Fling (2008)

I like the storyline of this show,it attract me so much

Best movie of this year hands down!

This story has more twists and turns than a second-rate soap opera.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

..contains spoilers.. ..the open relationship draws all the attention for most of the film.. up until the end... when for me, comes the only interesting thing about this movie... and in all reviewer comments I could find nothing discussing how it concludes.....after five years, he gets an invite.. and meets THAT kid.. the one she told him was not his.. ...it's just too deliberate... too suspicious.. the manner in which it's presented.. as if they want you to consider she could have lied to him to end the relationship and her to move on.. ..remember when she says in a soft, almost inaudible whisper.. do you really want me to tell you the truth.. and he says 'no' (Lie To Me).. and she says 'okay'.. ...now several years later, she deliberately wants the two of them to meet....take another run at it.. and those last few seconds... when the two of them waive to each other.. yea.. he knew she didn't want him, and that it is his kid... so how does he then stay gone for so long..

feelings, immaturity, sexual behavior, empty emotional places, couples, run against yourself, search of life sense, circles, cages, desire and chaos, happiness as fiction and strange relationships. picture of a world. not very special, not new but important to explain different forms of fear. it is not a great film and, one of impressions remains - a movie makes for present beautiful actors and complicated links between people. but may be more ? sure. a parable, a puzzle, a definition, a manifesto, a drawing, an analysis. reality as lot of crumbs for emotional sparrows. or real price of surrenders. importance of new beginnings. and need of axis and roots. not great film, confusing, boring, annoying, it is just point for questions. about ordinaries things.

This movie is a dispassionately appealing look at modern relationships that overcomes hackneyed direction to become worth watching.Mason and Samantha (Steve Sandvoss and Courtney Ford) are a couple somewhere in that maturity no man's land of the mid 20s to very early 30s. They live together and love each other but have what they called back in the 1970s an "open relationship". Mason and Samantha have sex with other people and are completely honest with each other about it. In fact, the only person they lie to about their sexual freedom is Sam's sister Alison (Ellen Hollman).At the wedding of Alison to Mason's best friend Luke (Nick Weschler), Sam boinks her old college boyfriend James (a shaggy-maned Brandon Routh) while Mason starts a flirtation with Olivia (Shoshana Bush), the 18 year old little sister of Nick. It turns out a single boink isn't enough for Sam and she pursues a romance with James, which he initially resists because he's creeped out by her arrangement with Mason. His attraction to Sam eventually overwhelms his common sense and James continues to date Sam and periodically bug her about her swinging ways. Mason initially holds off the advances of Olivia and even screws her best friend, but eventually nothing stops the two of them from making the beast with two backs. But Mason doesn't tell Nick about boffing his little sister and Olivia insists that he not tell Sam either.So to recap - Mason and Sam say they love each other and have sex together. They also date and have sex with other people. Sam starts fornicating with James, who pressures her about her unconventional lifestyle. Mason gets romantically and sexually involved with Olivia, the teenaged sister of his best friend Nick. Mason doesn't tell either Nick or Sam about Olivia and no one says anything to Sam's sister Alison. I don't think it's giving away too much of the story to say this six-way conglomeration of love, sex, honesty and deceit proves to be unstable and collapses into a pile of tears and yelling, with a couple of ass kickings thrown in for good measure.What makes this film interesting is that it neither condemns not justifies Mason and Sam's relationship. It doesn't make them out to be seriously damaged people who fell into a dysfunctional union. Nor does it gloss over the fact that people who live this way are probably not emotionally mature or really looking for a deep, meaningful love. It straightforwardly presents Mason and Sam as two people who were satisfied by this sort of set up for a particular time in their lives when their sexual and emotional dalliances had no consequences or ramifications. But the movie also recognizes that consequences and ramifications work their way into everyone's life at some point, and that's the point when adventuresome becomes threatening and liberation becomes chaos. It's a refreshingly adult and unpretentious take on this kind of subject matter.This cast gives some nicely measured performances as well. Steve Sandvoss plays Mason perfectly as an overgrown adolescent who's smart enough to rationalize away his emotional underdevelopment. Even though the story doesn't spell it out until later, Sandvoss makes the audience see that Mason was the one who first proposed and wanted an open relationship with Sam. Courtney Ford, however, doesn't let her character be a weakling or a victim. She plays Sam as a woman smart enough to know what she's doing and a willing participant in a love life of libertarian anarchism. Brandon Routh also succeeds at walking a very fine line as James. He has to be just judgmental enough to resonate with the audience but can't be so intolerant that he generates sympathy for Sam or Mason. Routh does that so well I can almost overlook that he's so handsome it makes me want to grind broken glass into his face.It doesn't take much for an entertaining little film like Fling to be undone, and director James Stewart Muller almost does it by being one of those filmmakers who believe the 11th Commandment is "Thou shalt not steady thy camera." There's some camera movement in almost every shot of this movie, there's never any purpose to it and it get distractingly bad during close ups. When Muller zooms on just one or two characters, it looks like they're in the middle of an earthquake. The shaky-cam stuff is never motion sickness-inducing. It does get more and more annoying as the film goes on.Even with such clichéd and aggravating camera-work, this is still a good movie that tells a grown up tale about a not terribly grown up couple. Give it a try.

Sam and Mason have a rare type of relationship. They allow each other to have protected sex with their crushes. It's an outstanding portrayal of an unconventional relationship. Mason has minor jealousy issues (although he enjoys the options very much), the girl - Sam - stands even stronger in this ground. WHen confronted with her lifestyle, she provides interesting rational views to defend it and support their choice.It makes you think how much of an individual thing is intimate/romantical relationship, which is so standardized in our societies. Obviously, neither of the extremes is healthy, but there are folks who would divorce for single cheating, others are able to overcome it and some (like Sam and Mason) even accept it as common practice in their lives.The movie is not a manifest to either of the extreme, it just tell the story of people who are impacted by such lifestyle. It cleverly depicts the outcomes of such relationship - the gracious advantages, but also heart breaking disadvantages it may bring.The story gets unpredicted turns, it's interesting to watch. I chose not to get in the story here.I recommend this to everyone open-minded enough to withstand a story with dramatical features about an unconventional lifestyle of a young attractive couple.