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Cyber Wars

Cyber Wars (2004)

September. 15,2004
|
4.4
|
PG-13
| Action Science Fiction

In the near future in the Asian city-state Sintawan, everyone's identity is recorded in the vast CyberLink. The only way around this is using illegal simulated identity implants (sims). A young bounty hunter who makes her living tracking sims, finds herself the unlikely ally of a police detective who suspects the CyberLink is being perverted for an insidious and deadly purpose

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Reviews

Raetsonwe
2004/09/15

Redundant and unnecessary.

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VeteranLight
2004/09/16

I don't have all the words right now but this film is a work of art.

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Pacionsbo
2004/09/17

Absolutely Fantastic

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Fairaher
2004/09/18

The film makes a home in your brain and the only cure is to see it again.

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gridoon2018
2004/09/19

OK, my one-line summary may be a little too harsh: "Avatar" (the title I saw this film under) is an ambitious little effort, with some nice ideas and some decent low-budget visual effects / graphics. But the script is muddled (with a strong let's-make-it-up-as-we-go-along vibe), the dialogue is stilted, and there is a surfeit of meaningless techno-babble. Genevieve O'Reilly is very pretty, but it's hard to get any sort of handle on her character; she's also not nearly as much of an action heroine as the cover and the first five minutes promise. Veterans like David Warner and Joan Chen are mostly wasted. I think I have already forgotten much of the film although I just finished watching it a couple of hours ago! *1/2 out of 4.

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Lee Sherman
2004/09/20

I'll try to keep the spoilers minor. "Cyber Wars" a.k.a. "Avatar" a.k.a. "Matrix Hunter" is sort of William Gibson meets Roman Polanski. It's a cyberpunk suspense film that reminded me over and over of "Chinatown." Not that it's derivative, it just has things in common, like atmosphere, a focus on the dark underbelly of a nice beautiful city, and a pessimistic view of human beings.It's set in a major city of the future, the location of which is never specified (although it's the site of a former rain forest). Everyone there is from somewhere else. This point is driven home by having almost everyone in the cast speak English like it isn't their first language, which can get grating. A future evolution of the Internet is a cornerstone of life, and cybernetics, electronics, holograms, antigravity, biotechnology, and other high technology abound.Our heroine, Dash MacKenzie, is a bounty hunter who tracks down people who assume new identities using cutting edge technology. Her latest quarry is Edward Chan, who walked away from a seemingly perfect life to become someone else. Who? It's her job to find out. And everybody and their dog is looking for him. That's the setup, and it turns out to be a case of bait-and-switch. The Edward Chan plot is resolved before the halfway mark, and it takes us into a nearly unrelated plot, opening up a web of intrigue that sends our hero to an important convolution of the World Wide Web.The future depicted here certainly looks futuristic. It's a striking, unique view of the future, and seems disturbingly believable in some ways but over-the-top in other ways. The effects are good, except for the dragonfly robots, which are low-end C.G.I. The virtual reality of the Cyberlink (read: Internet) is probably the part of the movie that will stick with me the most. I don't know if it's all that creative or original, but it's visually striking, and seems almost like a logical extrapolation. But the movie's futurism is a double-edged sword. Much time that could be used for storytelling is instead devoted to showing off every little thing the writer can imagine and the special effects department can show. Also, because future concepts, words, and eye candy were flying at me left, right, and center, it took me a while to get a grasp on what was actually happening. I guess the idea is that, since these people live in this world, nobody's going to take time to explain everything. That works in "THX 1138." Not so much here. There are a few moments that still have me scratching my head. I can't help but feel that, if a better director had handled this, this future world could be more understandable and even more enthralling.Speaking of which, the direction is only a couple rungs above pedestrian. An unfortunate side effect of the similarities to "Chinatown" is that they make me notice how much better directed that film is. I wish "Cyber Wars" could have been directed by someone like Roman Polanski, or at least Rob Bowman.But the biggest weakness is the lead actress. Genevieve O'Reilly, best known for her cameo in "Revenge of the Sith," plays Dash, and botches it rather badly. She's wooden, and never seems quite urban enough for someone of her background and profession (part of this isn't the actress' fault: the makeup department makes her look immaculate in every scene). I suspect she was cast solely because she looks good naked (and the viewer is made aware of this to a gratuitous extent). The rest of the cast fares much better, thankfully. Luoyong Wang does a good job of carrying the film (although he's not exactly Laurence Olivier). But the ones who really shine are the tycoons (and some of their cronies), particularly Joan Chen (of "Last Emperor" fame) and David Warner. The other great character is the pathetic washed-up bounty hunter Riley, played by Larry from "Newhart" (I could look up the actor's name, but is that really necessary?). There are a few other neat, colorful characters, who I won't list. Honestly, the main character is very far down the list of interesting people in this movie."Cyber Wars" is a cut above your usual post-"Matrix" cyberthriller. It could have been something truly fantastic if there weren't various flaws chipping away at it, but it's still easy to enjoy. And there's just enough left unexplored to justify a sequel. Maybe Dash can change her identity into a better actress.

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Rabh17
2004/09/21

I would say that of all the Cybertech cum 'Nueromancer' copycat movies done so far, Cyber Wars is a pleasant surprise.This movie is not about cyborg-assassins and Net-punk-gangs rampaging through a dystopian corporate wasteland. It's about a puzzle that happens to envelope the entire world, and the unraveling of a conspiracy.The female lead is kind of wooden, which is why I give this movie a 7, but all the other characters flesh out her shortcomings with a modicum of depth. And the antagonists are actually characters with feeling, far from cardboard cut-outs. The technology is showcased nicely as holograms the 'Netlink' trips are cinematically neat. But the best part of this movie is that the SFX does not unduly distract you from the Story itself.The core of this movie is this: Would you live in a world where everything is working Okay and Just Right if you knew that the reason everything worked just right was because a secret cabal was minutely Playing the World as a Game to keep everything in 'Balance', but only for their amusement?Is it Wrong to want to End this game?For those of you looking for something like the "Matrix" on the Cheap-- sorry guyz-- No samurai swordfights. No Off-the-Ceiling Flying Ninja kicks. No non-stop guns 'n' ammo urban warfare battles. No epileptic level pyrotechnics.Just an interesting story with a Puzzle of a Question about Choices.This movie is Girlfriend Friendly and a good pick for a light Friday Night flick with Nicely salted French Fries.

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zzz05
2004/09/22

Not bad, not bad at all. I gather this is Australian, at least in part, and it seems of a piece with the generally good quality of Australian films, at least those imported to the US compared with the US domestic product.As my title suggests, it combines general plot elements of Domino, The Matrix, and the general concept of Blade Runner; it doesn't try to outdo any of them, but instead is a somewhat stripped down, sleek SF action film, more in the spirit of Domino than the somewhat ponderous senses of The Matrix and Blade Runner, which had to set up the cyberpunk world that this movie can now take for granted.What's nice about it is a general lack of crap or cheesiness; actors are all good, including Joan Chen and William Sanderson, apparently a permanent fixture of the cyberpunk world since Blade Runner; dialogue is good; no cheesy effects, performances, dialogue, etc. I find this compares favorably with something like Freejack, which had the faint whiff of fromage floating about it, as well as Mad Max (the original) which was sort of obviously cartoonish.

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