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Charlie Chan at Monte Carlo

Charlie Chan at Monte Carlo (1937)

December. 17,1937
|
6.7
| Comedy Mystery

Although Charlie and Lee are in Monaco for an art exhibit, they become caught up in a feud between rival financiers which involves the Chan's in a web of blackmail and murder.

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Reviews

Plantiana
1937/12/17

Yawn. Poorly Filmed Snooze Fest.

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BootDigest
1937/12/18

Such a frustrating disappointment

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Exoticalot
1937/12/19

People are voting emotionally.

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Brenda
1937/12/20

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Spuzzlightyear
1937/12/21

Another fun Charlie Chan Movie! This time, he's in Monte Carlo, and yes, another poor soul is murdered. He's assisted by the great Harold Huber as Monte Carlo's chief of police while they try to solve the murder. I liked this one more than others, because at least they TRIED for my authenticity this time, a lot of people speak French, which IS what they do in French- Language speaking countries right? Not like his adventure in Shanghai, where everyone Chan encountered spoke perfect English. So there was a bit of fun language barrier comedy. The mystery is pretty easy to guess, all in all, a great addition to the Orland Chan series.

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Robert J. Maxwell
1937/12/22

Charlie and Enumerated Son Number One visit Monte Carlo in this one. There is a complicated scheme of murder and theft that follows and Charlie solves same with help of the Chief of Police. It's difficult to say much that's new about the movie because the series was so much the same from one episode to another. Any differences were accidents, not due to any change in essence. Warner Oland, as Charlie, doesn't really seem to have much to do here except observe the goings on. And Number One son contributes some humor, as when, for example, the seat of his pants catch fire. Ha ha. Anyway, the series being as repetitive as it was, any comments have to be either discursive or trivial.The Chief of Police in this instance is Harold Huber. He may have a fancy French name -- Jules Etienne Joubert -- but this guy was born in New York. You can tell from his marked American accent when he speaks French. It's even worse than mine, and that's saying a lot. He and the uvular "r" are strangers to one another. And his enactment of the role is out of vaudeville but he does resemble Fernandel a little.Two performances stand out. Edward Raquello is magnetic as the continentally unflappable, self-possessed, untrustworthy gambler. Man, has he got arrogant politesse down pat. His name notwithstanding, he was born in Poland. Can't imagine what happened to his career.Virginia Field is memorable too. Well, not so much for her performance as for her attractiveness -- not quite beautiful but more than just ordinary features. When it's disclosed that she is a former model, it's believable.Sidney Blackmer, as a wealthy suspect, does right by the role. He's pretty unpleasant. He had a long career and, when he tried being affable, as in "Rosemary's Baby", you could hear the agonized creak of joints long unused. In "The High and the Mighty" he was the angry passenger named Humphrey Agnew. That was in 1954 and came to be pretty funny later on. Kids, in the 1960s, Vice President Humphrey was succeeded by Vice President Agnew.One can lose a good deal of money without trying in the casinos of Monte Carlo. The roulette wheels don't have the double zero of American casinos but that's no help. When I was there I squandered almost one fifth of my entire travel budget. Okay. Sneer if you like, but ten dollars was a lot of money in those days.There's some comic bit that Keye Luke does that succeeds. It's not slapstick and it's not some dumb thing like his wearing disguises. I can't remember what it is now. I should have taken notes. But it's there, and worth a smile.

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Michael O'Keefe
1937/12/23

No matter where he goes or what his main plans are...somebody ends up murdered. Oriental detective Charlie Chan(Warner Oland)and son Lee(Keye Luke)are vacationing in Monte Carlo where a casino messenger carrying a million bucks in bonds is murdered on his way to France. Who is the prime suspect, a known gangster from Chicago working as a bartender; or a beautiful woman with a not-so-clean past. Maybe it is just a minion caught up in a blackmail scheme. Murder and robbery are usually an apt combination for mayhem. It is so convenient to have a mastermind like Chan to clear things up. This is by far not one of the better Chan flicks, but will hold your attention. Other players: Virginia Field, Sid Blackmer, Harold Huber, Kay Linaker and Georges Renavent.

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bensonmum2
1937/12/24

Traveling from Monte Carlo to Nice, Charlie Chan and No.1 son Lee discover and abandoned car. Inside the car, they find the dead body of a bank messenger who was transporting $1 million in bonds belonging to a wealthy industrialist named Victor Karnoff. There is no shortage of suspects: Paul Savarin – Karnoff's business rival; Joan Karnoff – Victor's wife who was being blackmailed; Al Rogers – a shady bartender; Evelyn Gray – a woman living above her means; or Karnoff himself for the insurance money. It's up to Charlie Chan to discover the truth. Charlie Chan at Monte Carlo would be Warner Oland's last performance as the venerable detective. Unfortunately, it's one of the weakest Chan films Oland would make. It's not his fault – instead the blame can be placed on a weak script and a couple of other factors. Chan films notoriously cheat the viewer in that the solution to the mystery too often relies on facts not available to the audience. Charlie Chan at Monte Carlo is especially guilty of this. Key clues that help trap the killer are known only to Chan and the French Police Inspector. As for the other factors I mentioned, one of these would be Harold Huber. Huber, who appeared in two other Chan films, really lays it on thick here with his over-the-top acting and ridiculous French accent. It gets annoying rather quickly.Still, this is Charlie Chan I'm talking about so it's not all bad. In fact, even a weak Chan film is still an enjoyable experience. It's just a shame that Oland couldn't have gone out on a higher note.

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