Fighting Caravans (1931)

The Age of Commercialism

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Blistering performances.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

OK, so why do I mention that it's pre-code? Well, how many pre-1965 westerns have white men getting hooked up with Native American women as a GOOD THING? How about the line where "Indians have no use for blond women"? Even having a foreigner getting hitched to all-American Gary Cooper in the West could be frowned upon in some circles in the 1930's. So, we have a pre-code western here. I love pre-code films just to catch a line or so that is not considered family friendly. I happen to watch a lot of different media, with pre-code old films being one of my interests for entertainment, I also watch adult themed cartoons like Family Guy. On the Cartoon Channel at night they play mature cartoons and one of them is called "The Venture Brothers". In that show they have a spoof of an elderly Sean Connery superhero and I swear that Ernest Torrence (who steals the show here) was the inspiration for the character and the voice! Seems like some off coloured jokes going on but I could be wrong. I give it a 7, highlights are pre-code and higher production standards then a B flick. However, the audio is often bad and the version I watched looked really chopped up on Retro TV. Probably not a good thing to give it a higher rating, it's no The Searchers but was fun and my wife even was into it, so maybe a good date flick for an old western film. 7 of 10.

The main flaw to this movie is Gary Cooper. He was a great actor, but in this film appears to be in a not-yet-mature stage in his career. Cooper plays a lanky happy-go-lucky cowboy, who can turn the wrong direction or the right direction at this point in his young life. The heroine is a tough woman, but who still has a woman's heart. She can be very tough, but still expects to be treated right by a man. Instead of seeing what a great wife and partner for life she would be, Cooper's character struggles with many dilemmas before choosing this path. The best characters in the film are two older men, who are scouts. They are a dying breed and the coming of the railroad threatens to destroy their livelihoods. They are very selfish and want to keep their young apprentice (Cooper) under their wings. They try everything to destroy the budding romance between the hero and heroine. In the end, they realize that they have been fools, and decide that supporting the romance is after all the best solution. I liked the fact that the Native Americans were portrayed with some sensitivity. This was 1931. The main bad guy was white. While continuing some of the stereotypes about Native Americans - that they are brutal, the movie was at least light-hearted and comical, rather than pursuing an agenda of hatred towards the Native Americans. The ending was nice. Everybody finds love. Even an older man finds a Native American bride.

To fully appreciate FIGHTING CARAVANS, one must know a little about THE COVERED WAGON, released in 1923 and the first Western epic. For decades this silent movie was hailed as the finest Western ever, and even in 1968, Bosley Crowther's popular book, THE GREAT FILMS, listed it as one of fifty greatest motion pictures. Few would claim that today, although it is still an entertaining silent. What remains undeniable is THE COVERED WAGON's influence. Other big-budget Westerns soon followed, and, by the talking era, Fox released THE BIG TRAIL (a virtual remake of THE COVERED WAGON) and Paramount released FIGHTING CARAVANS (a virtual sequel).Those of us who love THE COVERED WAGON adore the two lead supporting characters: trackers Bill Jackson and Jim Bridger, played by Ernest Torrence and Tully Marshall. They play them again in this film, only now they're older, because FIGHTING CARAVANS was filmed eight years after, and their increased age actually adds a curious poignancy. Slightly different from the plot conflicts in THE COVERED WAGON, this sequel hinges on whether Jackson and Bridger can both persuade their new, handsome protégé to continue tracking with them and not settle down to marry. However, just as the two have aged, so has the west. With the trains being connected, it is obvious that the trackers will no longer be needed. Not surprisingly for a Western with this sort of elegiaic theme, both Jackson and Bridger die in the film's climax, fighting renegades and Indians. (This, of course, was not how the actual Jim Bridger ended his days, and, yes, the film's portrayal of Native Americans is not accurate either.)Lili Damita, who would later become the first Mrs. Errol Flynn, had one of her best roles as the civilizing influence on the young handsome tracker, convincing him to veer away from a profession that would die with changing times. Gary Cooper plays the young tracker, and he wears buckskin far better than J. Warren Kerrigan did in THE COVERED WAGON. Cooper, in fact, plays another of his callow rakes he did so often in the early thirties, from THE VIRGINIAN to IF I HAD A MILLION to even A FAREWELL TO ARMS, and it's always odd to see him play such parts before Mr. Deeds would change his image afterward.Roughly the same year as this film, MGM released BILLY THE KID, Fox released THE BIG TRAIL, and R.K.O. released CIMMARON; all were very expensive, very spectacular Westerns. FIGHTING CARAVANS was Paramount's contender with these others, and it was a film so big, with so much location work, that two directors were ultimately required. Like the other big Westerns of its time, it contains crude, almost amateur-like, moments. One could even complain that the broad acting of the early talkies is totally at odds with a Western---a genre that traditionally relies on laconic, expressionless characters. However, for those who love curios, for those who love film history and Western history, and for those who love THE COVERED WAGON, this film is a charm.

let's weigh the merits of this film: (1) a strikingly handsome (and tall), youthful Gary Cooper -- this is the opportunity to see a giant screen legend when he was a vibrant young newcomer! This alone merits seeing this movie. (2) The dialogue is witty, pithy and fun -- in fact, give me the screenwriter from 1931 over most of today's movies!. (3) There is a lot of fast-paced and exciting western action (and the stuntwork is just plain fun to watch). Yes, this was relatively early movie making, and in some ways it shows, but that also provides tremendous enjoyment for the film buff. Watch it with a light heart, but with reverence for the old films, and I think you can't help but enjoy it.