Cat Chaser (1989)

SERIOUSLY. This is what the crap Hollywood still puts out?

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The film may be flawed, but its message is not.

Amazing worth wacthing. So good. Biased but well made with many good points.

Yeah, I know it's a flawed film, I mean, I caught it one night, LATE at night, on cable TV when I was a kid. HBO to be specific and at an hour reserved for only failed and low quality films.In other words, I found it at a place where movies go to die. The equivalent of the bargain box at a toy store.But, I liked it. It wasn't the usual thriller and that's saying a lot given that thrillers, like action movies, all have relatively the same plot. They tend to be like the Harley Davidson store crowd as in they all dress the same and claim they are rebels. Cat Chaser was something different. The plot stood out. Peter Weller did as best a job he could. The cast did as best a job as they could.It was just, the director didn't really know what to do with the script, which was, I learned, (thank you IMDB) based on an Elmore Leonard novel...and that sort of says it all.The writer, Elmore Leonard, isn't exactly a literary great. He has an irritating vernacular. BUT, he also has a talent for creating unique characters and unique settings and situations and stringing them all together into a coherent plot.Leonard is a pulp writer, but he was a pulp writer that was original in his approach to just about everything and his stories are a pleasure to read.And, when, like this one, they are adapted to the big screen, that uniqueness carries over. Even in a bad film, as this one was--albeit a bad film with good acting--it becomes a story that you haven't really encountered before and you won't encounter again.So give it a watch, it's Elmore Leonard, you aren't seeing a great film, but you are going to see a story you haven't encountered before, and to me, that alone is worth 10 out of 10 stars.Don't rate it on it's cinematic prowess, watch it for the plot, it's new, it's original, and, even if its badly done, we need a lot more of that, especially now, when almost everything we see is exactly like almost everything else we are seeing.

It took many years before an Elmore Leonard book was given celluloid justice - Jackie Brown. However, this is a brave stab mainly thanks to an interesting cast, notably a sleazy Charles Durning in an unusual role.It takes all of about five minutes to realise that this is not a Ferrara movie, the Direction is haphazard and uninspiring. Weller does his best but the character is so one-dimensional, he becomes a supporting character in his own movie. This movie has a lot of promise and deserves a revisit, casting maybe a George Clooney, Alec Baldwin or Val Kilmer in the Moran role.File under forgettable Eighties thriller.

Could have been so much more, given the supporting cast and Elmore Leonard's script, but it's a flat beer of a movie. Maybe Ferrara got homesick, but the pacing and editing is unusually lethargic, so perhaps impending bankruptcy was driving the whole production into the throes of despair. The performances are so underwhelming as to be invisible. Weller is a B-movie actor. Robocop is still his finest hour. McGillis looks fairly lantern-jawed and mannish throughout. Was Ferrara taking the mickey by shooting her profile so often?. Tree-like in every scene, could anyone seriously find her charms so irresistible?The bogus history lessons and lightweight back story are dull as ditchwater. And the mushy love scenes between the two leads just don't cut it. A clunker for completists. Catch it on afternoon TV if you're paralysed from the neck up.Hard to believe that Ferrara had anything at all to do with this movie.

It's no secret that "Cat Chaser" was taken away from director Abel Ferrara and slapped together by committee right around the time of the Vestron bankruptcy. Consequently, Ferrara has disavowed this film. But he shouldn't. While it has some murky plotting, no doubt due to the re-editing, it's quite an interesting, evocative adaptation of an Elmore Leonard novel. Ferrara always impresses with his sharp direction, and the wonderful art direction really captures the feel of sleazy bars, motel rooms, and the Dominican Republic. Peter Weller is fine, Kelly McGillis is quite uninhibited in her numerous nude scenes, and it's fun to hear Charles Durning pronounce "toilet" as "tur-let." "Cat Chaser" is a lost treasure from the late 80's worthy of rediscovery and a director's edition DVD.