20 Centimeters (2006)

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

In truth, there is barely enough story here to make a film.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Beautiful masterpiece! I'm not into tranny stuff or what so ever, but i enjoyed this movie lots!!!!!!! Fun and musicals, perfect mixture! You go on, Spanish Cinema!!!!!! There's this boy with gender assignment issues and his entire adventure in seeking for the better. Perhaps it is the natural portrait of transgenderers in Europe, but its a complete hymn for the ones who are left behind in Latin America, or elsewhere. The soundtrack selection is totally accurate, and the cast drives you into a very profound study upon the emotions that a girl in the body of a male can cast away. Complete A+ in your movie collection. You can't ignore a film like 20cm if you are a fan of Spanish Cinema.

"20 Centímetros" (2005), written and directed by Ramón Salazar, is the story of a transvestite who would like to be rid of the 20 centimeters-- about 8 inches--of sexual organ that prevents her from being the woman she wants to be. The plot becomes more complex because Marieta (Mónica Cervera) falls in love with a man who likes her just the way she is.There are two more subplots--one involves Marieta's house-mate, who is a wildly inept businessman, and the other is about a woman who lives in Marieta's apartment house and who is involved with some very shady deals, that are often frustrated because she can't find a babysitter.The supposed charm of the movie comes from the fact that Marieta has narcolepsy. When she falls into a trance, she dreams of herself in Technicolor musical production numbers. The problem with this film for me was that the musical numbers, which should have kept the movie from just being a Spanish "Transamerica," weren't very charming. The classic movie musicals are colorful and vibrant--these were more cutting edge and threatening.I don't see "20 Centimetros" as a GLBT film any more than "Transamerica" was a GLBT film. However, when it was shown at Rochester's Dryden Theatre, the crowd was composed almost exclusively of gay male couples. The man who introduced the film said the he chose it because of the musical numbers. I'm not sure if he had previewed it before he selected it. It's the kind of movie that looks better on paper than it plays on the screen.

this story of a narcoleptic transvestite hooker with more than an angry inch has the audacity to open with a musical number from the Spanish classic TOMBOLA. It's stands the Spanish musical on it's head better than even Almodovar has managed before.For those familiar with Spanish cinema from the Franco era, this is a worthy companion piece to BAD EDUCATION. The two films together are the equivalent of a stealth attack on SARITA MONTIEL, MARISOL and JOSELITO movies.For those unfamiliar, what remains is a camp satire of the MTV generation where style overcomes substance and drama is really black comedy no matter how tragic.Fine performances from a great cast, particularly Monica Cervera, who manages to be ugly and sexy at the same time and Pablo Puyol as the masculine stud who likes Marieta's eight inches a little too much.Worth seeing at once!

After a promising short film ("Hongos") and an excellent feature length debut ("Piedras"), director-writer Ramón Salazar surprises all with "20 centímetros", a compelling musical which won't leave anyone indifferent.Certainly this is not for all tastes. Instead of taking the easy way out of mixing musical and comedy, Salazar chooses drama and depicts the sub-world of prostitution with such a raw perspective that many people felt extremely uncomfortable during the film. "20 centímetros" is, after all, the love child of Von Trier's "Dancer in the dark" and early Almodóvar. As I said, not for all tastes.Mónica Cervera, who was in Salazar's previous directorial efforts, is the star of the film, and she really shines in her one-woman-show. She sings her heart out and gives a terrific performance as Marieta, the transvestite hooker who dreams musical sequences in which she is the sole star. Other cast members include Lola Dueñas, Rossy de Palma and Najwa Nimri in brief roles, and also Pilar Bardem in a cameo. Unknowns Concha Galán and Miguel O'Dogherty play pivotal roles in this eclectic musical. Pablo Puyol, Marieta's leading man, plays Reponedor, a simpleton, gracefully and shows that he could surprise everybody if he's given the right chance.What I liked most were the musical numbers, though. Some of them are extremely effective in narrative terms "Parole, parole, parole", and others are so well made that it doesn't matter if they don't add anything story-wise ("Quiero ser santa" is a prodigy of make-up, scenery and costume). My favorite, however, is the one in which Marieta and Reponedor sing a song each at the same time.If you are willing for something new give "20 centímetros" a chance, specially if you like musicals and you are not afraid to watch some of the most marginal strata of our society. Also, watch it for the great performance of Mónica Cervera, an actress that could be huge in the future.