The Naked Face (1984)

Just perfect...

Admirable film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A clunky actioner with a handful of cool moments.

The naked face is a remarkable film experience. It's not a good film but I recommend it anyway. It's worth seeing the way you see Dracula for Bela Lugosi a performance so filled with conviction that questions of good and bad become meaningless. Saying that Bela Lugosi is campy and over the top is making the assumption that he was trying for something else and landed where he did by accident. No one else in the film other than Dwight Frye as Renfield can even keep up with him. Frye's performance seems far more calculated but he seems to understand that this film is meant to be spooky and fun and that no one is going to stop him from doing exactly what he chooses. He's like the guy in the summer stock theater whose a little bit better than everyone else and inspires the other actors with admiration and envy. Bela Lugosi and Dwight Frye know that you've paid money to see them and they are determined to give you what you paid for. Lugosi/Dracula's victims could be moving or charming, the heroes could be dashing and silly, van helsing might be sage and warm and kind but they're not. The brides are creepy and the servants are ridiculous but the rest the living dead of actors. The crazy energy of Lugosi and Dwight Frye seem to sap the rest of the cast of theirs. The Naked Face is like that. It could have been directed by Tod Browning of Dracula fame. It's outdoors but stagey. The incidents in the film are outrageous and unconvincing but no more so than the everyday details. And every actor in the film walks through it like they're on Quaaludes except one. It isn't Roger Moore whose famous for not bringing much energy to wheat he does on screen. He fits into this film as if it were his home. The 007 films are so busy so full of incident and energy this film is like a fish bowl or a gerbil cage everyone is asleep or wandering aimlessly. It isn't Elliot Gould who also fits into the dullness of this film so well he's like a stripe on a dull pattern of wall paper. Why was he put into a film like MASH or it's hard to think of another film of his with much going for it when this is where he has always belonged. Art Carney, Anne Archer, David Hedison all like fish circling around a fish bowl or blobs in a lava lamp we watch them in a stupor. There is one performance that stands out one Lugosi, one Dwight Frye in a crowd David Manners and Everett Van Sloans. It's no surprise who it is, it's Rod Steiger. I want to be clear his performance is not good. He yells and whispers through the whole film like proto Nicholas Cage. He screams at the other actors, bullies them and worries over the turns in the plot as if they mattered to him personally. At times it seems like he's trying to wake the other actors up, trying to rouse them after they fallen asleep or lost interest. There is a crazy wonderful integrity to his performance that goes beyond questions of good or bad. He knows we're out there watching and he wants to give us something. His performance is a critique of dull bad acting. He seems to be seeing if you're going to be bad, if there is no way to be good than go big, don't go down without a fight, struggle against the awfulness. Laurence Olivier and some other highly skilled actors used to get through films like this by underplaying intentionally and quietly kidding and burlesquing the whole enterprise. Steigers performance critiques their approach and calls them cowards. He keeps laying on the energy cowing the other actors until it is not their characters that appeared embarrassed and intimidated but the actors themselves. Rod Steiger shows a crazed integrity. It's possibly the same integrity that allowed him to give so many fine even great performances. Cut loose from quality, artistry even competence, what else could he do?.

Filmmaker Bryan Forbes, who once displayed a light, sardonic touch with beguiling material such as "Whistle Down the Wind" and the original "Stepford Wives", completely bottoms out here. Not only is his direction inept, he also sloppily adapted Sidney Sheldon's early novel; the results are atrocious. Roger Moore plays a psychiatrist framed for the murder of one of his patients; Rod Steiger, chewing the scenery, is a hot-under-the-collar cop (it's easily his most embarrassing performance). The only actor here to exhibit some life is Elliott Gould, who knows a thing or two about enlivening a bum script. Bland, choppy, and produced on the cheap. NO STARS from ****

The Naked Face is an enjoyable movie with great performances from a brilliant cast. It is amazingly powerful and has a deep and realized screenplay. Though it has the fell of being very low budget and the poor and slow editing does not help here.Roger Moore delivers a driving performance as Dr. Judd Stevens. Along with Eliot Gould and Art Carney, The Naked Face Co-Stars the likes of Anne Archer (Clear And Present Danger) and David Hedison (Live And Let Die). It has great suspense sequences and a thrilling final battle. It is well directed and filmed but some areas need some major polish. It's good to see more human role unlike his parody of awful Bond films. There is also less campy moments than in your average Moore film. Although I am not sure if its available on VHS/DVD. 7/10

In this 1985 step away of the bond era Moore finally gets to make a great movie. This is probably his best movie, maybe not in acting, but the script is hard to beat. The naked face origins from a novel by Sidney Sheldon. The story is good and it differs from many other in the genre. It is not easy to predict the ending. That alone makes this film worth seeing. There are also other facts that makes this well worth seeing. Rod Steiger plays more than well, making his character disgusting from time to time. Moore acts well and so does all roles. To this one ads good music and you cannot get anything but a great film. I say not it is excellent, but it comes close enough to be more than recommended.