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The House of Seven Corpses

The House of Seven Corpses (1974)

February. 01,1974
|
4.2
| Horror

A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.

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Reviews

Platicsco
1974/02/01

Good story, Not enough for a whole film

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CommentsXp
1974/02/02

Best movie ever!

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MoPoshy
1974/02/03

Absolutely brilliant

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Dana
1974/02/04

An old-fashioned movie made with new-fashioned finesse.

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daleja-dale
1974/02/05

I saw this Schockley horror film a half of dozen times since the 1970's and although anyone who seen it would have to admit it very flawed, it to me was a lot of fun to watch! It is an old school type of horror film,doesn't go to far with the blood and gore and relies on spooky atmosphere, music, and sound effects! And man was that atmosphere spooky, especially the opening score! In my own personal opinion, the opening score was one of the spookiest ever in a horror film, and I have seen many! The music from the chorus, the creepy looking house and paintings, the sound effects, and showing how each Beale family member died make that intro very, very, scary! If the rest of the film was as good as the introduction this film would have been a classic, but they didn't seem to want it to be that way! But, for some reason, I still love this film and hope someday they make a remake of it, with the same atmosphere, music, sound effects and creepy mansion, this time focusing on the Beale Family and what lead to their demise!

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JoeKarlosi
1974/02/06

A movie crew shoots its latest satanic flick at a house which had experienced seven actual murders. John Carradine plays the grim grounds keeper who warns of the impending dangers. This felt very much in the spirit of the superior CHILDREN SHOULDN'T PLAY WITH DEAD THINGS, I thought. And like that film we have to sit through a lot of exposition until we get to the ghoulish mayhem at the very end. There isn't much to recommend for most of the first three quarters, unless you like watching people shoot movies. But I always get a kick out of seeing Carradine wandering about in any horror film. Also starring in this movie is an older Faith Domergue (50's sci-fi beauty) which is interesting. And it's funny watching John Ireland playing the part of the most insufferably arrogant director any underpaid actor would ever want to work for. ** out of ****

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bkoganbing
1974/02/07

John Carradine, John Ireland, and Faith Domergue who as players all saw better days in better films got together for this Grade G horror film about life imitating art in a mysterious mansion.For Carradine it was in those last two decades of his career that he appeared in anything on the theory it was better to keep working no matter what you did and get those paychecks coming in. With that magnificent sonorous voice of his, Carradine was always in great demand for horror pictures and the man did not discriminate in the least in what he appeared in.He plays the caretaker of an old Gothic mansion who movie director John Ireland has rented for his latest low budget slasher film. It's even got a graveyard, but with a missing occupant. Faith Domergue is Ireland's aging star and Carole Wells is the young ingenue.In the last twenty minutes or so most of the cast winds up dead that aren't dead already. The script is so incoherent I'm still trying to figure out the point. I won't waste any more gray matter on it.

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lost-in-limbo
1974/02/08

A director and his crew head out to the isolated Beal mansion, to make a low-budget horror film about the seven mysterious deaths of the Beal family that have occurred there in the last century. Even with warnings by the caretaker, the director pays no attention to the supposedly cursed house. One of the crew find a book titled Tibetan Book of the Dead, and use some of the passages from it for their script. But in doing so, when red they raise a ghoul from its grave.Boring, confusing and tacky all rolled up into one, equals this penniless midnight horror production. What feels like an eternity, it just never seems to get going or demonstrate anything effective from somewhat decent ideas. Even though director Paul Harrison's clunky, tensionless direction did construct a couple eerie, moody and atmospheric set-pieces. But laziness did set it early. The whole film within a film structure takes up most of the movie and in this time little to nothing happens of great interest. Nor is it fun. Think of Bob Clark's "Children Shouldn't Play with Dead Things (1972)", and now we've got older actors in the part. However I found "Seven Corpses" to be inferior. The script early on has some cutting wit abound, before it ends up being drab, predictable and left with many unfulfilled possibilities. The cheap foundation involving limited sets didn't help matters either, but the mansion's dreary, dark appearance had a creepy air to it. Performances from a recognizable b-cast is mainly rigid. John Carradine in small part mainly lurks about. John Ireland plays a hot-headed director, Faith Domergue's washed-up actress demands attention and Charles Macaulay hams it up. The slow grinding premise is crossed between "Ten Little Indians" and your usual zombie set-up. However its not all that engaging, even with its occult and supernatural edge. Hell they even throw in some graveyard action, with no prevail. When the rotting ghoul makes its appearance… finally, but a bit late. It does get a little better, if very baffling. Just like the inspired opening, the ending is deliciously downbeat. To bad in between, it constantly drags. Continuity in many scenes comes across non-existent, and the death scenes are more exciting and bloodier (but indeed poorly executed) in the movie they're making, then what actually happens to them when the zombie appears. The generic music score flounders on with its shuddery, but frank Gothic cues, and the camera-work is blandly staged with a lack of imagination. Shoot and frame. Shoot and frame. Job done. That's a wrap.

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