Comanche (1956)

Great Film overall

Excellent but underrated film

This film is so real. It treats its characters with so much care and sensitivity.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

There are so many aspects of this film that are bad, it is difficult to decide where to begin. Filmed in Technicolor, this was NOT a B-grade movie. Yet I have seen many B-grade westerns that are superior to this utterly pedestrian effort at film-making. In fact, the color film is the only thing about this movie that is decent. The cinematography, itself, is unremarkable. The scenery, shown once would have been unremarkable, too. The same location shown repeatedly, however, is laughable.Worst of all is the soundtrack. The Lancers' upbeat, ersatz-folk sound is hopelessly out of sync with the story, giving the film a kind of schizophrenic quality. The songs, with a change of lyrics, would be better suited to a Frankie and Annette film of the same era - or an upbeat Disney movie.Then there's the acting - or better stated as a question - where's the acting? In particular, I have never been able to understand how Dana Andrews ever had a career in film. He is absolutely the most wooden actor ever seen in Hollywood. His delivery is the same whether he is portraying a film noir tough guy or an Indian scout. His face always has the exact same expression - utterly impassive. Whether his character is experiencing joy or sorrow, his face looks exactly the same. Who told this guy he could act? He must have had the dope on a lot of Hollywood big-wigs to have been cast in films - even as an extra! The rest of the cast is apparently mimicking other actors - the Gabby Hayes wannabe, the Stewart Granger wannabe, the Dolores Del Rio wannabe. They are all pretty much on autopilot - delivering caricatures rather than portraying characters.The question I have whenever I subject myself to an abomination such as this is: Who is most to blame - the actors or the director? Did the director actually want these actors to act as they did, or was he simply incapable of getting anything else out of them? What would Ed Wood have accomplished with a budget such as this director had at his disposal?

Blasé outdoor yarn set in 1875 is based loosely on real events, with peaceful villagers near Durango, Mexico pitted against the Comanches. Linda Cristal plays the daughter of a Spanish aristocrat who's been kidnapped; frontier scout Dana Andrews (looking weary) is working with the Calvary to bring peace between the white man and the Indians until he and his partner are also captured. There's an amusingly upbeat theme song by The Lancers ("A man is as good as his word/as good as his word is he/and if he is as good as his word/he's good enough for me"), and the outdoor cinematography is inspiring, but this plot is so old it creaks. John Ford's "The Searchers", also from 1956, covered similar territory; "Comanche" isn't as pumped up with machismo as "The Searchers" is--but neither is it especially memorable. ** from ****

This colorful western has plenty of action and the beautiful landscapes of Durango, Mexico as the setting for a story of war and peace on the Texas plains between the U.S. cavalry and the Comanches. The Indians also attack Mexican villages and take horses and captives and rampage on both sides of the Rio Grande. Dana Andrews is the scout whose task it is to convince Quanah Parker to stop raids into Mexico and talk peace with the American soldiers. Of course, the quest for peace is threatened by white scalp hunters and renegade Indians. There are several good cavalry-Indian battles in this film which was the American debut of Mexican movie star Linda Cristal, who is Andrews' love interest. The music score is decent but the warbling by Alfred Perry and company is out of place in this kind of western. It is also worth noting that several lines of dialogue in this film were lifted verbatim from Elliott Arnold's excellent work, "Blood Brother", which details the Apache wars and the friendship between Cochise and Tom Jeffords. Many of Quanah Parker's ideas of war and peace were taken word-for-word from Arnold's novel and attributed to the Comanche chief to portray him as the sage leader of "the lords of the south plains". One wonders if Arnold ever received credit or acknowledgment for the screenplay in this movie.

This movie was dreadful from start to finish. From the score to the hokey storyline to the AWFUL acting and portrayals of everyone in the film. The only way my husband and I could watch this film was to give it the MST3000 treatment. And we had lots of fun, but at the movie's expense.We laughed out loud at the ridiculous singing that underscores several points in the film. We guffawed at the fact that they kept passing the same bit of scenery over and over. We could not understand why the Indian chief spoke English with no accent, but couldn't seem to put his words in the right order.But our favorite part was waiting for the Scalper guy to repeat what someone had just said, but rephrase it as a question. "Wanna know what I think about (insert previous line here)?"Dreadful.