The Flower of Evil (2003)

Waste of time

Sadly Over-hyped

Better Late Then Never

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I think a little familiarity with T.S Eliot's play The Family Reunion, from which Chabrol undoubtedly draws and also with Burnt Norton is necessary to fully appreciate the film. The notion that the past is not really past at all, but a part of the relentless present is the driving force of the film. The footfalls of the past echo in memory, almost in Bergsonian duree. The protagonist coming back home after quite a number of years, skeletons out of the closet, clandestine and forbidden love affairs are archetypes that is at the deep structure of the film. At the core there is a dialogue between the past and the future, in the eternal present.

Despite its deceptively calm exterior, "The Flower Of Evil" is probably one of Claude Chabrol's most ambitious movies: he tackles a wide range of topics here, including marital infidelity (plus the thought of it), (possible) incest, the joy of happy memories and the pain of sad ones, the burden of guilt, political ethics, and history repeating itself to an almost supernatural degree. However, the script (which he co-wrote) is a bit too muddled; I've watched this film twice now and I probably still couldn't draw an error-free family tree for these characters if I had to. The exact nature of the relationship between Benoit Magimel's and Melanie Doutey's characters remains puzzling to the end (are they cousins? Half-siblings? Step-siblings?); nonetheless, their first intimate scenes together are highly erotic (Doutey is amazingly beautiful). The film is splendidly acted all around, especially by Suzanne Flon as Aunt Line. **1/2 out of 4.

Everybody has them in their closet. Most of us manage to hide them quite well. Those that run for public office are just asking for trouble these days especially.Just ask John Kerry or Sarah Palin. Ask about swift boats or trooper-gate. Those things come out in the wash. Even the local politicians have things like unpaid taxes and questionable associations that are brought to light.But, murder? is that unusual. Not really, as it came up in the Clinton campaign in the form of unproven accusations.Here, in a French film that most American audiences would not watch, we have actual murders being alleged. Also some fooling around being hinted at, and associations with Nazis (that was also used with Bush in reference to George's grandfather).The film is slow, but exciting. You are watch each character closely to see who is good and who is evil. But, it is not that easy, as those who appear very good, have some evil in their past.The acting was superb and the story was very good. The direction was excellent as the story flowed at the right pace and headed in the right direction.Worth your time if you like watching characters interact.

This is a pleasant film by Claude Chabrol, nothing like the forbidding title "La Fleur du Mal" would suggest. I say pleasant in that there is nothing gross or ugly about it or really shocking, and it ends in a way that most viewers would find agreeable. There is some dark suggestion of family evil and a kind of playful non-incest and some skeletons in the closet from the Nazi occupation and one dead man at the end, but otherwise this is almost a comedy.It is not, however, in my opinion his best work, but is very representative. My favorite Chabrol film is Une affaire de femmes (1988) starring Isabelle Huppert and Francois Cluzet. I also liked La Cérémonie (1995) featuring Sandrine Bonnaire, Isabelle Huppert and Jacqueline Bisset. Both of these are much darker works than The Flower of Evil.As in many Chabrol films this starts slowly but manages to be interesting thanks to some veracious color and characterization blended with a hint of the tension to come. And then, also characteristic of Chabrol, there is a interesting finish.Nathalie Baye plays Anne Charpin-Vasseur, who in her fifties decides to run for mayor. Her philandering husband Gérard (Bernard Le Coq) is not pleased. Benoit Magimel plays the prodigal son Francois Vasseur, just home after four years in the US, while Melanie Doutey plays his non-biological sister Michele. Francois apparently ran away to the States to cool his growing attraction to Michele (to her disappointment). Now on his return their love blooms.This is very much approved of by Aunt Line (played wonderfully well with spry energy by Suzanne Flon who was 85 years old when the film was made). Their affair reminds her of her youth, a mixed blessing since she lived through some horrors.The main plot concerns the opposition that Anne is getting as she runs for mayor. A leaflet accusing the family of collaboration with the Nazis during WWII is distributed that threatens to derail her campaign.See this for one of France's great ladies of both film and the theater, Suzanne Flon, who died last year after a career than spanned five decades.(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)