The Living and the Dead (2006)

I love this movie so much

One of my all time favorites.

Good movie but grossly overrated

By the time the dramatic fireworks start popping off, each one feels earned.

Nothing like going into something blind and having it blow your socks off. This is some emotionally brutal stuff, the last film to kick me in guts like this was Session 9 (which this shares some DNA with, along with The Babadook, The Shining and, peculiarly, Withnail & I). Leo Bill's performance seemed a little too mannered at first, but I bought into it after a little while, from there on in it felt devastatingly authentic. Bleak as it undoubtedly is, director Simon Rumley balances tragedy and comedy so perfectly that it often blurs the line between the two, had he not nailed that balancing act so completely, I might not have got through the brisk 79 minute running time without wanting to go outside and lay down in the road. Really, really excellent stuff, going to have to give Rumley's follow up Red, White and Blue a look now.

After seeing the list of superlatives and awards on the DVD cover, I figured that this would be a pretty safe watch. In order to keep from spoiling my enjoyment of movies, I often try to walk into them without knowing much of anything (which seems to frustrate other people sometimes when they ask what I'm watching); so, when I started watching this movie, I figured it was probably about vampires or zombies or something. Wow, was I totally wrong! It's actually more of a tragedy about mental illness than anything else, though it's also got some surrealist and absurdist elements. That might put off some people. As a huge fan of David Lynch, I recognized that the surreal scenes were kind of homages/ripoffs of his work, but, really, it didn't bother me nearly as much as it apparently did some other Lynch fans (and, of course, surrealism will always have its detractors, calling it pretentious or stupid). In particular, one dream sequence, where a character has a strange, symbolism-laden conversation with a nightmare version of Zippy the Pinhead, reminded me VERY strongly of Lost Highway. I'm sure fellow Lynch fans know the scene that I'm talking about ("That's f***ing crazy, man."). Regardless, I liked the scene, and I thought it was done well. It's always nice to see people being influenced by Lynch, even if they're taking the influence a *bit* too far, into territory that might involve lawyers, if it were a different form of media.Moving on...The acting was stellar. I totally bought each and every character. The directing was a bit, shall we say, stylistic. I suppose it might not be everyone's cup of tea. Again, while it was slightly derivative of the style of other directors (someone is apparently a Darren Aronofsky fanboy), I liked it. The plot was told from a combination Memento and Repulsion viewpoint, mixing the out-of-order scenes of Memento with the unreliable narrator from Repulsion. In fact, the whole movie seems to take some major hints from Repulsion, while not being nearly so much of a outright homage; instead, individual scenes and the overall theme remind me of that movie.So, what are we left with? A rather strange potpourri of Lynch, Aronofsky, Polanksi, Nolan, and perhaps even a bit of Kubrick thrown in. Does it work? Yes. Is it highly derivative of other directors? Yes. Are there strange plot holes, that are never really explained (why is there only one phone in such a huge house, and why doesn't the wife have a cell phone? Why did the father leave before the arrival of the nurse? Why did... and so on)? Oh, yes, definitely. Perhaps you'll be able to forgive all these issues. Perhaps not. If you can, then I think you'll like this movie. It's powerful and intriguing.If the director can make a movie that is more original, in his own style, and work on reducing the number of bizarre plot holes that make no sense, I will become a fan. He could really have a strong future.

I first heard about this film by reading a very brief description in a magazine about new DVD releases.The cover art was captivating and dark.At first I thought it was a ghost story or some other type of horror movie before I realized it was a psychological drama. I especially liked Leo Bells acting playing a very mentally challenged young man.He moves in a unique way because of the characters mental state. The super fast motion of the son off his medication gave me an adrenalin rush.It was effective but hard on the eyes.It was a nice contrast to all the other characters in their normal state moving slowly through life.It seemed very isolated and lonely in that big mansion and I could see why the father needed a break from it all and left.Also convincing was Kate Fahy playing the disabled mother.The movie had it's share of confusing moments. Just when you think it's over it starts over and you are not sure if what happened actually did or if it was a dream or delusion.One minute the wife is confined to a bed and the next she is playing caregiver to James.And at times it's hard to tell whether it's James who is ill or his father Donald as it flashes between 2 different reality's.Or it is years later and an aging Donald is remembering his past.I will have to watch it again to try and figure it out better.

I thought this movie was great, A lot of people commented on it falling short of the 'horror' genre, but I don't think it was ever meant to be one. Watch it as a tragic drama, and these disappointments fade. I think Leo Bill did a fantastic job and I felt drawn into his character even further by the camera's exceptional use as he moves about the house. I don't want to spoil anything, so suffice to say it was a well acted movie with great camera-work, an exceptional cast and the overlying doom which permeated throughout the movie drew me in sometimes - enough to identify with some the universal aspects of the story and at times feel a shudder through my back, more so than any 'horror' show I've seen in the last few years.