Clash (2009)

Let's be realistic.

Absolutely Fantastic

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Great movie. Not sure what people expected but I found it highly entertaining.

I suppose one of the best ways to plunge into the cinema of another country, is for action junkies like myself to see what they have to offer for the genre. I haven't seen a Vietnamese film before Clash, so it's anyone's guess how it would have turned out, though there were plenty of positive reviews for other Vietnamese action flicks such as The Rebel, which also starred leading man Johnny Nguyen, a veteran in his part of the world, who also served as the writer of this film. It shouldn't be that bad, right?For the most parts, the film was mighty entertaining, telling the story of a female mercenary code named Phoenix (the stunningly beautiful Thanh Van Ngo) who had assembled a rag-tag group of peers to go on missions, one of whom happens to be Johnny Nguyen's Quan with whom she shares a relationship with. Her objective through these dangerous missions is to ultimately save her daughter from the clutches of her evil employer. So much for mother's love, since Phoenix was a one time prostitute who got taken off the streets to do her employer's dirty work, complete with a quick montage of her training.That's as far as the story goes, with enough twists and turns and double crossings to keep the audience engaged in pretty much a flimsy plot, designed only to keep our characters floating from fight sequence to fight sequence, which is truly the draw of the film, influenced in many ways by Hollywood and Hong Kong action cinema from yesterdays. I have to admit even if there were shades of other films in this, at least this effort had made it through to production with an international crew assisting to spruce up production values, where in Singapore we're still lacking in playing catch up.Killer moves got designed for Phoenix such as her thigh wraparound the enemy's neck or upper body before giving it a final fatal twist, but to get there, the fight choreography for most of the characters can get a little bit dull and repetitive. Everything will start off with the firing of auto or semi automatic weapons, and when the finite rounds get expended, everyone will turn into Jackie Chan - come to think of it most of Jackie's earlier action films were similarly designed - and relies on the punches and kicks to dispatch opponents. And it does get repetitive as mentioned with the usual punch-punch-kick combo moves that one's enemies could predict with every extended fight.But thanks to some of the Mixed Martial Arts sequence, Clash at least attempted some variation, and without the use of wires and CG, the fights all look authentic and as our anti- heroes pit their skills against others they get into a battle with. However the finale was a bit of a cop out, which I suspect could have been influenced by test audiences to give it a more positive spin perhaps, since a plot element of a chunky inventory appears magically when in the first place it called for a more tragic and emotional convergence which had to give way.Still, Clash offers quite a lot especially for action junkies wishing to keep tabs on what's on offer in our neighbour's cinema, and from what I have seen here with its charismatic leads who are not only good lookers but are able to handle their battles with aplomb, we may be in for more treats if more films improve upon what's available now, and could become major contenders for action films that can draw a worldwide audience.

I watch quite a few foreign language films(from all over the world), and find that many of the most original and entertaining films being made today are not coming from Hollywood. Korea is producing some astounding drama/action films and Vietnam and Thailand are making some of the best out and out action films of the last few years. Tony Jaa opened the worlds eyes to the type of films that haven't been made since the early days of Jackie Chan, Chocolate showed that female leads can match or outdo many male stars in the genre. I say all this because going into Bay Rong I had hoped the film would be a combination of the best bits of Asian cinema, sadly I was disappointed. The acting is not really all that bad but as someone else has mentioned feels like it belongs in a soap opera at times. If the action is good I can overlook some bad acting, I'm thinking of the Warrior King and the brutal fight scenes it had but dire acting. This film never seems to reach the heights(or depths) that would make it stand out, the action isn't bad but it isn't great either, the fights felt very choreographed and didn't have the brutal and dangerous feel of films like Ong Bak or Merantau. I wouldn't recommend this film to anyone but at the same time there are far worse films out there. If you like Asian cinema and can see it cheaply it might be worth seeing, I gave it 5 out of 10, I didn't hate it but didn't love it either.

For those of you who like action dramas - this movie will feel a lot like Ronin (Robert DeNiro 1998). The roles and plot are very similar (that is my spoiler). Watching with (english) subtitles can be distracting at times, but you still get the feel and emotion from the actors.Johnny Nguyen plays his character with his usual reserve, but it fits very well with the story and his role. He is still very charismatic and as always his display of martial arts is impressive. After the Rebel he was put on my personal list of actors to watch for.Thanh Van Ngo does a great job of conveying emotion through-out the film and comes across as tough as well - which you would think would be difficult given her lithe figure and pretty face, but this is a talented woman - I hope to see more of her work in the future.This movie (and the Rebel) shows us that Vietnamese action movies are hard hitting and a nice change from the Chinese Kung-Fu movies which while are artistic and sometimes beautiful to watch, can be over-dramatic and unbelievable. Also (espescially with Johnny Nguyen and Thanh Van Ngo) They seem to take us back to a day when movies where more acting, less special effects. I recommend this movie to those who like good action dramas.Side note: With the similarity between this and the movie Ronin, It makes me think that international films could be a great place for directors to re-create past works, correct previous mistakes or allow stories to take different directions all-together while maintaining the plot, story line or intent of the film. - Cases in point; Matrix II & III, Jaws II, III, IV, Star Wars, Rambo, etc. If I had the chance to re-make some of those movies (II & III-not the originals) I feel I might have gone a different direction with the story line. We have seen this too many times - A movie that is so ground breaking and fantastic, that tons of money are thrown into sequels without proper preparation. Hey - movie industry - just because someone got lucky with a blockbuster, it doesn't mean that they should be given a green light and become solely responsible for the follow-ups. - Perhaps I am being naive to think that these sequels could have been better - Maybe the originals set such high standards that nothing could follow them up successfully, but then again - These international movie companies could given us a second chance at greatness!For those of you who loved the sequels - I apologize for any insults you may have percevied - These are strictly my opions and not meant to detract from you enjoyment of those movies.

Expectations for any martial arts action film are usually the same: be entertained by lots of great fight scenes. Johnny Nguyen's martial arts expertise doesn't disappoint in Clash, but the film fortunately goes deeper than just that which places it in an elite category of martial arts action films.Thanh Van "Veronica" Ngo plays Trinh/Phoenix and creates a beautiful, brutal, yet warm and caring lead character that is the centerpiece of the film. When she fights it is masterful, and when she breaks down over those she loves it is touching. Being able to believe in her diversity of actions and emotions shows her mastery of the character.Johnny Nguyen wrote the story and has created a role for himself, Quan/Tiger, which not only has him taking a back seat to Trinh, but has created a complex character who has secrets, who has emotions beyond being angry at the bad guys, and of course who can grace the scene with his amazing fight sequences. As the dutiful right hand man of Trinh he follows orders, yet does so with a protective eye at every turn. It is obvious as the film progresses that Tiger is developing feelings for Phoenix and at the moment they are finally alone and safe from the chaotic world outside he expresses how he feels by saying, "I don't wanna call you Phoenix anymore, I want to call you by your real name." A subtle way of expressing his feelings that is easily understood by Trinh who made it clear that Rule #1 is never use your real name so you remain an anonymous person. Their moment doesn't degrade into a cheesy roll in the hay but becomes a conversation about the complexity of their lives while acknowledging the mutual feelings and finally the love scene (aka "roll in the hay"). A beautifully conceived scene.And with the great acting and the complexity of the characters, there are some brief moments of genuine humor (not bad one liners), Christopher Wong's original adrenaline rush score and of course plenty of martial arts fight scenes that don't disappoint, in particular, raiding the house and fighting the "Frenchies." And all that leads to a conclusion that is not what you would predict (thankfully) and yet lends itself perfectly to the hard truth about the complexity that will continue to be their lives beyond this one mission.If there is a downside to the film, it is the "briefcase." The item that everyone wants is never defined as to it's importance both in it's content and what it has the capability of doing in the wrong hands. From the beginning of the film the depth of the mission is unclear and the briefcase becomes just a prop with no tangible value. However, when you only expect action from a martial arts film and you get so much more with the development of the characters, who cares about the briefcase!