The Fan (1982)

Although it has its amusing moments, in eneral the plot does not convince.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

I knew the music to this film for many years before I finally saw the film itself. I had discovered the hypnotic soundtrack by Rheingold on a second-hand LP and have had it on heavy rotation for many years. It's one of the best albums I know.The music is certainly one of boons which helped to put this movie into another class and make it a classic. Hypnotically slowly, it follows the development of a teenybopping waif's obsession with a pop star spiraling out of control. It's one of those movies which you kind of have to see in a cinema because on TV you'd zap away after 10 minutes. But it richly rewards your for its slower moments.Apparently there was a lot of controversy around lead actress Désirée Nosbusch's nudity scenes, which are admittedly surprisingly crass. But they are not exploitative and absolutely gel in with the movie. Kind of ironic that immediately after this scene there is one of extreme violence which went practically unnoticed by the public. A nice society we're living in.It's very respectable that the director fought to keep these scenes in, as they are essential to the escalation of the story. They are actually a good example of how those scenes should be done realistically but without becoming pornographic or voyeuristic. It's a big fat shame that this controversy tainted the reception and popularity of this great movie.And by the way, other than is often stated, the affair between star and fan doesn't end with the star "dropping" her after a night of carnality. It's not a case of "find'um, furp'um and flee". R. merely returns to his reality whereas Simone stays locked in her fantasy world.Some tidbits about this movie: R. is actually played by the singer of the band Rheingold, Bodo Staiger, which furnished the soundtrack. The actress playing the fan, Désirée Nosbusch, was at the time already a popular "VJane" (i. e. hostess of a music show like the one that is shown in the movie). And the host of the TV show which Simone watches with her parents at the beginning of the movie is played by Joachim "Blacky" Fuchsberger, who in real life was the most popular TV host in Germany at the time.

Apparently the favourite film of Japanese cannibal killer Issei Sagawa this unusual German horror drama left me a little bit disturbed.Cute 17-year-old teenager Simone has an intense crush on a dark-haired pop singer "R".The girl believes they are meant to be together,but he doesn't reply on her love letters.As she sees him for the first time she is speechless,unable even to ask for his autograph.He notices her and reaches out to touch her.Overcome with emotion Simone faints;with that first touch R's fate is sealed.When they later make love he is cold and detached.She plans the revenge which erupts into bloody murder and cannibalism..."Trance" is a remarkable horror drama about idol obsession and dysfunctional family living in their own private hell.The climax is gruesome and haunting as Simone kills and dismembers the object of her affection in a fetishistic sequence.The climatic gory mayhem is truly unforgettable.

A doleful, onerous portrait of an obsessed fanatic which is entirely encompassing despite its glacial pace. A mildly dissociative schoolgirl grows increasingly entranced by a popular music artist(a very early '80s Kraftwerk-style fellow), and sets forth with determination to become his lover. Through the course of her efforts, she eventually finds herself in his bed...but when she is handed her wham-bam-thank-you papers, her moment of happiness turns to shock and dismay. Things are far from finalized, however, as the closing moments of this film illustrate in a rattling climax which brilliantly rectifies the brooding monotone of its creeping buildup. A diagnostic rumination on fanaticism which is stylistically rather dated, yet nonetheless quite penetrating and recommendable.6.5/10

This is not a bad film.Its the story of hero worship gone wrong.Cool unusual mixture of horror/pop/cannibal film. A bit slow to start but you will never forget the last 30 minutes. For something unusual and thankfully totally unhollywood see it.