The Pawnshop (1916)

the audience applauded

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors. From his post-Essanay period after leaving Keystone, 'Pawnshop' is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'The Pawnshop'. The story is more discernible than usual and is never dull, but is sometimes a bit too busy and manic and flimsy in others.On the other hand, 'The Pawnshop' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.While not one of his most hilarious or touching, 'The Pawnshop' is still very funny with some clever, entertaining and well-timed slapstick, didn't mind that the pathos wasn't there as it was not the right kind of story. It moves quickly and there is no dullness in sight. The clock scene is one of the most uproariously funny and best scenes of any of Charlie early career output.Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, particularly the charming regular leading lady Edna Purviance.Overall, very enjoyable. 8/10 Bethany Cox

Chaplin's The Pawnshop was the sixth film he edited, wrote, directed, and produced for the Mutual Film Corporation in 1916. It's another one of his occupational comedies. This time Chaplin plays a shopkeeper's assistant who tries to stay busy in front of the boss while battling with a co-worker. Like many of his Mutual films, this one contains a lot of energy and some highly inventive sight gags. Chaplin begins by destroying a feather-duster in an electric fan. He follows that up with trying to bring a long step ladder outside while fending off his antagonistic co-worker. The athleticism and physicality of the stunts with the ladder recall some of Buster Keaton's finest moments. Chaplin continues feuding with his co-worker while waiting on customers in between. The gag with the "poor" guy selling his wife's wedding ring is a classic bit repeated many times since. Chaplin then tries to assess an alarm clock as if he was a surgeon before rejecting it. This is one of the funniest bits. In between he has a dough fight, romances the pawnbroker's daughter (Edna Purviance), and saves the shop from a would-be crook played by Eric Campbell. This is another comic gem from Chaplin. *** of 4 stars.

Monday September 17, 7:00 pm, The Paramount Theater A pawnshop employee (Charles Chaplin) arrives late for work and spends most of his day fighting with a co-worker. He is discharged by the pawnbroker (Henry Bergman), re-hired, and flirts with the boss's daughter (Edna Purviance) while wrestling with her cast-iron doughnuts. Despite his housecleaning efforts, he leaves the place a bigger mess than before he started. On the verge of being fired again, Charlie redeems himself when he knocks out a thief (Eric Campbell) about to rob the shop.The sixth of twelve shorts produced by Chaplin for the Mutual Film Corporation, The Pawnshop makes brilliant use of props in a variety of humorous situations. When he disassembles a customer's (Albert Austin) alarm clock and winds up the empty case, the parts magically re-animate as they lie on the counter, and no one is left standing when Charlie attempts to negotiate the doorway and sidewalk with an eight-foot ladder.

One of the funniest movies every made, and definitely one of Chaplin's finest. It refreshingly lacks the pathos that Chaplin (sometimes unwisely) inserted in his later movies. This short is memorable because of its unrelenting comedy "business," such as the famous scene in which a customer brings in an alarm clock and Chaplin examines it like a doctor, eventually taking a pair of pliers and yanking out its innards. This and other routines were later stolen by other comedians. For example, the scene in which an old actor comes in to sell a ring. This bit was stolen, in every single detail--down to Chaplin spitting crackers while crying--by Abbott & Costello.Chaplin's constant tussling with another shop assistant, played by John Rand, is hilarious. Oddly, Rand did not receive screen credit for his role, even though he appears in almost every scene and is brilliant.The Pawn Shop also provided good roles for other Chaplin regulars, including Edna Purviance, Eric Campbell, Albert Austin (as the customer with the clock), and Henry Bergmann as the pawn shop proprietor. One interesting sidelight to this film is that the Bergmann character wears a skullcap and is identifiably Jewish--which is accurate enough, given that most urban pawnshops were owned by Jewish people at the time. This means that two of the main characters, he and Purviance, were Jewish. That was unusual at the time, particularly because the characters are not stereotyped.