The Way Ahead (1945)

I'll tell you why so serious

It really made me laugh, but for some moments I was tearing up because I could relate so much.

One of the most extraordinary films you will see this year. Take that as you want.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This is a film about a seemingly run of the mill sort of group. After the Brits were involved in WWII and saw how bad the going would be, the government was forced to draft men who would traditionally have been exempt. Men who were a bit old or involved with careers that might be deemed 'useful' to the effort were suddenly being called to duty, as times were dire. The beginning of the film shows these men being selected for service.Unfortunately, this is a rather motley group and they tended to complain quite a bit as well (mostly by Stanley Holloway's character). How they could become a productive unit seemed pretty doubtful and I doubt if such an unimpressive group of men would have been used as actors had this propaganda film been made a few years earlier--when things looked really bad for the British. However, now that the war was appearing win-able, I can understand the choices of actors.There is nothing particularly magical about any of the film--their selection, their training or their combat experience in North Africa. However, all of it was very well handled and excelled because they tried to make it believable--normal, everyday men rising to the occasion. In many ways, it reminded me of a landlocked version of "In Which We Serve"--with fine acting and writing instead of jingoism and super-human exploits. Very well done.There are a few interesting actors in the film. Peter Ustinov is in his first film and he plays a French-speaking man. While his French isn't 100% fluid, it was decent and a bit of a surprise. Apparently, he was in real life David Niven's assistant in the British Army and somehow ended up in the film--and thus began his career. Also, Dr. Who fans will appreciate that the Sergeant is played by Dr. #1, William Hartnell.By the way, this is a little explanation for those who are not British or familiar with British history. Early in the film, someone asks Stanley Holloway's character who he liked in Parliament. Holloway indicates the only one he liked was Guy Fawkes! Fawkes was part of a plot to blow up Parliament in 1605, but was caught and executed--and the Brits celebrate this to this day with Guy Fawkes Day--as day of merry-making, bonfires and fireworks! Obviously Holloway's character wasn't exactly fond of the government, eh?!

The threat of World War II hangs heavy and British civilians are called to basic military training in preparation for combat. Here we follow a very mixed bunch of men indeed, coming from all walks of life and divided by the class system, these men refuse to embrace the army way of life. As the training moves on and the men start to learn their craft, it becomes apparent that they are soon to see action, and sure enough these odd assortment of soldiers are called to finally prove their worth, not only as soldiers, but also as men of equal stature.Essentially a story of how war doesn't discriminate against the classes, Carol Reed's The Way Ahead boasts a fine cast on form and a script of character driven intelligence. Acting as a sort of call to arms to a country under pressure, the picture however now looks incredibly dated unless one can comprehend the time frame the picture deals with. It's well crafted {to be expected with Carol Reed in the directors chair}, and the last quarter, where the walls literally do come tumbling down, is octane effective and closes the film with triumphant might.Enjoyable picture for sure, but really not one to seek out at regular intervals. 6.5/10

This was one of several freebies in a newspaper with the catch-all title 'War Films' (Tunes Of Glory takes place entirely in peacetime, A Matter Of Life And Death is only peripherally concerned with war) and I put off watching it based on a vague feeling it would turn out to be jingoistic crap. Having watched it at last I've been disabused of that prejudice; formulaic it may be (it follows the tried and true formula of introducing a group of conscripts at a train station and remaining with them through basic training until they wind up in North Africa pitted against Rommel's panzers. In other words it's our old friends the Hollywood bomber crew with English accents. Peter Ustinov had a hand in the script and also takes part as a sort of cut-rate Akim Tamiroff in Five Graves To Cairo and acquits himself as well as any in the fine cast. David Niven fails to steal it as the one 'name' on view and gives basically an unselfish performance allowing the likes of Stanley Holloway and Leslie Dwyer to polish their lovable cockney sparrer images. Carol Reed handles it well and it stands up remarkably well.

(Minor Spoilers) One of the very best war movies to be made while WWII was still in progress with almost no hint of propaganda and false or movie-like heroism on the part of the good guys a squad,not battalion, of British Tommies in the North African desert. Released in London on June 6, 1944 D-Day, the film was released in the USA a year later as "The Immortal Battalion, "The Way Ahead" couldn't have come at a better time with the Allies and Nazis in a life and death struggle on the beaches of Normandy.The movie starts off with a number of British recruits well into their 20's or even early 30's getting the hang of military life which at first they greatly, like their first sergeant Ned Fletcher(William Hertwell), dislike. As the trooper are whipped into shape by the though as nails Sgt. Fletcher and their commanding officer the soft spoken Let. Jim Perry, Davd Niven, their slated to sail to French North Africa to participate in the invasion, in Operation Torch, of Vichy France's colonies Algeria and Tunisia. As things turn out the troop ship that their in gets struck by a German U-boat torpedo and sinks, with half the battalion lost, in the Mediterranean Sea.With Let.Perry's unite now reduced to company size it's sent to Gibraltar for what seems like the remainder of the war. It's not until the battle of El Alamein starts to turn against the British Eight Army that Let. Perry's men are immediately sent to the front lines to stop the German Afrika's Corps advance. We , as well as Perry's men, finally get to see action as Let. Perry's men are outflanked and cut off by the advancing German troops as the battle of El Alamein rages on behind their backs.Fghting for their very lives and almost out of ammunition the trapped and outnumbered British troops at the end of the movie tack on their bayonets and walk out of the safety of their barricaded and fixed position, the Rispoli Café, to confront the heavily armed Germans. And at the same time walk into the pages of history in both courage and valor under fire.You just can't keep from holding back your tears in watching the movie knowing that almost all the cast will eventually end up killed or captured. The movie both didn't overemphasize the British Troops as well as downplay Rommell's Africa Corps. Both parties came across equally brave and effective in the fighting that takes pace in the film. Which is very rare in war movies were one side, the one who makes the film, is shown vastly superior morally as well as militarily over the other: The one that the side who made the movie is at war with.P.S Look for both Actor Peter Ustinov as café owner Rispoli and Trevor Howard as the troop ships, that goes under the waves, officer in the movie.