Manpower (1941)

Excellent, Without a doubt!!

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

"Manpower" is a 1941 Warner Brothers film directed by Raoul Walsh. Walsh said that Jack Warner used to call him to his office and say, "You have to direct this film for me." Walsh would ask, "Who's in it?" "Oh, I don't know," Warner would moan. One wonders if "Manpower" was one of those films, though it would be pretty hard to forget that you had a film with Marlene Dietrich scheduled.The story is that of a typical love triangle. Hank (Robinson) and Johnny (Raft) are linemen; Hank falls hard for Dietrich, who works at a clip joint. He proposes and though she tells him up front that she doesn't love him, she accepts. Then she finds herself in love with Johnny.Dietrich is stunningly beautiful though I was distracted by a wig that seemed to overpower her face. And when was the last time you heard her described, as Raft does, as "just a dame?" Hardly. She is very good as Fay, who, while she gives it a go with Hank, wants her chance at real happiness. Robinson, who could play pathetic like nobody's business, gives us a pretty pathetic Hank here - injured so that instead of working on the power lines, he's now a manager, unlucky in love and dumpy looking. For a guy who could play mean as dirt, he portrayed these blustery, insecure men very well. Raft is a very dapper Johnny, a nice contrast to Robinson.With the exception of an exciting ending, there really isn't anything exceptional about "Manpower" except the cast and the fact that it rains a lot. Definitely worth seeing for the unique casting.

This is film pretty much has soap opera written all over it. The love triangle between Robinson, Raft and Dietrich has been in every soap from "Guiding Light" to "General Hospital". Robinson really has a good turn as the soft hearted and naive Hank and Raft is great as the sensible Johnny, who tries to show Hank that his marriage to Kay isn't all that it is cracked up to be. Dietrich also puts in a fine performance as Kay. Frank McHugh is his usual wonderful self adding the comic relief to this soap. However, the ending is pretty standard at the end when Johnny and Kay walk off together pretty much to console each other and to start life anew.Also, look for an early performance by Eve Arden. She plays one of the b-girls in the club in the latter scenes of the film.

Missed this great Black & White Film Classic with Edward G. Robinson, George Raft and a great cast of Classic Actors! In this film Edward G. Robinson, (Hank 'Gimpy'McHenry),"The Red House",'47,is the boss of a gang of linemen who have the hard task of putting up electric and telephone lines. George Raft,(Johnny Marshall),"Red Light",'49, plays a rough guy who looks after his buddy 'Gimpy' and does not like Marlene Dietrich,(Fay Duval),"Touch of Evil",'58 who is an all around the town gal. Gimpy falls deeply in love with Fay and wants to marry her in the worst way, even if she does not love him. This is an entirely different story and the all the great actors make this a truly great Classic film from the 40's.!

"Manpower", made for Warner Bros. in 1941, is one of the most exciting and pleasurable of all classic action adventures. It's great to see the positive reviews from fellow users; I have been looking forward to it for some time and I finally saw it. What a picture! I'm a huge Raoul Walsh fan and "Manpower" ranks with the director's greatest works - "Me and My Gal", "The Roaring Twenties", "Gentleman Jim", "The Strawberry Blonde", "Objective, Burma", "Pursued", et al. The film is extraordinary for a number of reasons, but the most obvious reason is a top notch cast: Edward G. Robinson, Marlene Dietrich, George Raft, Ward Bond, Alan Hale, Eve Arden, and the lovable Frank McHugh, performing his hilarious shenanigans and slapstick.The film concerns a group of emergency power repairmen who work on a high voltage power lines during ferocious storms. Throughout "Manpower", Walsh emphasizes group camaraderie and the strong bond of working class Americans. It is also filled with Walsh's trademark boyish gusto and unsophisticated Irish ribaldry, but it somehow lacks the bittersweet nostalgia and wistfulness of "Strawberry Blonde" and "Gentleman Jim".The same way Walsh's "Strawberry Blonde" is a remake of a charming 1933 Gary Cooper vehicle called "One Sunday Afternoon", "Manpower" is a remake of Howard Hawks'1932 adventure "Tiger Shark", also starring Edward G. Robinson as a tuna fisherman. Here, Robinson plays power lineman who happens to be in love with an ex-con girl, sensitively played by Marlene Dietrich. Robinson's rival is George Raft and their climactic aerial duel amidst jolting electric wires are among the highlights of the film's stunning action scenes.