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Gloria

Gloria (2014)

January. 23,2014
|
6.9
|
R
| Drama Comedy

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

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Reviews

XoWizIama
2014/01/23

Excellent adaptation.

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Limerculer
2014/01/24

A waste of 90 minutes of my life

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Mandeep Tyson
2014/01/25

The acting in this movie is really good.

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Janis
2014/01/26

One of the most extraordinary films you will see this year. Take that as you want.

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akash_sebastian
2014/01/27

'Gloria' is a simple, charming and thought-provoking movie. Going through the last stage of life without a partner, to share it with, can be a really tedious and sad journey. This is the story of the daily life of a divorced mother-of-two, whose children are already settled in their life. She visits clubs, house gatherings, etc., all in the search of a decent and suitable man with whom she can spend the rest of her life with. Not only is it a tiring thing to do at that point of your life, but because of the person's maturity and experience in life, the person won't settle for someone random just for the sake of it.The movie might seem quite simple to many, and it is, in many ways. But the subtle way in which the humour, joy, and sadness are shown keeps you intrigued till the end, and makes you wish that you or anyone you love doesn't have to go through such a phase.It's Paulina García's acting as titular character that holds the movie together' Gloria's intelligence, perseverance and dignity shine through radiantly through Miss Garcia.

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pc95
2014/01/28

Life isn't always easy, and here we have a Chilean movie slogging us through with actress Paulina Garcia's pathetic and lonely woman who seems afraid to commit herself to anyone in her life. She is withdrawn in her shell from those she loves. And if you like misery, the first half of the movie dragged fairly badly and didn't present much in the way of conflict. The director, make-up, Garcia herself have succeeded in creating a total mope. Anyway, thanks to picking up some sort of storyline and the fireworks finale, the director saves the movie from the doldrums. (major spoilers) Absolutely loved the last 10 min or so of the movie with her losing it, and then the white peacock, and finale dance in her name. Sometimes the best scenes in movies really lift a mediocre movie to good standing such as this one.....7/10

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Connie Starkovs
2014/01/29

I enjoyed the realism of this movie and the depiction of a woman close to my age who was still very attractive despite having some flaws and showing some aging. It kept my attention the entire movie despite some slow scenes. It could have been a little peppier. I think she needed to talk more. I didn't get the sense of her children's characters either. It was hard to know what the characters were thinking or why they did certain things.To me it was disappointing that she was so insensitive to her new lover's lingering attachment to his family. Having only been recently divorced, he was understandably still close to them. I thought it was sweet the way he tried to help his children even if they were quite selfish. He was also very sweet and romantic with Gloria, and wow, there aren't that many men like that out there. In my opinion she was a complete fool to make him choose abruptly to end his previous life of so many years for someone he just met. As well she was very insensitive to him at her own family dinner. The explicit sex scenes were also kind of over the top for me with the full frontal nudity etc. I have to give her credit for being so uninhibited. She seemed very kind and strong, but at the same time kind of self-centered, so not as appealing of a character as I wanted. I liked the first half and I guess I was hoping for a happier movie overall.

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Howard Schumann
2014/01/30

The big revelation in Chilean director Sebastian Lelio's Gloria is that older people are still interested in sex. Who would've thunk it? We thought they had moved on to other interests. In any event, in the superb performance by Paulina Garcia for which she won the Silver Bear at the Berlin International Film Festival in 2013, 58-year-old Gloria is definitely a "force of nature." Gloria (who is in every scene in the film) shows her zest for life by going to singles clubs on the weekends, dancing, drinking alcohol, smoking pot, singing along with the car radio, and having sex (not that there's anything wrong with that). You won't catch her doing old fogy things, such as body, mind, and spirit-nurturing type of stuff (except for a halfhearted stab at yoga).She is, nonetheless, a courageous woman who fights off loneliness with tenacity remarkable at any age. Unfortunately, she also proves that she can be just as self-absorbed, unable to communicate, and inconsiderate as anyone, regardless of age or condition. Divorced for many years, Gloria lives alone in a small apartment in Santiago where, after working all day, she has to contend with the noise of a drug addict who lives upstairs. Her relationship with her adult children, Pedro (Diego Fontecilla), who has an infant and daughter Ana (Fabiola Zamora), who is pregnant with the child of her Swedish boyfriend, is good, at least on the surface.The fact that she has to keep reminding them to call her, however, raises questions about how close their relationship is. One weekend at the dance club, Gloria connects with Rodolfo (Sergio Hernandez), an ex-Navy officer who has been divorced for one year, and they begin a relationship that seems promising. Rodolfo owns a small amusement park where he and Gloria have fun together, shooting each other with paint guns and bungee jumping. His continuing close relationship with his ex-wife and two daughters whom he supports financially, however, begins to get in the way and their good times together come to a sudden halt when Rodolfo meets Gloria's children and somewhat strange ex-husband Gabriel (Alejandro Goic) at Pedro's birthday party.Feeling ignored to the point of being invisible, Rodolfo reacts to Gloria and Gabriel's reminiscing about the past and showing each other photos from the family album by abruptly getting up and leaving. After avoiding his phone calls for what appears to be several days, they finally meet but neither takes responsibility for what happened. Although he tries to explain what prompted his action at the party, she turns a deaf ear and continues to blame him for being "rude." A similar scenario plays out when they reestablish their friendship and spend a weekend at an upscale resort where the director does not flinch from showing their naked bodies in bed.When Rodolfo receives a phone call from one of his daughters telling him that his ex-wife just had a serious accident, he is anxious to go and be with her. Instead of letting him know that it is okay with her if he chooses to go, Gloria tells him to let go of his past and be in present time. Without regards for his being upset at the moment, she presses him to agree to go with her on a ten-day vacation to Cuba. Though it is not surprising when he again walks out and leaves her alone, it is apparent that open and honest communication would have worked better. Again, blaming him for being rude, she cuts off all communications and petulantly unleashes a paint-gun attack on his home.Without question, accolades are warranted for Garcia's performance and she deserves all the awards and nominations she has received. Gloria can be charming and the world could certainly use more free spirits, yet, while many will cheer her actions with a "you go girl" mindset, a distinction needs to be made between an independent spirit and those who behave in a juvenile manner. Unfortunately, however, Lelio does not make any. It is left to Gloria to finally figure out the difference between pleasure and joy.

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