UNLIMITED STREAMING
WITH PRIME VIDEO
TRY 30-DAY TRIAL
Home > Drama >

The Bedroom

The Bedroom (1992)

September. 12,1992
|
5.5
| Drama

Erotic drama set in an underground Tokyo club called The Bedroom, where the female clientele are drugged into a trance-like state and are subjected to different styles of bizarre, fetishistic sex by the male clientele.

...

Watch Trailer

Cast

Similar titles

Reviews

Claysaba
1992/09/12

Excellent, Without a doubt!!

More
Voxitype
1992/09/13

Good films always raise compelling questions, whether the format is fiction or documentary fact.

More
BelSports
1992/09/14

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

More
Marva
1992/09/15

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

More
fertilecelluloid
1992/09/16

Hisayasu Sato, a very prolific Japanese director, further explores his favorite themes of alienation, erotic bondage, second hand imagery, and bodily corruption in "The Bedroom", a film as non-linear as it needs to be. "The Bedroom" is notorious for its casting of convicted cannibal Issei Sagawa in a supporting role as a voyeur. This is not Sagawa's only screen role, however. He also starred in a recreation of his crime in the tongue-in-cheek, obscure documentary "Seven Days of Cannibal Sagawa", a personal favorite of mine that I can't get listed on IMDb. He makes little impression in Sato's film, but he's an interesting curio, nevertheless. Films like this one are better attended than watched for they possess the tone of an art installation more than a piece of pure cinema. I am usually disappointed with the director's work (his "Lolita Vibrator Torture" irritated me) and "The Bedroom" is no exception. I recommend "Naked Blood", however, very highly.

More
harlinoff123
1992/09/17

This movie contains an "actor" by the name of Issei Sagawa. This man killed and raped a woman in Paris, and then ate her.THIS IS NOT A FALSE ACCUSATION! He was deemed insane in Paris and untreatable, as well as a risk to re offend. They're cheap and didn't want to pay for it, so the shipped him back Japan. Thing is his father's big in the industrial Japanese community( in other words the mafia), and got him off Scott free. Yes you read it correctly, he is a free man, walking the streets of Tokyo as you read this. For the sake of the memory of the innocent woman he killed and butchered(Renee Hartevelt), who he never showed any remorse or sadness do not ever rent this movie.

More
Puppetmister
1992/09/18

This movie is truly intriguing and genuinely erotic. It also picks up on our worst fears about voyeurism and alienation from filmed images of ourselves. I don't want to spoil the shocking plot, so I won't mention it, but viewers should be aware that, although its not too extreme, this is an example of (albeit high level) Japanese underground film-making, and as such it contains sex scenes which are drwan out for the sake of titillation, but these are bolted to a cohesive and integral thematic framework which makes it all relevant and makes you question the erotic experience of watching such films. Thankfully, it doesn't judge or condemn you for doing so.

More
white pongo
1992/09/19

Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.

More