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Some Girls Do

Some Girls Do (1971)

February. 10,1971
|
5.6
|
R
| Adventure Action Comedy

A series of unexplainable accidents befall the people and companies responsible for developing the world's first supersonic airliner. A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date.

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Reviews

Clevercell
1971/02/10

Very disappointing...

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Chirphymium
1971/02/11

It's entirely possible that sending the audience out feeling lousy was intentional

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Allison Davies
1971/02/12

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Bob
1971/02/13

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Uriah43
1971/02/14

After several murders of key personnel involved in the making of a super-sonic airliner called the SST1, "Hugh Drummond" (Richard Johnson) is sent to investigate who the mastermind is behind them. However, his investigation puts him directly in the cross-hairs of two attractive but deadly female assassins named "Pandora" (Beba Loncar) and "Helga" (Daliah Lavi) who are both very good at their jobs. Fortunately—or unfortunately as the case may be—he has a rather inept assistant by the name of "Flicky" (Sydne Rome) to help him out. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this film is essentially a remake of the movie "Deadlier Than the Male" which was produced only two years earlier. Obviously, this isn't the first time a film has been remade but the major problem as I see it is the fact that it was remade so quickly after the first film and had very little to offer in addition to it. To be sure there were a number of attractive young ladies to be found all through the movie but other than the aforementioned Daliah Lavi, and to a lesser extent Sydne Rome, none of them really stood out in my opinion. In short, this was an okay James Bond clone but it wasn't nearly as good as "Deadlier Than the Male" and I have rated it accordingly. Average.

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darkasnight1234
1971/02/15

If you are tired of all the Politically Correct "no fun" offerings that Hollywood dishes out these days and yearn for some good clean fun from a bygone era when "Womyn" were just happy to be "Chicks" and men were having fun like no tomorrow (their grins say it all, lucky bastards!;-), and would like to indulge in an escapist fantasy with some naughtiness to it on a guys' night in, then you may find this film quite enjoyable. Besides which guy doesn't like watching "hot chicks" in short minis being seduced with kisses that turn their heads, even if they are robot "chicks"? This is obviously from the era when Jim Kirk was doing the same to exotically dressed "Hot Chicks" on TV in the original Star Trek series, and this film doesn't do such a bad job with the same naughtiness factor to it.And if you like this one then try its predecessor film. The "Chicks" in these two films put todays' sour looking super-models and centerfolds to shame. The Movie industry just doesn't have the same level of beauty in their female actors anymore as they try to relate too much to a female audience to the great disappointment of the male audience.If like me you fall asleep during chick flicks and would love to watch a movie made just for guys then enjoy this one.

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robert-temple-1
1971/02/16

This is the twenty-fourth Bulldog Drummond film, and the last purporting to be even remotely serious, as the final Drummond film, 'Bullshot', was to be a complete spoof. But of course this one is not serious. It is cornier than an ethanol refinery, and raises inanity to the height of the ionosphere (like the SST-1 in the film perhaps), or should I say I-wanna- sphere, as in 'I wanna be sick'. Everyone's tongue is so far into his or her cheek in this film that they all have holes in their faces. Betty Box, this time without her brother Syndey Box with whom she co-produced the predecessor to this bit of fluff, 'Deadlier than the Male' (slightly less fluffy, but equally inane), here returns with her final offering of a pseudo-James Bond film using the name, and no more, of Hugh Drummond, and the name, and no more, of Drummond's villain nemesis Carl Peterson. Peterson is played here by James Villiers, trying as hard as he can to be deeply villainous but unable to convince. For those of us who knew James, who was so witty and fun-loving, the idea of his being a villain was ludicrous. Wrong choice! Daliah Lavi is the lead villainess. She was in so many films in the sixties, and had been in the Bond film 'Casino Royale', but I never understood her appeal. She must have put a spell of producers or directors somehow, but she never managed to be truly sexy, despite all the absurd hype about her and her feline movements as 'one desired'. The fact that she couldn't act is irrelevant, as she was not required to. Joanna Lumley got her first film part in this picture, but was uncredited. She has made up for that later! This film has an absurd plot, which goes so far beyond pastiche that - well, I did say how high the inanity went, didn't I? James has got all these girls in short skirts who are robots, you see, 'under my complete control' as he boasts, who kill on command, and when they are not needed, he or Daliah Lavi presses a button in the neck of the girl and she goes to sleep. They also have libidinous capacities, so we are led to believe. How Betty Box, a woman, could produce a film pandering in such extreme measure to the most ridiculous male fantasies of the pliant woman (one you can turn on or off, every hectored man's dream??) is beyond my comprehension. As for Ralph Thomas, the director, there are no words. Once again, as in the earlier film two years before, we have babes in bikinis toting machine guns, killing people while saying 'poor little man' and smirking and simpering and wiggling their busts. The sixties eye makeup, the bouffant hairdos, the wigs, the eyelashes, my God. I'm a Bulldog Drummond viewer, get me out of here!

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Charles Joe Agnes
1971/02/17

This movie should not be mistaken as a budget imitation of a James Bond film, as it possesses it's own distinctive characteristics. Yet, for it's time (1969) it is just as adventurous and entertaining with Richard Johnson performing the role of (Bulldog) Hugh Drummond, similar to your James Bond Secret agent, but with a touch of humour and to some extent, a bit of sarcasm. Like Bond, Drummond is well skilled, serious and intelligent and is out to investigate what is behind a series of murders disguised as accidents, that are carried out by what appears to be beautiful young women (hence it's title Some Girls Do). Robert Morley performs the part of Miss Mary and is later found dead after having given classes to potential chef students in perfecting the art of cracking eggs open into a bowl. Drummond is also targeted when flying a glider and is meant to crash down when his parachute has been tampered with by the beautiful robotic women who watch from below, but manages to skillfully and successfully release open the parachute, landing down safely as if nothing had happened.. A fine performance by Sydney Rome as the typical James Bond type girl, but Drummond is not at all fooled by her pampering and charming behaviour, as he is very intelligent in sensing her motives.. She does play the bimbo but is very cunning, as most Bond style girls are.In a nutshell I did enjoy this movie and am not surprised that any criticisms are really more to do with it's comparisons to modern released movies. However, I am very surprised that the character of Bulldog Drummond was not pursued in later years like with remakes of `A Thomas Crown Affair', `The Avengers', `The Saint' etc. I believe that the character of `Bulldog' Drummond could have been further modernized and made into a big hit in the late 1970's upto the 1990's with newer adventures, as it had all the charm and character of serving action/adventure style movies, but on a larger scale. I would have kept one foot in the 1960's and another one in the 1990's keeping that style in an evergreen sense.

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