Beloved Sisters (2014)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

I wanted to but couldn't!

Absolutely Fantastic

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

What makes this film so profound is its genuine literary quality(rarely found in period drama films); masterful and artistic portrayal. Background score haunts soul with its mellow and beauty. This masterpiece gives rich and profound experience to audience with its intellectual, complex and poetic tone.The film is based on the life of the German poet Friedrich Schiller (1759–1805) and upon his long relationships with two sisters, Caroline and Charlotte von Lengefeld. This film won't focus on Schiller's relationship with Goethe, as some people may expect, since they are such giants in German literature and history.There are two cuts of the movie available, shorter cinema version and the Directors cut. I recommend longer version of 138 mins to experience true substance of the film.The film was nominated for the Golden Bear Award at the 64th Berlin International Film Festival, and had its premiere at the festival. It was selected as the German entry for the Best Foreign Language Film at the 87th Academy Awards, but was not nominated.

To be fair, it was beautifully filmed, the landscapes, the colours, etc... everything was right and set to make a perfect film. The original music not so much, I like the fact they used Rameau's Zaïs overture for some scenes (just in case you were wondering what that was) but except that, the soundtrack was dull.Since we don't see so many German period dramas (unless you do count the every year film about the Nazis' era), it was worth at least to give it a chance; we watched this film with a friend as part of the annual German FILM FESTIVAL in Buenos Aires (otherwise this would have never even get to a DVD here): to say the least I fell asleep twice (maybe three times, I'm not sure), and that didn't affect the overall opinion I might have over the film or the story (if there was any), so did my friend, we were nudging each other in order to avoid falling sleep... and yet we both failed.It is too slow: nothing actually happens and when the film ends you do have the feeling you lost a lot of your time, the whole audience was trying to awake themselves by the end of it, I saw a lot of people yawning and there was an utter silence except for the relief most of them felt on leaving the room in order to get some coffee.This could have been an excellent story, the cast is great, the filming might almost get good but there is no story behind and that's the main trouble here. If you can, don't watch this on a cinema, do it at home, with a cup of coffee and consider the idea of pressing FAST FORWARD from time to time for it won't affect the final result.

(note: I watched the short version, about 140 minutes, of this film)Beautiful landscapes, beautiful interiors with subtle natural lighting, beautiful actors and some beautiful moments don't save this film from being a serious disappointment that may be tolerable on a TV screen, but certainly not on a cinema screen.Allegedly this is a story about passion, and early on in the film there is a promising moment when Schiller, soaking wet and half-frozen after rescuing a child out of a stream, is warmed up by the sisters clinging to his body; this was quite erotic, but sadly it remained the only erotic moment in the whole film. The director's approach to sensuality and passion here is much too buttoned up; the result is bland and soporific. You can't have women like Herzsprung and Confurius in such a film and never have them undress; this is simply inexcusable.I won't talk about the score here; the music is so irrelevant that it doesn't even affect the film negatively. I'd like to talk about scenes: Usually, a film, be it a Hollywood film or an art film, is made of scenes; a succession of scenes, with each individual scene having a beginning, an ending, a development in between, and a relation to the preceding and to the following scenes.Dominik Graf obviously doesn't believe in scenes. Take, for example, the beginning of his film: First shot is a close-up of Confurius sitting in a coach. I expected that I would get to know this character now and that I would be guided into the world of the film. Well, I was wrong. Suddenly an ugly voice-over starts explaining who this girl is and what she is about to do. Then we cut to something else. So what about the opening scene? There simply is no opening scene! This is terrible. Imagine a writer writing a novel and not even getting his first sentence right. The editing is terrible throughout. I remember at one point there is a cut to a wide shot of a street, and about half a second later there is another cut away to something else before we even had time to appreciate what is going on in this street. Terrible. However, the general problem concerning the editing is not that it is too fast, but (and I don't know if the writer/director or the editor is to blame for it) that the editor was incapable of giving the story a compelling structure, a recognizable rhythm. Instead of a succession of meaningful scenes we get an erratic tapestry of meaningless pretty shots, and even if these shots group themselves to a kind of individual scene from time to time, there is no weight behind it, no sense that this scene had to start at exactly this point and had to end at exactly that point. In contrast to the sad mess that "Die geliebten Schwestern" is, you may want to have a look at Kubrick's "Lolita" (there may be many other good examples, but this film comes to my mind right now as a benchmark for masterful writing): Instead of trying to cram as many scenes of Nabokov's novel as possible into the screenplay, they wrote mainly long or very long unforgettable scenes, that give the actors time to breathe and to unfold.Bottom line: If you love the art of filmmaking and wan't to spare yourself some serious frustration, I don't recommend this one.

I saw this at the CPH PIX film festival in Copenhagen, and was very impressed. Although much of the story that is shown is speculative, it appears to be highly qualified speculation. Whether it reflects historical reality or not, it worked exceedingly well as an epic cinema drama.As the title says, "The Beloved Sisters" is about the two sisters who loved Friedrich Schiller. Schiller himself is a kind of supporting character, as seen through the eyes of the sisters. The actresses who play the sisters are very good indeed, esp. the older one (Caroline), and it is expertly illustrated how they actually love each other more than they love Schiller.Highlights include the scene where the sisters sit by Schiller's sickbed in the dark, and (as I interpret it) he can't tell them apart, and the reconciliation scene towards the end where Schiller stands between the sisters, and then discreetly moves away, allowing them to reconnect. Very powerful stuff.I enjoyed this 171 minute movie immensely and can't wait to watch it again. Definitely one of the best experiences at the film festival.My rating: 9 stars out of 10.