Glue (2006)

To me, this movie is perfection.

In truth, there is barely enough story here to make a film.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Although not specifically stated, the film is set in Neuquen, Argentina's "outback" in what is most likely the 1980s (judging from the music) or possibly the 90s. So, no cell-phones, web-cams or any of the modern amenities one would have expected of kids today. Instead, we see a very raw, realistic look at bored, awkward kids in what appear to be their early teens. I have to be honest that I will watch almost any story about Argentina. However, given the tendency towards shock-value in most modern films, I wasn't surprised by the constant, unfortunate references to masturbation (yes...we get it...teens do that. But why the constant need to emphasize it? Nothing new there). For me, the redeeming side was the interaction between the three protagonists...that is, when they weren't groping each other. In fact, I was honestly put off by the blatant exploitation of the female protagonist's body, and had to check to see how old she was at the time it was made (apparently 20, but still...I found it unsettling as they made her look WAY too young). I can say this film kept my interest, but then again, as I said previously, I'll watch almost anything that comes from Argentina.

We get a realistic view of the turmoil three teenagers experience as they become young adults. Lucas's adulterous father got kicked out of their house in a small town in rural Patagonia, and forced to move to the city after one too many sexual escapades with the "fat cow", as Lucas's mother called the loose woman during a physical altercation. Lucas writes songs for the band in which he is a vocalist, and can rarely be seen without a walkman and earphones. His buddy Nacho is also in the band. Both 16-year-olds are randy as can get and dream of having a go at girls, or so they pretend. Andrea, a bespectacled chick in their neighbourhood, also has secret romantic fantasies. The two lads are rebellious and test the boundaries. One weekend they travel to the city, and have a gigglingly good time sniffing glue. It is suggested that while high they furtively grope each other. Back in their hometown the two young men have a successful performance of one of their songs, and in the post-performance euphoria they get drunk, and involve a tipsy Andrea in mutual hugging. In a well-executed scene we are presented with ambiguous footage, where the boundaries between choices of sexual partners become diffuse, without bothering any of the partners. The three are growing up and finding out who they really are.The strongest point of this film is the cinematography. The cinematographers largely made use of hand-held camera techniques - and take note I am generally not a great fan of hand-held footage, except perhaps during running and chase sequences. In this case it works extremely well. Parts of the film is taken with a filter giving it a 1960s colour and feel. The same applies to some footage which just as well could have been taken with a 8mm movie camera from the same period. A few scenes were taken at slow speed, e.g. those of the party with semi-intoxicated dancers, giving it a dreamlike feeling.Furthermore, excellent acting by the protagonists and a great soundtrack made watching this Coming-of-Age film an exhilarating experience. 7.5/10.

Director dos Santos takes us through the beautifully common streets of Patagonia (Argentina) alongside three teenagers, where none is a genius, a serial killer or has an issue other than being a teenager living, as the Spanish title points out, in the middle of nowhere.Nahuel Pérez Biscayart stars in a powerful performance as Lucas, a 15-year-old boy eager for a first sexual encounter, while surviving teen boredom hanging out with his best friend Nacho (Nahuel Viale) and quiet pal Andrea (Inés Efron, XXY), in whom he soon discovers the possibility of pleasure, unaware she's every bit a hormone clock-ticking bomb as he is. In their company he escapes a day at a time from what he perceives is his alienated family (a mother who teaches English in the morning, fights her husband's lover in the evening and screams at the man at night, only to forgive the following day and go out camping).The fact that no dialogue was ever written in the script (a less than 20 pages long document) is a strong plus, considering all lead actors speak what they really think about being teens and feeling unimportant toward the world around them, which, in a very rare way results in accidental poetry, where no love or roses are cited. They want what every viewer once wanted, when being fifteen, and ask themselves the questions we all asked ourselves when we were young and restless. They remind us of that beauty we tend to ignore in our every day lives; the uniqueness of what our ordinary lives were.Another fine side to the film is the carefully set soundtrack, which fits in perfect unison with Natasha Braier's cinematography and Lucas's wannabe singer aspirations, as well with the many silent minutes where one would think Glue is about to turn into a silent movie only to be pleasantly surprised by one of the character's sometimes groggy, sometimes wishful voices.Some may wrongly consider Glue as gay cinema, since it has been shown at several gay film festivals. But the movie is not gay-oriented, nor does it have to do anything about being gay in Latin America. The movie is about being an adolescent and the feeling of being one, of knowing and not knowing what you really want and who you are. What this characters do is not exactly what we all did at our own times, or still do, for every person has a different story to tell, a different party to talk about, a different kiss to remember, but it captures the essence and wonders of teenagers today with bravura and honesty. As the US trailer says, it's not about the experience, but experiences. And watching Glue has been an exhilarating one.tthomas

I saw this film as it premiered at the Rotterdam Festival. It is a beautifully judged rendering of a teenager's dysfunctional life at home and sexual experimentation with friends. Every scene is perfectly pitched and rife with playful directorial invention such as the main character's (Lucas?) idle toying with the 'monkey with banana' toy in the girl's bedroom and the 'open/closed' game and his mother's English lesson earlier - there are many examples. The direction of the subject matter is fresh, sensitive, mature and never contrived, indulgent or heavy handed. The camera work is some of the best DV work I've ever seen, artful, free, fluid and instinctive.Most impressive is how every role is perfectly cast, particularly the teenagers (although I may have had initial reservations about the father, I was sufficiently convinced by the end). The central character is realised by a soulful performance from the beautiful quirky looking actor. He has the most subtly expressive face, at once mischievous and vulnerable.It is a fine fearless debut brimming with talent, good taste and a big beating heart that transcends it's meagre budget.