Podium (2004)

To me, this movie is perfection.

i must have seen a different film!!

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Bernard Frédéric (Benoît Poelvoorde) devoted his life to his biggest icon Claude François, perhaps the most famous mainstream French singer in the seventies. To fully live his passion and his admiration for him, he organized provincial tours in which he sang with female dancers "Cloclo"'s most popular songs, flanked by his associate Couscous who assured the first parts of his shows, dressed as Michel Polnareff's double. But today, galvanized by his wife Véro (Julie Depardieu) who forced him to choose between her or his god, his once exciting life got bogged down in a humdrum one. An employee in a bank, he also lives in a modest suburban house until one day, his former chum approaches him again to prompt him to attend a TV show about celebrity doubles. Frédéric can't withstand to the desire to attend it, dressed as Claude François. But he would have to defy the promise he made to Véro who might see this as the last straw about the future of her relationship with her mercurial man...What can be said about a film which enjoyed a conspicuous publicity campaign and made it a household name virtually everywhere in France? Well, visually, it's an appealing film. The director Yann Moix retorted to a quite kitsch cinematography with often gaudy colors to recreate the aura of the Claude François mania in the seventies. A mania which is still vivacious today in Frédéric's mind and in his relentless training to be on this vital TV show about double celebrities. A quirky directing with split-screens which includes authentic footage dating from the seventies and an epileptic editing consolidates this whimsical menu. One word about the last sequence: Moix doesn't tap overflowing effects to leave the viewer speechless about the harrowing vibe the scene conveys and one forgets its formulaic character.Then, the scenario seems to have been sedately written. It's true that the scriptwriters including Olivier Dazat follow an ultra-mapped scheme to tell Frédéric's efforts to reach the TV show which seems to be the most crucial thing on earth for him. However, there's more on the paper and to the picture than meets the eye. This scenario has its moments and they are numerous like when it comes to showcase and construe Frédéric's apparently simple but complex persona. He's a lackluster man when Claude François isn't on his mind but when his passion for Claude François has the upper hand and his determination to reform his female dance band make his demeanor with his surrounding hateful, obnoxious, on the brink of the unacceptable as the sequences when he selects his female dancers and then asks her questions (he has all the answers) about his god bear witness. But he's especially guided by his former tour companion, Couscous, deemed as disreputable by Véro. In a way, this hare-brained Polnareff's double is his evil genius because he indirectly jeopardizes Frédéric's couple to make him resume his one-time favorite activities. It's all the more serious as Véro is deeply enamored of her man. Moreover, does headstrong Frédéric's imagination play tricks on him? Is the sequence during which he's phoned by Claude François a dream or an hallucination? So, the scriptwriters have penned a cohesive screenplay which concerns nearly all of us, at least the ones who have heroes in any domain in life. To which extent, can we go to fully identify oneself with a celebrity for whom one is in awe? Could it make us cut off from the reality? Doesn't one risk a split personality?"Podium" was basically a novel written by Moix himself for Benoît Poelvoorde to convince him to transpose it to the silver screen and to act in it. It bore fruit. The Belgian actor, once revealed with the half-gruesome, half-wacky "C'est Arrivé Près De Chez Vous" (1992) carries an important part of the film on his shoulders and his input both in the film and in his role is visible. His charisma, François' songs he heartily sings, the choreography are reproduced with painstaking application. But the rest of the cast isn't sacrificed. Julie Depardieu, (Gérard's daughter) acts her role with reserve and self-control and deftly circumvents the drawbacks her role was tending. Jean-Paul Rouve, him, keeps a part of mystery to Frédéric's sidekick and Polnareff's double.On the surface, the story of "Podium" smells the reheated but the authors had the gusto to cool it down to better entertain the viewer and to arouse essential questions about his tastes and likes. This a little oddball film should appeal to Poelvoorde's fans and to "Cloclo"'s. And as soon as the film ends, French viewers, be prepared to hum his tunes. All together now: "Alexandrie, Alexandra", "Des Magnolias Par Centaines!" etc...

This movie came out in Belgium in 2003 but I waited to see this wonderful movie until now. The story is simple but the movie is great. Benoît Poelvoorde is playing Bernard, a bank clerk of the greatest dullness. A job he had to take 'cause his wife couldn't stand living with a dual-personality (or as she's called NO personality). So he promises her never to do the man again. His great obsession is the french star Claude François. Bernard is the perfect double of the star, no, resurrection is the better word. When there is a competition 5 years after the Promise, there's a competition for doubles on television and the best claude françois wins 100000 euro (125000 dollar) Bernard wants to compete and starts his old routine but he thinks he IS the star and starts acting on it. The actors are one for one top quality but the star is indeed Benoît Poelvoorde from my beloved country. His splendor, to be able to show a character that you can hate and love at the same time, is remarkable. I really can recommend this one Some pointers for the people oversees (United states): If you don't know claude françois it's easier to look at the movie like Claude = Elvis. Then it's easier to understand the hype If you look carefully: you can notice the original french version of 'my way' by Frank Sinatra or in this case 'comme d'habitude'

When a friend of mine told me about Podium she said that the movie was about a legendary french singer Claude Francois. Personally I love the movies based on bios, so I have nothing to said against it. In fact I had another good experience watching a French comedy (Gregorie Moulin vs Humanity). Not in the mood of that movie, Podium, instead of the Claude biography shows the life of Bernard, a banker that in his teenage years used to love everything about Claude, but his girlfriend made him let things down about his hero. In that time the only choice was his idol or her. Years later motivated by an imitators challenge Bernard suddenly begins to rise as Claude Francois and in the middle of his hallucination, everything begins to make sense. Or isn't it? In my humble opinion Podium goes further than its firsts goals. It doesn't have only good comedic moments, it also has very touching moments that goes around the main character, explaining the suddenly change in Bernard. A good comedy and although is long, the direction of this is really impressive. It makes you feel like the main character, his happiness, his sadness, even his loneliness. In some part of the movie I can also guarantee that you'll feel even like Claude. Have a good time watching this piece of art.Rating: 10 of 10.

Podium. Directed by Yann Moix. ***I haven't had this much fun for a while!Courtesy of the 8th French Cinema Tour, "Podium" just hit theaters in a festival-like run here; Oh! I got so lucky! It's such a funny comedy, one of the best I've seen coming out of La France, and one of the best of the year for sure.Benoit Poelvoorde is Belgium's national treasure for sure. He's performance is outstanding; he played Bernard Fréderic with such emotion, wit and realism that I'm gonna be real mad if he doesn't get a Best Actor nomination at the Cesars. The thing that is so great, is that his character is hateful and charismatic at the same time. He believes he's a star, so he starts acting like one: mean and rudely. He's a great singer and dancer too (maybe Kevin Spacey could borrow him some ideas).Great writing, solid direction, hot French chics (or according to Bernard, "sexual bombs") in a comedy that smartly explores the obsession for fame, celebrity and pop idols. You won't regret if you watch it. Believe, it is worth it.The tribute to French super star, Claude Francois is there, making the whole thing nostalgic. And one more thing... perhaps Americans should keep their hands out of it, and not starting to think about a remake. I suppose it will start its international commercial run in 2005, so where it's available, don't miss it!7/10