mermaid he keeps bolted in a large fish tank. Now Angus wants this never-seen-before attraction and he steals it with the plan of heading to America on a sailing ship for fame and fortune. But the crew aboard the ship meet the deadly side of this beautiful creature and Lillian gets real close and personal with it.This might be a diamond in the rough compared with the rest of the cable TV Creature Features' presentations. I agree that the mythology idea surrounding the feature is an extremely original one and it's very well produced, but I thought the film did not entirely complement it altogether. That goes for the shapeless direction and disjointed script that lacked personality. But with these faults in mind - I still found the film to be hypnotically enchanting, striking attention to the dense material and the atmosphere breaths the old fashion creepiness of monster flicks back in the heydays. Visually it's rather appealing with its darkly slick surface gloss bursting at the seams. Maybe at times it got a bit too artsy and either pointless for its own good - like those edited scenes of the mermaid attacking it's victims and the constant flashes of the mermaid in the tank. I actually thought the death scenes were poorly handled and definitely lacked imagination with the majority of the lethal cut-away deaths being replayed in POV frame shots that turn bloody red. When it comes to the action / violence it doesn't really break out until the final third - where the pace and excitement levels really picks up and we get swept up in some well-placed shocks and neat looking creature designs provided by make-up guru Stan Winston. The well-accomplished special effects are truly detailed and the sensual beauty of the mermaid design (who's mysteriously played by the adorable Rya Kihlstedt) is simply hard to take your eyes off. The atmosphere created builds upon it's confined setting with the majority of the film-taking place on a sailing ship. But the film is still decorated with a surrealistic, dreamlike build up because of the mythical set-up that truly makes you pay notice. The performances are stable and precise. Carla Gugino is irresistibly winsome and Rufus Sewell gives a sincere performance. Aubrey Morris as Mr. Woolrich is enthusiastically, resourceful in a rather small role. While, the mobile score doesn't have that much of a huge impact on proceedings -- the sweeping photography is rather polished and brings another fine dimension to the presentation. This watery tale is one of the sea's many wonders."Mermaid Chronicles Part 1: She Creature" is no more than a glossy and at times an interesting slow-burner of a monster feature.

"She Creature", even tough stroke with such an awful name, is a rare kind of a horror film with very nice old school horror touch. The level of gore is kept on minimum and the film relies more on suspense than outrageous splatter.On the minus side the film starts to rush too much in the final part and the whole thing gets a bit too much out of focus plot wise. Also there are few too many crooked camera views of the situation, so they tend to get a bit too annoying towards the ending.Underneath of all that there can be found a very nice little horror film. Atmosphere and acting is okay during the whole film. Even the creature effects in the end are done rather nicely, tough it's more than clear, that the film isn't made with the biggest budget on the world.I liked the fact, that "She Creature" wasn't set on modern times, but in early 1900's instead. It brought in a nice, not so skeptical element to the plot. All in all very nice little horror film.