Kelly & Cal (2014)

hyped garbage

Awesome Movie

As Good As It Gets

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

An excellent "little" movie. The story of a friendship between a new mother and a young neighbor in a wheelchair. The trailer gives a much brighter image than it actually is. And it's better than the trailer. It gives a bittersweet atmosphere all along that takes guts. A film that speaks to young parents, first love, the passing of time, the mourning to do. Simple and touching.

Juliette Lewis pretends to be a hipster rebel for 1 minute and a half, makes a cute wheel chair bound teenage guy next door fall in love with her whiny persona, reveals herself as a Courtney Love rock chick from the 90s, but then rapidly turns back into a Stepford wife.This film is so wrong on so many levels. It teaches women that it's better to stay in a comatose marriage where the love has faded, where one's true personality has disappeared, where the in laws are uptight suburban psychopaths always intruding into your life, and that you have to become a snivelling wreck crying and begging your husband for forgiveness, because you managed to escape from that hell for a while and actually felt the magic of life and love again with a teenage guy who is being discounted because of his young age. What a rebel? Not!

KELLY & CAL is the kind of movie that stays with you long after you've seen it. Perfect casting of Juliette Lewis who's real-life rock 'n roll youth only strengthens the very raw, honest, and real identity crisis that comes with first-time motherhood. Unfortunately, I have lived this moment in life myself and Juliette plays it with the same "what-the-hell-just-happened" look on her face that I must have had. But Jonny Weston's performance of Cal stole the movie for me. I felt as shocked and moved by his character as Juliette Lewis's Kelly. He was charismatic and heartbreaking. This movie is so smartly written by Amy Lowe Starbin. The characters so true to their place in life. For example, Cal's cynicism might seem older than his years at times, but his youthful judgment and actions remind us he is still a teenager. The movie as a whole is a near perfect synergy of writing, directing, acting, cinematography, editing, and sound design. The side characters have depth and range that defies their limited time on screen. And while it's been a festival favorite, it is not the type of indie movie that leaves you feeling uncomfortable or weirded out, or mentally exhausted. It's the type of movie I dream of, one that reflects real life and leaves me with a bit of hope.

"Kelly and Cal" is one of those movies that starts out in an amazing way. We get to know our main character, Kelly, who is fresh from having a baby only six weeks earlier with her husband and is feeling exhausted and overworked. In comes the hilarious, handicapped teenager living next door who serves as the antidote to all her problems. They have laughs, drink beer, and start to build a relationship that is more meaningful than anything either of them have had in a long time. But though it starts off well (maybe even excellent) it soon deteriorates in a slow decline that ends when the credits roll. And the disappointment wouldn't mean much if the film hadn't given you a taste of what it could've been, but unfortunately, it does. Some of the best scenes at the beginning include the two of them bullshitting and having a great time talking about their problems, and nothing more than that. All either of them needs is a friend or simply just someone to talk to. But the movie turns into something it shouldn't be, something that's extremely cliché and never needed to happen, a romance. Just like so many other films, we see them start to connect and their forbidden relationship ensues. She has a husband and a baby, he's under 18, I think you can see what's coming. And frankly, it doesn't work. It tries to become emotional, possibly pulling at your heartstrings, but by the time that happens you could care less. There's so many moments when I was cursing under my breath hoping that the movie wouldn't go down the road it does. And what's even worse, the two leads are great together. Juliette Lewis (Kelly) and Jonny Weston (Cal) have so much potential that is wasted, and try their hardest to work with the been-there- done-that material, but even they can't save the film. It's a huge letdown, and one that stung.