Deepwater (2005)

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Well there goes another hour and a half of my life that was totally wasted on a film that has ZERO substance, and a whole lot of nonsense. Characters appear out of nowhere with no development, not that you will care, because the entire purpose of this film seems to be setting up a ridiculous ending. All the characters are highly annoying and unlikable. I only watched this because of Michael Ironside, but the script is so disjointed, and his character so forgettable, he essentially has nothing to work with. Beware, this movie is a total waste of time, and not nearly as hip as it makes itself out to be. - MERK

A Southern boy (Lucas Black) gets a job working at a motel near an Indian reservation and casino. He discovers that the motel owner (Peter Coyote), a 1/8 Indian, is involved in a corrupt scheme with his Indian friends to get control of the casino. Some people are killed and the Southern boy believes the motel owner is responsible. The Southern boy has a fling with a waitress (Lesley Ann Warren), but becomes obsessed with the motel owner's wife (Mia Maestro). The boy hatches a plan to steal the husband's cash and run away with the wife. Before he does, he must engage in a challenge boxing match with the motel owner, an aging former pro boxer. The cast of characters in this movie are very interesting and the acting is really good. The atmosphere is eerie. This movie held my interest completely and I am easily bored. This movie deserves better than the 5.0 rating at this writing. I grade it an 8.

With lack of funds and just released from hospital care, Nat Banyon(Lucas Black), leaves a bar fight via stolen car. Nat is heading to a job on an ostrich farm in Wyoming. He saves the life of Herman Finch(Peter Coyote), who owns a rundown motel in the tiny town of Deepwater. Finch actually seems to have the whole town cowing in fear of him. Finch offers to buy Nat a car in return for painting his motel. The young man is willing and even more so distracted by Finch's young wife Iris(Mia Maestro). The more time he spends in Deepwater, Nat realizes things may be shadier than they seem. What no one knows is the young drifter has a dangerous dark side. The cast also features: Michael Ironside, Lesley Ann Warren and Kirsten Bell. If the bartender looks familiar...he is Dee Snider of the hard rock band Twisted Sister.

This was the only Seattle Film Festival film I went to, and I was pleased to find it better than many mainstream movies I've seen. It was an unnerving mystery that sucked me in and genuinely surprised me. Peter Coyote's portrayal of a strange motel owner was my favorite part of the film. I've seen Coyote in a lot of movies, and this has got to be the most interesting role I've seen him play yet. You're never sure if you want to love him or fear him, and that ends up working perfectly for the plot. Deepwater had a lot of creepy, stylish, music-video type moments. The camera work was beautiful, and once you get to the end of the movie, the style of these sequences makes even more sense. I didn't feel like these scenes took away from the dramatic moments which were the core of the movie. The director answered questions afterwards, and I was surprised to hear him talking about how low the budget was. He described some of what he would have done with a bigger budget, but I found myself wondering if the small budget helped force them to really focus the story. It's too late this year, but after seeing Deepwater I'm going to make sure I see more films at next year's festival.