Come Drink with Me (1966)

Excellent, Without a doubt!!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Shaw Brothers. Shaw Brothers. Shaw Brothers. We meet again.Okay, so one day I was sitting around browsing the internet, and I thought to myself, "Hmm, why don't I download a bunch of Asian films to watch later?" Just in case you haven't already guessed, this was one of them. After watching several of the others, I finally decided to sit down to this one. The reason this one caught my eye is because it starred the lovely Pei-pei Cheng, who you may know from "Crouching Tiger Hidden Dragon", where she played the not-so-lovely Jade Fox. Those of you who know me know I love watching women kick some ass in movies, and this was a Shaw Brothers film on top of that, so I just HAD to get up in that.Yeah, it was pretty damn cool. Those of you who have to have some sort of deep plot and spellbinding visuals in every film you watch probably wouldn't get a whole lot out of this, but I have an open mind and this is my kind of film, so I instantly took a liking to it. Pei-pei Cheng was fascinating to watch and undeniably beautiful. She just has that sort of presence that draws you to her. Whenever she wasn't on screen, the movie definitely felt lacking in my eyes, but thankfully, she's on screen pretty darn often considering she's the main character. The fight choreography was obviously impressive, and there were some brutal scenes that will likely stay with me for a while, such as when a young apprentice is cruelly murdered in cold blood. For being as old as it is, this is also a very fast-paced film. Sure, there are some slow spots - not that they bothered me - but it's constantly moving forward, which made it all the more engaging. The story itself is solid for this type of film, but nothing too surprising. The print I saw had very good visual and audio quality, which was nice. Great, now I'm just stalling to make the review longer.Well, it's simply a good film. I wasn't blown away, but I enjoyed it about as much as I'm capable of enjoying a martial arts film from the 60's these days. The fights alone are worth the price of admission, so if you haven't already seen this, what the hell have you been watching lately?

Outstanding martial arts masterpiece, with Ms. Cheng (as Golden Swallow) doing some fancy footwork under the expert direction of King Hu (whose classic A TOUCH OF ZEN is another masterpiece). The incredibly fluid tracking shots of Cheng, as she nimbly battles her way spinning and lunging down stone temple steps and across courtyards, are must-see. There's also a rooftop chase that clearly inspired a similar scene in CROUCHING TIGER, HIDDEN DRAGON (itself another masterpiece). The action in COME DRINK WITH ME is infinitely superior to the speeded-up camera-work, wirework and cgi all too common in today's martial arts movies (which should rightly be called "mechanical martial arts movies"). Even the magical elements (the use of chi) are handled in an interesting way. If you want to impress a non-fan, show them COME DRINK WITH ME: it'll make a believer out of them.

Come Drink With Me is touted as arguably the greatest martial arts film, ever. In its day, this is the movie that broke a lot of grounds, thanks to meticulous direction and vision of King Hu.The story is simple though, telling of Golden Swallow's (Cheng Pei Pei) quest to rescue her brother, a government official, in a ransom case with a bunch of bandits. While her prowess is formidable, a little help is always appreciated when up against the masses, and little does she know that a beggar of sorts, called the Drunken Cat (Yueh Hua), turns out to be her guardian angel. While the Chinese title is obviously a reference to Yueh Hua's character, this movie is clearly Cheng Pei Pei's breakthrough in the martial arts genre.The martial arts here is distinctively different. For its time, it was a breakthrough, with its moving cameras, violence, splattering of blood, as well as fights done with adequate pauses and breaks, like a Western stand off at times, before lunging at each other. The movement, while fluid, is slow compared to these days, then again, having action done too fast would mean either stunt people taking over, or you can't see a thing. The style in this movie struck me as samurai styled swordplay, even though the weapon our heroine used was a pair of short swords rather than katanas. The weapons used too were real, lending a sense of realism when the combatants clash.There are still some opera influences in the movie, especially when it comes to the music, done with Chinese orchestra, and accentuates the scenes like a big opera. Playing in sync to the action on screen, it's an early base on which films like Crouching Tiger Hidden Dragon adopted to great effect. The cinematography is great too, given the many exterior shots in backlots and elaborate sets, featuring classical locales like inns and temples. The introductory scene in the inn will take your breath away, never mind that some cheesy (for today) techniques of stop motion and the reversing of film were used.Cheng Pei Pei is a star in the movie, and she has managed to infuse her background in ballet and dance to the martial arts moves for the movie, bringing forth a very beautiful poise when executing her moves. Her eyes too were luminous and have a life of their own, and can stare daggers at her enemies. Yueh Hua though felt more carefree, given his role as a wandering beggar. And while there are hints of romance between their characters, don't hold your breaths on counting them developing it any further.A to-the-point story, and excellent martial arts. This is a definite must watch for all martial arts genre fans.IVL Code 3 DVD Extras:A departure from the other IVL releases I've watched so far, this DVD had a valuable commentary by Cheng Pei Pei herself, and daughter Marsha Yuen, presented by film producer Bey Logan, in English. It's quite hilarious listening to Logan try and identify some of the actors, but always getting them wrong and had to be corrected by Pei Pei, until he knew not to embarrass himself further and allowed Pei Pei to introduce them instead. Marsha however, had little to contribute, except to laugh loudly into the microphone.There are two Come Drink With Me trailers included, one the original which had its written script which you have to read running from right to left, and the quality is pretty degraded. The new remastered one is definitely clearer, and so were the trailers for other movies, some starring Pei Pei herself.You have the usual extras as well, like the few movie stills, one original poster, a one page one paragraph worth of production notes, as well as a short cast and crew biography and filmography. A pity thought that you can note some typos in the DVD menus and subtitles.The real gems of the extras, are the interview clips.The longest interview on the disc is with Cheng Pei Pei (18 mins 30s) done in English, where she compares martial arts movies then and now, shared some production nuggets such as the duration of shooting the fight scenes, on sexuality of those days, her working relationship with King Hu, provided insights into working under Shaw Bros. explained her ease with learning martial arts, and shared on her working experiences with Yueh Hua.Yueh Hua too has an interview included, though it was quite short, clocking at 4 mins 45s. He shares his thoughts on working with King Hu and Cheng Pei Pei, as well as revealing that he had real wine in that wine bottle prop to assist him in getting into character. However, the interview is conducted in Mandarin, with no subtitles provided.I'm surprised at the inclusion of an interview with Marsha Yuan (daughter of Cheng Pei Pei) in English, for 6 mins and 40s, as she shares her thoughts on the movie, her realization when growing up that her mom was famous, and the big revelation is that there is going to be a sequel she's gonna star in. Is there?The last two interviews are with film critic Paul Fonoroff and film producer Bey Logan, as both talk about Cheng Pei Pei and King Hu, clocking at 9 mins 50s, and 4 mins 40s respectively. The former interview is more insightful though, as he shares a little on the history of the rivalry between Shaw and Cathay in their heydays.The restored version in the DVD is pristine, save for one or two scenes in soft focus which seemed a little blur. Audio transfer is great too. The only pity is that it's not in Anamorphic Widescreen.

If this film had been released in America in the year of its production, 1966, or the year afterward, I guarantee that the rave for Hong Kong action films would have surfaced then, and not 1972 (and on) with "5 fingers of death" and "fist of fury". And it would not just have happened among young men (the principle audience for the 'fu film in the '70s), but among Hollywood veterans as well, which would have begun a trend to introduce Hong Kong methods - and professionals - into Hollywood itself.because this film is dam' well made. The film looks as though King Hu spent hours watching and analyzing George Steven's accomplishment in "Shane", and then figuring out how to do Stevens 'one better' so to speak, and yet maintain his film's appeal to his base audience in Hong Kong and other Chinese communities.So what we have here is part 'adult western', part 'chinese opera' and all adventure movie from start to finish.And this is not for kids - and I'm not referring to the violence. The subtle humor of the dialog, the maturity of the acting, the wisdom of the ethical problems raised and of their resolutions, these are for adults to enjoy, and then later to ponder. When the hero stabs a villain, and the villain's blood gushes over the hero's face, this is a brutal reminder of just how serious a violent choice - i.e., the choice to engage in violence, however noble the cause - really is. - A question the film takes seriously, as any good film would.Very well made, cleverly written, with strong performances from all. A real gem.