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Song of Norway

Song of Norway (1970)

November. 04,1970
|
4.2
|
G
| Drama Music

Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.

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Reviews

Solemplex
1970/11/04

To me, this movie is perfection.

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Afouotos
1970/11/05

Although it has its amusing moments, in eneral the plot does not convince.

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Anoushka Slater
1970/11/06

While it doesn't offer any answers, it both thrills and makes you think.

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Marva
1970/11/07

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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mark.waltz
1970/11/08

Toralv Maurstad sings and dogs bark on the mountaintops of Austria. O.K., this takes place in Norway, but dogs feel the pain from thousands of miles away. Poor Florence Henderson, just settling into the role of Carol Brady, and a sweetheart of the world of Rodgers and Hammerstein, having churned butter in "Oklahoma!", made curtains out of drapes in "The Sound of Music" and washed that man right out of her hair in "South Pacific". Her promising attempt to become the next Julie Andrews or Shirley Jones ended here, mainly because movie musicals in most cases were bombing, this one quickly dismissed and driving its small audiences to near deafness.I couldn't believe what I was hearing here, the alleged biography of Edward Grieg, and one where a hangover is preferable. The songs are among the mist wretched that I have ever heard in a movie musical, especially in such a cynical era as the early 1970's. Toocmany nature shots show what was on the cameraman's eye, and I wonder if producer/director Andrew Stone was looking for a tax write-off after seeing "The Producers". Cameos by Robert Morley and Edward G.Robinson added a little bit of curiosity, and Florence tries her best to rise above the material. It's overly long (complete with intermission) and consistently dull. There's nothing to put this in the category of camp, leaving me to prefer to revisit the musical version of "Lost Horizon" than to ever subject myself or my neighbors who happen to hear it of ever enduring this again.

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phillindholm
1970/11/09

To call this thing ''bad'', is really doing it a disservice. It's actually beyond unbearable-a clear and relentlessly clumsy attempt to cash in on the tremendous success of ''The Sound Of Music''. If that wasn't enough, it features Edward G. Robinson and Florence Henderson in the SAME movie. Kind of like Pat Boone and Ann-Margret in the 1962 remake of ''State Fair''. No, Robinson and Henderson are not paired romantically. But they might as well have been-everything else in this so-called''Biography'' of Edvard Grieg is hilariously over the top, with everyone trying in vain to compete with the gorgeous location photography and substituting acting with simpers and bright, glassy smiles. Lucky for Florence, ''The Brady Bunch'' was just around the corner-because this ridiculous ''epic''pretty much killed her film career.Though the singing is fine, the music is not Grieg's best, and it's simply used as background for the scenery-which, by the second hour of this fiasco, begins to resemble one of those nature films which occasionally show up in small towns, accompanied by the Producer/Director who narrates it in person. One reviewer at the time this was first released stated: ''It seems to have been made by Trolls''. And not very talented ones, at that. Gives poor Norway a bad name.Not to mention Trolls....

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bombayteddy
1970/11/10

I saw Song of Norway as a child, in all its magnificence, in 70mm with 6-track sound. I saw it every time it returned for "morning shows" (until the print's color had well and truly faded) and have never forgotten it. The last time was more than 25 years ago. I cant understand why so many people find it "awful". Or maybe I can --- it demands a certain "innocence" and a surrender to sentiment that most adults today are uncomfortable with. What's not to like? It has Grieg's soaring music, stunning cinematography, decent unpretentious acting, gorgeous locales and a certain epic "sweep" sadly lacking in today's soul-less blockbusters, which seem false and contrived in comparison. I believe it was available briefly on DVD in an edited and utterly execrable transfer that did no justice at all to the film's visual and sonic glories. But who has the rights now? Will they please PLEASE restore and release this lovely film on DVD (and perhaps even Blu-Ray) in a presentation worthy of posterity?

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accitenor
1970/11/11

Although some of the acting is bland, the movie honestly tells of the struggle of a great musician to be "heard". Postcard cinematography and a good stereo sound add to the ambiance, and the music is so GOOD that one can forgive the lyrics writers for giving words to it, but these are the same people that gave words to the music of Borodin in "Kismet" and we MUST admit that "Stranger in Paradise" HAS become a staple!

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