Bugs Bunny's 3rd Movie: 1001 Rabbit Tales (1982)

Sick Product of a Sick System

Just perfect...

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

By the time the dramatic fireworks start popping off, each one feels earned.

What makes the Warner Bros. animated shorts created between the early 30s and the late 50s so interesting is that are brought to life through a combination of perfect timing, wonderful writing and a wicked sense of humor. That wicked sense of humor got passed the Hays office in the early 30s probably because the censorship watchdogs assumed that they were simple-minded cartoons and paid them no mind (or they were too busy crabbing about the length of Betty Boop's skirt). These dayts that attitude comes mostly from distributors who routinely pigeonhole these works of comic art as 'kiddie fare' (which explains why the great black and white Popeye cartoons of the early 30s are always shown in color) so they routinely chop, cut and trim them to fit a time schedule.Those same distributors who like to package these great works as 'kiddie fare' are primarily responsible for what doesn't work in 'Bugs Bunny's Third Movie: 1001 Rabbit Tales', the third of Warner Bros. compilation films linking new (rather ersatz) material to introduce old classic cartoons.The linking premise this time has Bugs and Daffy as book salesmen for Rambling House going their separate ways to try and see who can make more money. Bugs ends up at a castle in Arabia run by Yosemite Sam who demands that Bugs read 1001 stories to his loudmouth son Prince Abba Dabba. The first problem is that the premise is lame and the character of the son is irritating with his loud mouth and hyena whine every time Bugs refuses to read him a story. Daffy meanwhile has unmemorable incounters with Porky Pig and Elmer Fudd.The other problem is that the classic cartoons that they include have been cut mostly to fit the storyline of the new linking material. One of the greatest animated shorts ever made was Chuck Jones' brilliant 'One Froggy Evening' in which a greedy construction worker finds a box containing a frog that can sing and dance. The downside being that the frog won't sing for anyone but him. This falters all of the man's attempts to make money selling him as an act. The greatest irony of this cartoon is that there are no speaking parts except when the frog sings. The problem in this movie is that new narration by Bugs as he reads the story interrupts the quiet comic flow and worst of all, the hilarious, wicked final punchline is cut off.I was afraid that this kind of prepackaged butchery was becoming a trend until Cartoon Network put together three shows which really celebrate how important these shorts are. The best is 'Toonheads' which has a theme every week showing how different artists interpreted different characters. The others are 'The Tex Avery Show' and 'The Bob Clampett Show' which spotlight the best works of each artist and allow the viewer to learn a little about what went into their inspiration.'1001 Rabbit Tales' is an example of a practice in the 1980s of hurling any moving cartoon image at children and assuming that it would stick. Thankfully, that era has passed.

I thought that the characters were really funny and all had great personalities. The animation in My opinion was crisp, clean, and really clear. Not to mention beautiful! Most of the characters in this show are hilarious Looney Tunes characters that we all love. in My opinion these characters are the funnies and talented ever seen. In fact, The things that goes on in this series' cartoons are in My opinion nuts which that is what makes them hilarious! There are so many to like and laugh at and the silly things they do! If you like the original Looney Tunes and animated films then I strongly recommend that you watch this movie today!

Another one of the quick-fix movies by the Warner Bros. studio to make some fast money off the famed Looney Tunes characters. Old cartoons starring most all the major characters are held together by an unfunny new cartoon that has book salesman Bugs Bunny telling stories to Yosemite Sam's young brat of a son in a palace in the middle of the desert. Naturally there is also Daffy Duck trying to survive the harsh desert environment. It is tough to survive this harsh cut-and-paste mess. Watch the Cartoon Network instead. 2.5 out of 5 stars.

While I do agree with the fact that this is not the best way to see these wonderful cartoons, there's no denying that for some this is the only way. Regular TV programming has fazed out Bugs Bunny cartoons. Great video compliations are out-of-print. And if you don't have cable TV, you're screwed.It edits the original shorts with new linking material, which is not a new practice. Robert Youngson made a career out of this genre; his titles include "4 Clowns" and "Laurel and Hardy's Laughing 20s". Also, the MGM That's Entertainment! series, which is up to three. Most critics tend to praise those titles, but condemn the Warner Bros. Looney Tunes films.That is not fair. "1001 Rabbit Tales" is a very good movie on its' own terms. Supervised by the late, great Friz Freleng, the linking material is the best so far in this series. The "plot" involves Bugs Bunny and Daffy Duck as salesmen for Rambling House Publishing (a great in-joke that's just one of many). They go their separate ways and Bugs ends up being a storyteller for Yosemite Sam's son (this is where the old cartoons enter in)Freleng selects some of the very best Looney Tunes shorts for this film. His selections include "One Froggy Evening", one of the greatest of all time and "Goldilocks and the Three Cats" (featuring Sylvester Jr.) and his editing is seamless this time round, unlike previous entries where it looked more obvious. Those critics who feel obliged to hate a film like this can go back on the horse they rode in on. Even Maltin thought it was decent at 2 1/2 stars. This is wonderful entertainment and considering today's entertainment, timeless.**** out of 4 stars