Chato's Land (1972)

the audience applauded

Great Film overall

Awesome Movie

The best films of this genre always show a path and provide a takeaway for being a better person.

After the opening scene the story has a flavor of "The Most Dangerous Game" going for it. Pardon Chato (Charles Bronson), instead of being hunted by a determined posse, looks more like the hunter in this revenge Western filmed in Spain. That should have been more than apparent to Captain Quincey Whitmore (Jack Palance) and his bunch even before Chato took his first victim, it was easy enough to determine that Chato was leaving a trail for his pursuers to follow.What disappointed me here was the Jack Palance role in the latter part of the story. Captain Quincey was given ample opportunity to be a stand-up guy in a number of situations and he backed down each time. You could sense the Captain was wrestling in his own mind over what to do about the rape of Chato's wife for example, but he gave the vicious members of his posse a pass to follow their own will. I would have expected a more principled leader to stand in opposition to the thugs, thereby setting up a more momentous confrontation against the Apache half breed they were trailing.Even so, Quincey's death scene after getting shot by Jubal (Simon Oakland) was pretty interesting. I believe it's the only one which I've seen where the guy who's about to die is still talking when his body gives out. And speaking of dying, is there a more ignominious way to go than the way Jubal got his? Man, three rocks to the head seemed pretty gruesome to me, but the guy had it coming.As for Chato himself, Bronson didn't need a whole lot of dialog to portray the cunning Indian. Other reviewers here have commented on Bronson's physique in the film, quite impressive for his age and naturally ripped from whatever training regimen he might have followed away from the set. Bronson got to put his body on display in any number of vehicles, and as a contrast, I would point to two guest starring roles he had in TV shows a decade apart. He portrays a boxer in an episode of The Roy Rogers Show from 1952 called 'The Knockout', and again in a One Step Beyond Story from 1962 titled 'The Last Round'. The difference in his appearance is notable in that he's a lot more muscular and heavier in the latter vehicle, looking almost as if he might have been using steroids. All conjecture since I have no way of knowing, but here, another decade later, he has that natural looking physique toned by a rigorous exercise schedule.

Chato's Land was a pleasant surprise, due to its mixed reception and that the type of film that it falls under is not always my thing I was not expecting an awful lot. But seeing as the cast was a good one on paper I thought, why not? Chato's Land is not going to be for everybody, it's very gritty and violent(some of it being not for the faint-hearted, the most memorable of it actually being very brutal) and Michael Winner's films are the kind that will entertain some and not be others' cup of tea.The film is a touch overlong and gets a bit draggy in spots, while the ending is rather abrupt and rushed- sure it was intended to be ambiguous but for me there was the feeling of uncertainty of how to end it- and the day-for-night lighting/shooting is awfully obvious. Jerry Fiedler's music score compliments the film well and dynamically orchestrated but could have had a more sweeping punch and with less of a TV series and workmanlike pace. However Chato's Land was a pretty good film, apart from the day-for-night it's reasonably well made with splendidly gritty scenery and handsome photography that suits the atmosphere. Chato's Land is also very intelligently scripted with some remarkably literate dialogue, the direction from Michael Winner is above competent at least pacing and technically-wise and the story mostly is well-paced and compelling.In terms of action, that in Chato's Land is sparse but when it does appear it really does pack a punch. For an action/Western film, what was really impressive about Chato's Land was the way the characters are written. The characters here are very interesting and with plenty of layers, Captain Whitmore is a very multi-faceted character and perhaps the most multi-faceted role of Jack Palance's career. The great performances help(apart from for my tastes the hammy one of Richard Jordan), Charles Bronson has rarely looked better and brings a real commanding charisma every time he appears, very telling even when not saying very much. James Whitmore, Richard Basehart, Simon Oakland and Ralph Waite give solid support but best of all is Jack Palance, who is superb in one of his better and more layered performances.Overall, far from perfect and not for everybody's tastebuds but a pretty good film. 7/10 Bethany Cox

The storyline to Chato's Land is simple as can be. A half-breed Indian is harassed by a redneck sheriff while having a drink in a bar. He is forced to kill the racist and is then pursued out into his desert homeland by a posse hell bent on retribution. Very little time is spent on setting the scene; the basic set-up is underway in less than five minutes. The director is Michael Winner, who it's probably fair to say is famous for having a somewhat sledgehammer approach to film-making. His style is very unsubtle and his movies are often pretty tough, violent and unpolitically correct. You could almost view him as an English version of the Italian director Umberto Lenzi. As a result, his films are a lot of fun.This one is almost like a blueprint for Winner's later box office smash Death Wish in many ways. Both star Charles Bronson as a man whose wife has been raped by thugs and who chooses an eye for an eye style of violent retribution to put matters right. You could also definitely say that Chato's Land also fits into the revisionist western category too – although admittedly with a healthy slice of exploitation content added in for good measure – as it can quite easily be read as another early 70's Vietnam allegory. American might and arrogance comes a cropper against a less well equipped enemy. The invaders have far more gun power but they fail to take into account the environment they enter – the land understood perfectly by the enemy they seek. They commit various atrocities along the way such as setting a village on fire and then finally rape and murder. So there are underlying themes in this one but you don't really need to know any of this historical context to enjoy it because this works just great as a western with plenty of violent action.It's not immediately obvious but this is a Euro Western. It was shot in Spain but with British money. As a result it's maybe no surprise that it resembles the Italian spaghetti westerns in some ways with its amoral characters and violence. Charles Bronson is the star name in the title role. He looks and acts the part just fine but he has virtually no dialogue and the main focus is squarely on the squabbling posse led by Jack Palance. Chato is always on the periphery, which works well as we never know when he will strike. He begins by toying with his pursuers, leading them on a dance but he changes tack after the rape of his wife and murder of his son and seeks bloody revenge. The posse are, therefore, a very unsympathetic group. But they aren't all one dimensionally evil – there are the bad-bad guys but also the good-bad guys. There are a lot of grey areas and the motivation behind each man varies quite a bit. And the order in which they are bumped off is not in the least predictable either.Chato's Land is a pretty straightforward and enjoyable revenge western though. It's sometimes a little rough around the edges it has to be admitted. Occasionally it appears to have been edited with a hacksaw – for instance there is no build up whatsoever to the sudden arrival of the cowboys at Chato's family home – but this isn't really that much of an issue overall and in some ways adds to the raw feel of the movie. It's a film I have seen several times over the years and I always find it to be pretty successful and satisfying.

Chato's Land is directed by Michael Winner and written by Gerry Wilson. It stars Charles Bronson, Jack Palance, James Whitmore, Simon Oakland, Richard Baseheart, Ralph Waite and Richard Jordan. Shot on location in Andalucia, Spain, with photography by Robert Paynter, it's musically scored by Jerry Fielding. Plot finds Bronson as half Apache, Pardon Chato, who is forced to kill the local sheriff in self defence and finds himself being hunted by a town posse led by Captain Quicey Whitmore (Palance). However, as the posse trail him into the wilderness it becomes apparent that the tables have been turned, with Chato given further cause to inflict harm upon his pursuers.The first of six collaborations between Charles Bronson and Michael Winner, Chato's Land finds the pair setting the marker for what would define their work. With the Western genre going thru a resurgence, Chato's Land is very in-keeping with the type of Western that was being released in the early 70's: namely violent, uncompromising and certainly gritty. These things, as history now shows, were tailor made for Winner, who perfectly utilises Bronson's silent and brooding assets to great effect.Often suspected to be an allegory of the United States' involvement in Vietnam, it's thematically correct in that respect. But the timing of the film would suggest this to not be the case. Chato's Land is more than just a revenge Western; a film about white men out of their usual terrain being pursued by a man of a different ethnicity, it wants to, and does quite well, be a picture dealing in racism, violence and the folly of hypocritical justice. But even tho Wilson's script brings these issues to light, they are not fully formed, with Winner at times dragging the film to a stand-still. However, the group dynamic is a good one, with the inevitable character differences creating a tinderbox waiting to ignite, while Winner doesn't skimp over the violence, puncturing the narrative with savage thrusts.Bronson was 50 years old when making the film, his physicality here is very impressive. The role of Chato is hardly a stretch for him, in fact it's very much a perfect fit. He's basically asked to be a phantom in the landscape, but he casts an imposing presence each time he's called on to deliver some Chato justice. In pursuit are a mixed bunch of actors, with Palance, Whitmore and Baseheart the obvious professional standouts, while Simon Oakland leaves an indelible mark as grizzled father of the Hooker boys, Jubal. Fielding's (The Wild Bunch) score is efficient, but workmanlike, and Paynter's (Lawman) photography never really makes the landscape as imposing as it should be. Overall it's a mixed bag, but for fans of revenge type Westerns, and Palance, it's easy to recommend, but it still should have been more intelligent than it ultimately is. 7/10