The Escape Artist (1982)
The young and self-confident Danny bluffs at the local police-station that he will escape from prison within an hour. What follows is a flashback showing his childhood with his uncle and aunt, who are 'vaudeville'-artists themselves.
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Good story, Not enough for a whole film
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Danny Masters is the teenage son of the late Harry Masters "The Greatest Escape Artist in the world, after Houdini". He leaves home to join his Uncle and Aunty, fellow magicians. He wants to follow in his father's steps and he's not that far behind him in doing so, even though his father died what he loved doing. One day while visiting a magic shop he meets the town's Mayor's neurotic adult son Stu, where a strange relationship begins, as Danny and Stu decide to create the ultimate escape, but are Danny's talents being exploited, or does he not care. The theme at hand is engaging just thinking about it and "The Escape Artist" (which is adapted off David Wagoner's novel) is an enjoyably offbeat and wondrously moody drama with some splendid performances. Griffin O'Neal is fitting as the lead and Raul Julia is eccentrically good. The chemistry dynamics between the two demonstrates laughs, but also excitement as it remains unpredictable. There's charming support by Teri Garr, Joan Hackett, Gabriel Dell, Elizabeth Daily and Jackie Coogan. Then there are the likes of Desi Arnaz, M. Emmet Walsh and a minor, but comically good John P. Ryan. Never really heard of it before, but I was pulled in by its charm and mystic with a nice blend of witty humour between the characters and tension within some of the magic tricks. Sure it's a kid's film at heart, but the playful story does have its sombre moments and numerous smokescreen developments. Melissa Mathison (who was behind "E.T. The Extra Terrestrial") pens the screenplay, where it's sharply pitched and ambitious despite some shady details and plenty going on. Even the imagery stands out at times with imaginative touches and perfect timing in its performances and poignant direction.
This unheralded gem was produced by Francis Ford Coppola's Zoetrope Studios. I give it 10 stars for the theme music alone. There are some very good performances by Griffin O'Neal (his debut) as Danny and Desi Arnez Sr (Lucille Ball's husband) as the crooked Mayor...but the best performances are Raul Julia as Stu, the slightly(!) unhinged son of the Mayor and Joan Hackett as Danny's Aunt Sibyl.Funny and understated performances by John P Ryan as Stu's sidekick Vernon and Teri Garr as Stu's dotty girlfriend Arlene (pure eye-candy) are also worth mentioning.There's even a couple of the original 'Dead-End Kids' in the mix, Huntz Hall and Gabriel Dell, plus the original Uncle Fester and silent screen kid actor, Jackie Coogan. I've just realised all the names I've mentioned bar O'Neal and Garr are all gone now. Sad.M.Emmet Walsh throws in a greasy, smirking performance as the Chief Jailer with corruption oozing from every pore. Walsh never disappoints, even in a cameo role. The ending just about pulls it all together but not quite, though it doesn't disappoint. Once again though...beautiful musicOne strange thing, Richard Bradford as Sam the City Treasurer is missing off the film credits. It took me two updates to get his name listed on IMDb as uncredited.
It's a great kid's film, I saw it as an early teen and it really got me interested in magic. The main character gets away with so much because of his skills but it was all within the realms of plausibility if you've got a bit of bottle and enough books on magic and safe cracking etc. Griffin O'Neal is really expressive and natural in his role. Even though what he gets up to is pretty wild you believe that this kid is amazing enough to pull it off.
About legacy, and fathers and sons. Much better and deeper than the ratings on this board give it credit for, in my opinion. There is little violence, sex or break-neck action but much boils under the surface and there are powerful moments. This is a fine movie.