Nightcap (2002)

Load of rubbish!!

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Blistering performances.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

In Lausanne, the aspirant pianist Jeanne Pollet (Anna Mouglalis) has lunch with her mother Louise Pollet (Brigitte Catillon), her boyfriend Axel (Mathieu Simonet) and his mother. Jeanne leans that when she was born, a nurse had mistakenly told to the prominent pianist André Polonski (Jacques Dutronc) that she would be his daughter. André has just remarried his first wife, the heiress of a Swiss chocolate factory Marie-Claire "Mika" Muller (Isabelle Huppert) and they live in Lausanne with André's second marriage son Guillaume Polonski (Rodolphe Pauly). Out of the blue, Jeanne visits André and he offers to give piano classes to help her in her examination. Jeanne becomes closer to André and visits him every day; sooner she discovers that Mika might be drugging her stepson with Rohypnol. Further, she might have killed André's second wife Lisbeth."Merci pour le Chocolat" is another ambiguous film by Claude Chabrol about evilness, alienation and manipulation. Isabelle Huppert, who is one of Chabrol's favorite's actresses, performs a wicked lady. The essence of her evil is not explained, but she is capable to drug and kill her best friend and incapable to love or donate to help children. Jeanne Pollet is manipulative and greedy, and uses the incident in the maternity hospital to get closer to André. When she sees the photo of Lisbeth in the bedroom, she returns to the pianos room where André is and puts her hands on her face exactly the same way Lisbeth did. André Polonski is alienated and lives his life in the world of music, and doping to sleep and ignoring to see what Mika did to Lisbeth. They live a hypocrite life with Guillaume, who does not have any objective in life.This film is not among the best works of Claude Chabrol, but anyway it is entertaining. My vote is seven.Title (Brazil): "A Teia de Chocolate" ("The Chocolate Cobweb")

The plot may not be particularly clever, but watching Huppert's brilliant, tense, technically outstanding acting in the role of a woman in search of a nervous breakdown against Dutronc's nonchalant, understated, simmering portrayal of a seedy pillhead, seemingly oblivious to what's going on around him, is worth the price of admission and then some! Supporting characters are all excellent, though the young girl is a bit too wide-eyed for her own good. The movie is also fun to watch just for its use of color, clothing, and art as symbols, including allusions to earlier Huppert classics like "La Dentelliere". While this might not be Chabrol's masterpiece, it would be a good example for any young director to study how a veteran uses the elements of his craft most economically to greatest effect. As for actors: watch Isabelle Huppert's face in the close-up during the long, final shot -- there's a whole acting lesson right there. Not a perfect movie, but enjoyable to watch if you have a mind for such details.

Chabrol looks at compulsive, unmotivated evil. Not a whodunit, but a stylish portrayal of a situation falling to pieces, as a long-buried misunderstanding from the distant past is the thread that, pulled on just a little, unravels the whole situation.The movie is often compared to Hitchcock, and I think it does resemble for example, Strangers on a Train. It may lack the atmosphere of menace that pervades Strangers, but it may give a better picture of the evil at its center.Subtle and nuanced performance by Isabel Huppert, whose smallest gestures contribute to her portrait of a psychopath. Stylish direction from Chabrol, whose camera-work remains expressive but unobtrusive.

Anna Mouglalis is HOT. And she's the main character. So why doesn't her name appear on the DVD box along with Jacques Dutronc and Isabelle Huppert? Don't they have enough already?I've seen other pictures of her on the Net and she doesn't look exactly like Liv Tyler, but in this movie, the way her hair is done and her lipstick applied, they could be twins separated at birth.Oh, and what about the movie?Well, I saw it with four other people. In keeping with the theme of the movie, which has a lot to do with hot chocolate and getting a good night's sleep, two of the four fell asleep after the first twenty minutes or so. The other person and I (both Francophiles, and I now a convinced Mouglalis-o-phile), managed to watch the whole thing, which wasn't easy, because, well....the acting kind of sucked, the people were all boring and unlikable, and the plot was salvaged from the reject bins behind the office where they write Murder, She Wrote, episodes of Columbo, and those Masterpiece Theater episodes set in the 1920's. Boring boring boring. And contrived. And unbelievable. Too many coincidences, and once you see the movie, you'll find it hard to believe that main character A married main character B, and you'll find it hard to believe that main character A, a driven over-achiever who surely must be exhausted with all the work he does, would have troubles sleeping and would have such little sex drive that he would want to get into a permanent hookup with main character B, whom he's been with before and didn't like the first time. That is, there is not enough shown about his character to make these choices even remotely plausible.But to know who A and B are, you'll have to go see the movie. So go see it, and have a good time!