Absurdistan (2008)

You won't be disappointed!

Absolutely the worst movie.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The characters in this film are hideous, dirty, obese, malodorous and unkempt. The hero is a handsome gangly teenage boy. He is in love with a pretty, tomboyish but cruel young lady. The elders behave like characters in a Benny Hill movie. They pantomime extreme sexual attraction to each other, and spend a lot of time in non-consensual sex. The village breaks out into Lysistrata like war between the sexes over the male refusal to repair the water supply. They shoot each other. They lay vicious traps of various kinds for each other. Everyone sleeps with rifles and sets them off by accident repeatedly. I did not find this amusing. These people were psychopaths. At the end, boy gets girl, though I was not too happy about this. She had repeatedly abused him so badly, I hoped for a new love for him.

I'll start by attempting to summarize the difference between "American comedy" and "East European comedy" in broad terms. Trust me, this is going somewhere...American comedy focuses on characters. Gags rely on the personalities of the people involved, facial expressions, closeups, voice tones, and what we, the audience, are led to feel about these characters. For example, when Christopher Walken says "It needs more cowbell" that's all she wrote. A million intricate nuances of Walken's personality and delivery are what make that joke fly.East European comedies (I'm thinking mainly of films by Kusturica, Paradjanov, and early Forman which remind me of "Absurdistan") seem to rely on situations and surroundings rather than close characterizations. Shots are filmed from a distance so that we take in more of the scenery and atmosphere, and we rarely get lingering closeups the way we do in American comedies. For example, in Forman's hilarious "The Fireman's Ball", one of the funniest scenes is the chaotic madness at the beauty competition where the camera stays far from the action and we don't really see any faces. We just take in the absurdness of the whole scene.===OK FINALLY... THE REVIEW OF ABSURDISTAN=== "Absurdistan" falls squarely in the "East European comedy" category. The characters are deliberately 2-dimensional, as if the director is telling us that the story is what's important, not the actors. Like a Paradjanov film, it's a fairytale that doesn't want to be upstaged by human interference. Thus, no time is wasted on personal backstories, dramatic emotions, or charisma. None of the characters even have names except the main two. There aren't many pauses for reflection, and there's only one real monologue scene showing us the girl Aya's inner self.Normally I would have no problem with this presentation. Like I said, Forman's "The Fireman's Ball" is one of the funniest films I've seen, even though I couldn't name a single character or describe their personalities. But in "Absurdistan" it presents a noticeable void in that this is a love story. For a love story to have maximum effect, the director must invest some time creating an emotional connection between the lead character(s) and the audience. Here instead, most of the characters are caricatures of vices, making them thoroughly unlikeable. Even the two lead characters commit certain acts that may make you dislike them.So if you decide to see this movie, don't expect a very personal story. This Ain't no Hugh Grant flick. Instead, take "Absurdistan" at a distance as the movie is probably intended to be watched. This movie is a metaphor, a fable, a fairytale, and we aren't supposed to get caught up waiting for some personal emotional payoff.If you've seen Viet Helmer's prior film "Tuvalu" it has much of the same approach. Except Tuvalu is not a love story, so the disconnection between characters & audience works. Here in "Absurdistan" it presents a conflict which may or may not fly, depending on how you like your love stories.A final note, which may or may not mean anything to you, is that there are a few disturbing scenes with animals. A mule getting pulled & prodded, a chained dog getting soaked, a horse being tied up in a nasty looking horse-shoeing device, and a dead chicken that looked pretty real. Since this film was made in Azerbaijan outside the American Humane & RSPCA's jurisdiction, there certainly wasn't any "No animals were harmed" disclaimer at the end. If anyone knows how those scenes were monitored please post something about it.

This is a delightful film, and left me with a smile on my face that lasted quite some time. Like all good comedy, it must not be taken too seriously, though it deals with some very serious issues indeed. Even if the film was made in Azerbaijan, the story is certainly not 'about' a Muslim country as such, of whatever style. One of the couples does have a large picture of a mosque above the marital bed, but some scenes are in what appears to be a Christian church, albeit devoid of overt symbols, and, in one, some of the women cross themselves with holy water. But these references to religion are incidental: the film is not to be interpreted in realistic terms. It is allegorical and is simply about people, no matter where they live. A jaunty score nicely reinforces the comedic mood.

This feature was filmed in Azerbaijan. This is remarkable since the main theme of the story involves sex, and in a Muslim country, this type of movie is definitely frowned upon. The story surrounds a young couple, Ava and Temelko. They are madly in love and have been told by her fortune-telling grandmother the night they may consummate their relationship. However, before the special night arrives, they run into problems as the lazy men of the town they inhabit have not performed any maintenance on the town's water pipes and they have broken. The women are fed up with having to do without water and go on "strike"...no water, no sex. The movie reminds me a little of "The Gods Must Be Crazy;" silly and slapstick humor along with a little more subtle humor underneath. The performances of Kristyna Malerova and Max Mauff were sympathetic and amusing.To the reviewer below, I got my "facts" from the director of the film at the screening I attended...I was just repeating what I heard. I took the man (and the others involved in the film who agreed with him) at his word, and I think you are taking this commentary just a tad too seriously.