Stonewall (1995)

Excellent, Without a doubt!!

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The major value of the film Stonewall is to remind all of us just what gay people dealt with before a big rebellion took place in the last week of June in 1969. The film is based on a novel by historian Martin Duberman and the director Nigel Finch died before his testament of the Stonewall Rebellion could be seen and appreciated.A couple of love stories are involved here. Country boy Frederick Weller arrives from Kansas and he's hoping that New York City will be more accepting of him. Or at least he'll find a community of sorts. That part of the story hasn't ever changed. He's caught between young closeted gay lawyer Brendan Corbalis and professional drag queen Guillermo Diaz.The second love story is between the owner of the Stonewall Inn and a drag queen played by Bruce MacVittie and Duane Boutte. MacVittie has lived all his life with all the insane rules placed on same sex contact by society and its criminal code against sodomy. Boutte is ready to rebel, but MacVittie counsels go slow it's the way of things in this world. Still he's having just about enough of it.Weller is a rebellious sort, he gets caught in a bar raid the first night he's in New York. Apparently the concept of freedom in America doesn't extend to those who love of the same sex. He finds the Mattachine Society with their button down ways and it ain't for him. But in a way they do fire his revolutionary ardor.The Mattachine Society comes in for quite a beating in Stonewall. They were a radical concept in their idea when the mere idea of protesting these laws was radical. In a scene laced with humor and irony Weller is with a group with accompanying press who challenges the law against serving liquor to known homosexuals. Yes there indeed was such a law. The only place that enforces the ordinance is a gay bar because they're afraid of police entrapment.Of course the end of the film is the riot at the Stonewall Inn which sparked a movement. The unbelievable but true twist on events is the cops including the NYPD's crack tactical police unit equipped for riots retreating into a newly emptied Stonewall Inn for their own safety is truly a sight to behold.This is a fine film which captures the spirit of that night when it wasn't button down businessmen and lawyers, but rebels in high heels who changed America and the world.

I have not seen the movie yet. I am sure that there will be a lot of fiction as well as non-fiction. If you really want to know the facts, ask me. I was 17 at the time, dancing the night away in Stonewall. We had no idea or even a thought we would be making history. This was not planned nor was it ever in anyway rehearsed. It was a sad time, a very scary time. We were always under the threat of the police dept, under the mayors office. We were never sure if we were going to be taken outside one more time for a shake down. I read a lot of the reviews here and some were on and off. I can tell you this though, Judy Garlands death had NOTHING what so ever to do with Stonewall.

Having been the the Village in the 1960's, I can vouch for the accuracy of this film and the depiction of the Village during that era, except for a sort of inaccurate image of the exterior of the Stonewall bar.The characters are representations of real people (the head of the Mattachine Society, the leader of the Daughters of Bilitis, the mafioso and the queen coming out) that I knew in the movement back then.Being gay or trans gender back then was very rough: the scenes of police brutality are frank and graphic, especially the cops' dunking La Miranda's head under water... The cops did a similar thing to me.If you want to see how far the LGBT movement has progressed, see this film.

Frederick Weller is the perfect embodiment of the frustrated gay male who is ready for a change, and a revolution to boot. He arrives in NYC, somewhat naive, and is befriended by a drag queen who introduces him to the city and its many characters. He is discouraged almost immediately but it starts a feeling in him that makes him uneasy about the way things are. At the time bars were getting raided constantly and there were other ridiculous laws, too, none of which sit well with him. He befriends another man who enlightens him about rallies, a peaceful march to Philadelphia, and takes him to Fire Island. But its all still bad, since he knows he's being treated badly because of who he is. Climax of the movie is the riot at the end, which wasn't much of one as far as I'm concerned, but the police finally found they were being stood up to, and they didn't like it.All the actors are excellent, especially Weller, who's inexplicably not a major star, and Guillermo Diaz as La Miranda, a not-as-tough-as-she-pretends-to-be drag queen. Its La Miranda's version of things, and when she says 'we're American as apple pie' as the last line of the movie, you can't help but believe her. Kudos to all involved. 9/10.