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Edwin Boyd: Citizen Gangster

Edwin Boyd: Citizen Gangster (2012)

April. 27,2012
|
6.1
|
NR
| Drama History Crime

Based on a real WWII vet and family man turned bank robber. Disillusioned by his post war circumstances, Eddie Boyd is torn between the need to provide for his young family and an unfulfilled dream to head to Hollywood to become a star. He discovers a way to do both, robbing banks Hollywood style, but his dream leads him down a path of danger and tragedy.

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ThiefHott
2012/04/27

Too much of everything

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Mjeteconer
2012/04/28

Just perfect...

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Hayden Kane
2012/04/29

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Kaydan Christian
2012/04/30

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Tony Heck
2012/05/01

"Your dreams, you made them ours. I believed you. I didn't think it would be like this Eddie." Eddie Boyd (Speedman) is living day to day as a bus driver trying to provide for his family. When a rider boards his bus one day he rethinks his life. With his house facing foreclosure and barely being able to scrape by he goes to a director in hopes of becoming a movie star. When all else fails he resorts to robbing banks. I knew very little about this going in and was actually surprised when I found out that this was a true story. This movie is very very similar to "Public Enemies" in story and pacing. While this was a good movie that is worth watching it is feels very long and drawn out. Speedman does a pretty good job in this as well as most of the other cast. The only real problem I had with this was the same I had with "Public Enemies". I felt it hard to stay focused on it the entire time and was losing interest off and on. This is not a bad movie but be prepared for it. Overall, as close to a remake of "Public Enemies" you can get. Good, but long. I give it a B-.

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adrianionescu
2012/05/02

"Citizen Gangster" is a low budget movie about a WWII Canadian soldier who felt so alienated in the humdrum of peace-time Toronto, that he started robbing banks for a living, around the year 1949. It's a story in the vein of "Public Enemies", Goddard's "Breathless", "Bonnie and Clyde", you name it, as you've seen it countless times: the "loveable" gangster, who fights not only society's rules, but also the conformity of being a square jawed bully with a gun.This one, Eddie Alonzo Boyd (Scott Speedman, "Milk"), married with two children, secretly leaves his bus driving day job, and takes his war-time Luger to a personal war against poverty (and... boredom?). He disguises himself with sinister make-up reminding us of The Joker, which thus becomes his signature look; he jumps graciously over bank counters right into the lap of young female tellers, asking them politely, and at gun point, to "fill the bag".His family life is destroyed after his secret is revealed, and a nondescript police detective manages to botch one of his downtown hits and cuff him. But Boyd breaks out of jail with a couple of acolytes (among which another WWII veteran, with a wooden leg), and gets back to being the "dazzling" bank robber young Canadian women have come to be fond of.The film tries to give some meaning to the conflicted love between Boyd and his all-too devoted wife (Kelly Reilly, "Sherlock Holmes"), then it attempts to sprinkle glitz over the "wild" lifestyle of the outlaws (where everybody parties in a sordid building), and finally strikes a tragic chord with the re-capturing of Eddie Boyd and his men in the middle of a snowy field outside Toronto.This movie is also the story of a young Canadian director (Nathan Morlando) who struggles with poor resources, fails to be inventive enough in his use of clichés (nods to predecessors are OK, as long as they're a means to an end), and reaches the finish line of his first feature film exhausted, and with a feeling of emptiness. The characters are choppy, the love story a bit drab, and the only thing that seems accomplished is the film's overall sense of pace.When the only things you have are a few interiors and a bunch of moderately good actors, I guess the way to go around a story like that is to build characters accurately, develop relationships meaningfully, and weave creative dialogue in the framework of a conventional plot: none of which happened in "Citizen Gangster".

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gopikrishna-cp
2012/05/03

Isn't this the same story of Stander (from South Africa). Mr Andre Stander was a common police man who realised being a robin hood would not only teach the authorities a lesson but also fulfil his long term dreams and against the will of his wife gets into the business of robbing banks. When caught, he forms a group of three which the public named "The Stander Group" and succeeded in stealing more money from banks in any country ever! Seemed pretty much same to me. Any guesses?If I am not wrong it is another movie like many which try to portray real life events in different shades in different countries. Hopefully this one makes a mark for itself.

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deanmoriarty00
2012/05/04

Edwin Boyd is a fast-paced roller coaster film that proves fact can indeed be stranger than fiction. It is filled with poignant, heartbreaking moments. Boyd longed to be a Hollywood star and he would no doubt have a joyous tear in his eye to see this beautiful portrait of his life on the big screen. First-time filmmakers can certainly take notes and learn a thing or two from Nathan Morlando here. Morlando (also the screenwriter) executes this ambitious true story period piece on a low budget with such excellence you'd think he's been making films for years. The flow and tone of the film don't scream "period piece" -- which is a great thing and a conscious decision. It feels modern and slick, for instance, with the hand-held camera, particularly during the bank robbery scenes, which really place you right in the middle of the action. The soundtrack is also genius. Morlando mixes up the old tunes of that era with the jolting sounds of modern bands that feel like they could be from another time and place in history (i.e. The Black Keys). It's totally unexpected and completely exciting while watching. Brilliant work. The overall aesthetic look to the film is stunning. Shot on film, giving it warmth and life, it still has this cool grey almost newsreel type of look to it, only using flashy, vibrant colours where necessary; making them all the more gorgeous.Scott Speedman plays the title role and he truly shines in the tricky part. He shows off tremendous range as an actor. From the inner frustration and sadness simmering just below the surface, to the eventual angry blow ups, to the fun-loving gentleman-thief dancing around the banks and flirting with tellers; Speedman shows us he is capable of great things. The supporting cast is outstanding as well and they all play their parts just perfectly in showing off the different faces of Eddie Boyd (big praise to Morlando as well for fleshing out each character so well in the script in order to get deeper into the psyche of our lead character). The interactions with the fellas in the Boyd gang are so exciting and fun to watch, especially during their prison breaks and bank robberies -- you're placed right in the middle of the action, feeling like the fifth member of their gang. The scenes with Eddie and his wife Doreen, played by Kelly Reilly are beautiful and poignant. Completely in love at first, their relationship becomes strained over the years due to Eddie's lifestyle decisions, despite the love for each other always being there. Brian Cox does a great job playing Eddie's father (a retired police officer), adding a sad tension and insight in their tattered father-son relationship. Overall, Edwin Boyd is an extremely well-crafted film. Not just for a first-time director, but for any filmmaker; it's solid all the way around. Morlando handles the tricky, ambitious material of a real-life figure with total poise and precision. You'll laugh, you'll cry and you'll be on the edge of your seat. Definitely consider checking out this film. I can't wait to see it again.

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