Necronomicon (1993)

Powerful

Just what I expected

It's entirely possible that sending the audience out feeling lousy was intentional

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

There is nothing good to say about this film. The stories are bland, the effects are laughable, the actors are mediocre and the characters are pathetic stereotypes. I almost cringed at the inane dialogue. There are so many other better anthologies out there that don't waste your time and don't insult your intelligence. Lovecraft fans may be delighted by the movie (and may recognize some of the stories) but that is the only single fact to entice anyone to watch this. Although I am not a fan, I almost felt sorry that his stories be butchered in such a way as to present a sickening piece of cinematic trash as this. The only thing horrific about this film is that it was made at all.

Theoretically speaking, this is one horror movie concept that couldn't possibly have gone wrong! "Necronomicon" is an anthology embracing three lesser known stories (at least, to me they were lesser known) by the legendary novelist H.P. Lovecraft, filmed by an interesting variation of directors, and moreover linked together through an inventive wraparound story that revolves on Lovecraft himself; as played by Jeffrey Combs (who else?). Heck, even the title vividly speaks to the imagination of us, true horror fanatics, as surely everyone will recognize the "Book of the Dead" either from previous Lovecraft adaptations/novels and, if not, certainly from Sam Raimi's splatter-classic "The Evil Dead". Basically, we've got every necessary ingredient to cook up a wondrously delicious horror smörgåsbord here, but somehow the end result nevertheless left a rather sour aftertaste in my mouth… Each and every separate Lovecraft short story is superb, and more than often embodies the true definition of sheer genuine & terror, but the teleplays are underdeveloped and never fully capture the dark and ominous atmosphere that Lovecraft had in mind when he wrote them. Considering the surreal themes and sinister setting, these should have been stories that spontaneously inflict nightmares and cause phobias amongst the viewers, but sadly it never comes to that. You feel emotionless the entire time. It's actually hard to explain … "Necronomicon" seemingly has it all, from solid subject matter over stylistic filming aspects onto nauseating gore effects, and yet something essential is missing. The wraparound, as stated above, introduces Lovecraft himself sneaking into a dark & secret library chamber, because he heard the place hides a copy of the allegedly mythical book The Necronomicon. With the suspiciously eerie librarians observing his every move, Lovecraft reads to us three stories of the macabre. The Necronomicon is simultaneously the leading thread running through the stories, as all the protagonists come into contact with the book one way or the other. The first segment has a Swedish heir returning to the ancient family hotel by the seaside. He learns that his ancestor lost his beloved wife and child in a shipwreck, but managed to bring them back to life through forces hidden inside the hotel. Since Edward also was responsible for the dead of his girlfriend in a car crash, he hopes to discover the secret and bring her back from the other side as well. Obviously not the best of ideas … "The Drowned" is my personal least favorite story of the three, but I do have to acknowledge it's a stylish contribution. Director Christophe Gans ("Brotherhood of the Wolf") takes the maximum out of the marvelous seaside location and the morbid old hotel. The flashback, with Richard Lynch as the archetypal sea captain ancestor, is masterfully handled as well. However, Bruce Payne's stone-cold performance as well as the hideously abrupt anti-climax plummet the quality level enormously. The second story, entitled "The Cold", is my choice for best segment. It's about a sleazy journalist who knocks at the door of a large mansion and brutally confronts the lady of the house with the mystery of why so many people vanished after having visited this place. She has no option but to tell him about her mother's acquaintance with the brilliant previous tenant – Dr. Madden – who developed a unique but sinister method for preserving his youth and virility. One slight disadvantage, though, it requires a lot of human spinal fluid and must remain safeguarded in a cold environment. Personally, I'm a sucker for horror stories revolving on the quest for immortality (like "The Rejuvenator" and all the movies about Countess Bathory); especially when they feature an outrageously over-the-top mad scientist character, like David Warner in this case! "The Cold" has a marvelous story-within-story structure that nearly isn't confusing as it sounds and benefices from the most properly "finished" screenplay of all three stories. This is also the only segment that finds the exact right balance between juicy gross-out effects and high level of tension. Not bad for a Japanese director that allegedly couldn't speak a word of English on the set! The third and final story has director Brian Yuzna's trademarks all over it. "Whispers" is an indescribably nasty and sickening illustration of what pure hell is most likely to look like. This segment is lacking substantially, but you'll nevertheless stare with your eyes and mouth wide open, as it is a non-stop spitfire of pitch-dark and ghastly images. Unfortunately they are not really disturbing or scary … just very, very unpleasant! Two police officers are chasing a car down to a grim neighborhood and literally end up in a subterranean labyrinth of terror. Words even file to describe the atrocities they encounter there, including petrifying elderly folks, flying carnivorous demons and extraterrestrial butchers. I like a good portion of gore and bloodshed, but this particular segment was quite unbearable. In general, "Necronomicon" is definitely a mixed bag. Those who claim that the 90's only brought forward derivative, inferior and non- atmospheric horror turkeys should check it out because it's certainly one of the better efforts of the decade. Still, like that other 90's Lovecraft adaptation "The Resurrected", this movie can't hold a candle to some of the earlier – albeit admittedly loosely interpreted – movies based on the writer's repertoire, like "Re-Animator" and "From Beyond". I'm sure many people will beg to differ, but I think even Lucio Fulci came closer to capturing the real mindset of Lovecraft when he looked for inspiration for "City of the Living Dead" and "House by the Cemetery".

H.P Lovecraft spins out very dark, morbid and harrowing tales in this three story Gothic anthology, that has the horror master Lovecraft (no other acted by Jeffery Combs) coming across the book of the dead; 'Necronomicon' in the formidable wraparound story 'The Library' . The quest for forbidden knowledge will always come at a price, and the imagery suggests that.Brian Yuzna was another name tagged to the project directing, writing the wraparound yarn and the third story; the relentlessly gusty 'Whispers'.Plus making sure that the ghoulish make-up FX was unforgettable, Screaming Mad George, Tom Savini, David Sharp and Todd Masters lend their class to the imaginatively gob-smacking visual effects. Their efforts really go a long way to outdoing the cluttered stories and the art direction is simply sensational and masterfully shot, namely in the first story; the tragically brooding 'The Drowned'.The pick of the lot would be the second tale; the icy, but skin-crawling 'The Cold' which starred David Warner as a lonely scientist, dabbling in the quest for immortality involving human spinal fluid… that's fresh! It's quite well defined piece with an effective twist to cap it off. However my favourite is the gritty, pulsating 'Whispers', due to its gruesome mentality and edgy atmosphere with some kooky performances by Judith Drake and Don Calfa. It's a hard on to pick up on to which way the daftly twisty story would end. Two cops find themselves in a car accident after chasing the brutal killer known as 'the butcher', one is dragged off into underground tunnels with the other trailing behind. It's a hell of a ride! The weakest is by far 'The Drowned'. However it isn't that bad… far from it. The direction is stylishly done and when it goes for shocks (far in between) it does it well. It's a slow-going, tightly knitted atmospheric story delving into personally haunting torment and trying to make amends for hanging guilt. The make-up looks great, with a spectacular climax. Bruce Payne is richly engaging. Richard Lynch gives a booming performance and Maria Ford is gracefully creepy.A fine, flowing collection of episodes linked together to equal an enterprisingly grisly and moody anthology. Better than I expected, but I found myself wanting more from it.

I've seen a couple of Lovecraft based movies, and, oddly, all of them were pretty good. I appreciate when a film crew manages to capture the spirit of the book being covered. And from that viewpoint, an HPL movie would hardly show any gore or monsters at all, but, instead, build our expectations through time. The plot would be intense, although not necessarily very dynamic. The final moment of the movie would unveil a grim truth, probably rendering the protagonists insane. So, having set the (in my humble opinion) optimal lovecraftian movie criteria, let's watch Necronomicon! 90% of the movie's budget was probably spent on monster fx - a waste of resources! The acting is not very bright, the characters barely believable. As for the stories, they're a desecration of all things Lovecraft. Unconnected scenes. Almost completely unrelated to any book, and devoid of sense, they made me cover my eyes in shame. Someone here's written in a comment that this movie is for Lovecraft fans only. Boy, were they wrong! If you're a Lovecraft fan, stay away from this movie! Run, like it's the Dunwich horror!. Else, if you're a classical gore flick fan, go ahead, you might like this mindless collage of scenes painted red.