Subway (1985)
Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.
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Too much of everything
One of my all time favorites.
Excellent adaptation.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
One of the most boring movies my family and I have ever seen. We didn't really understand the plot (apart from the thief running away from his victim's henchmen). The relationships between the characters are unclear; the reasons behind their actions as well. Musicians start popping up out of nowhere. The end is sudden and unclear. Many loose ends remain. The trailer is also misleading (full of action scenes, which turn out to be the only action scenes in the movie). A complete waste of time in my opinion.
This is a pure exercise in style from the Luc Besson school of film making. A handsome gangster joins ranks with a school of dropouts who populate the Parisian subway system, hounded (but never phazed) by transportation police. The trouble is that head honcho Fred has fallen in love with the pretty but stroppy wife of one of his BCBG victims, and strife ensues below the streets of gay Paree.Christopher Lambert is amazing as the stylish rebel gangster with a heart, Fred; Isabelle Adjani is pretty but, as always, deeply annoying -- she just exudes arrogance from the bottom of her dainty little heart. On the sidelines we see an impossibly young Jean-Hugues Anglade, Jean Reno and Jean-Pierre Bacri. I actually didn't recognise Reno, that's how young and unknown he is here.If you have a deeper interest in cinema, this is a straight ten. It's amazing how Besson brings together great style, action, fun, pace, acting, dialogue and amazing characters. Unlike most directors who film in the province and try to make it look like Paris, Besson films in Paris but makes it look like Metropolis.Unfortunately, there isn't much of a plot and zilch suspense. The film starts with a heated heart-to-heart between Fred and pretty Héléna, and since we are aware that their affair can't end but unhappily (albeit in an incredibly chic way), the suspense is exactly zero. So if you just want entertainment, you should better pick one of Besson's later movies.
I was in high school when subway came out and it ran at the rep theater in my town. the first foreign and subtitled movie I even saw. It changed my life-I fell in love Christopher Lambert, car chases, foreign film and the buwaunwaun of the bass. I saw it 6 times on the big screen. All grown up now and its been a long time but I watched it again and loved it just the same. In no way is it a perfect movie, but in that is its strength. the kwirkyness of the story and characters blended with the atmospheric soundtrack creates a fun modern day twisted fairytale - a rare movie. a worthy movie. Like all good french cheese, a little stinky but thats what makes it all the better
I love French cinema, just so you know. However... This movie has no plot, no character development, no vision, and no coherence. It starts nowhere and goes nowhere. It doesn't so much "end" as much as it just "stops". I own this film on DVD, and I can't even give it away because I'd feel responsible for whoever else would watch it. Besson is a master. Even the masters can craft some dreck. This is a terrible, terrible, terrible film.