Operation Amsterdam (1960)

To me, this movie is perfection.

Such a frustrating disappointment

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

OPERATION AMSTERDAM is a strong WW2 movie with a great premise: a team including a Brit and two Dutch are sent into Amsterdam just as the Nazis are invading the country. They've been tasked with retrieving a priceless cache of diamonds from the city's jewellers and thus preventing them from falling into German hands. Along the way they must contend with German mines, bombing, Fifth Columnists, and the German soldiers who have already begun arriving in the city.It's one of the strongest backdrops I can remember seeing in a film and the suspense goes through the roof from the outset. What I liked about OPERATION AMSTERDAM is that, despite the outlandish premise, the whole thing is rooted in realism; there are no gung-ho heroics, just characters struggling through as best they can. The production values are excellent and while there isn't a wealth of needless action in the film, a climactic firefight is expertly choreographed and one of the best filmed ever (eat your heart out, HEAT!).The cast is very fine and includes Peter Finch in a solid hero-type role. My favourite character was that of the lovely Eva Bartok, who plays a resistance fighter with courage and determination, even more so than the men she helps. The real star of the show, though, is director Michael McCarthy, who had previously only helmed TV fare and low budget B-films. In OPERATION AMSTERDAM he was given a proper budget and ran away with it, although the success was bittersweet; he died in the same year the film was released.

Unseen Nazi jackboots are marching into Holland in the darkest days of WWII and Churchill's government is worried about all the industrial diamonds lying around in Amsterdam that could be used for the German war effort. Being British, we're obviously not going to rely on Frenchy to nip across and spirit the city's entire stock away before the invading hordes arrive so we send a rather colourless secret agent in the form of Tony Britton, the son of an Amsterdam diamond merchant (Peter Finch) and another chap who just seems to be along for the ride (Alexander Knox, who looks worrying dispensable throughout but somehow manages to emerge from the entire escapade unscathed).Our unlikely heroes hitch a lift to Amsterdam from a distraught Eva Bartok who has just witnessed her boyfriend's boat being bombed by the Luftwaffe and is about to drive into the harbour waters to look for him. At first they fear she might be a fifth columnist, but she turns out to be a plucky heroine, picking up the machine gun of a fallen resistance fighter to sullenly strafe the enemy at one point.Operation Amsterdam is one of those films that deserves to be better known because it's really quite good. The location photography of an eerily near-deserted Amsterdam is effective, and the tension is ramped up quite nicely until the whole thing seems to run out of steam in the final reel as our heroes make their getaway. The problem is that nobody is really aware that they are in fact getting away because their exploits haven't yet been uncovered. Anyway, when the film isn't testing our heroes it's commenting on the unenvious position in which the City's diamond merchants – many of whom are Jewish and only too aware of the treatment meted out to their creed by the Nazis. One old chap tries to bargain a place on the boat back to Britain for his sick, elderly wife but is gently rebuffed.Perhaps the film's main weakness is the suspicion that something wasn't quite right during post-production. Midway through, the film seems to take a disconcerting leap forward, and suddenly there's little Melvyn Hayes sitting in the back of a car with our fellows. Now where did he come from? A neighbour of hero number three's mum, apparently (so that's why he tagged along), although we're never see this mother-and-son reunion – even though you suspect the scenes were filmed.

I had never heard of this movie until I stumbled across it on Instant Netflix. I just loved it and found it to be more exciting than I could expect. It was extremely realistic and had many strong aspects.The B&W photography was perfect. It totally captured the despondent feeling of the day, between the deserted city streets and the road to the harbor packed with refugees -- old & young. The scenes with boats in the water clearly looked like film stages, but the street scenes looked very realistic. One reviewer seemed to imply that they were actual streets.The editing was extremely tight, perhaps just a little too tight, as some other reviewers have commented, since it wasn't totally clear why there were Dutch soldiers fighting the "good guys". Yes, there was the comment that you couldn't tell who the fifth columnists were, but one does not expect the fifth columnists to be soldiers in Dutch uniforms.The music fit the film perfectly -- between the street organ and the snare drums. But what especially contributed to the suspense were the times when the film was virtually silent and the camera switched from one face with tension to another. One reviewer commented on how little Alexander Knox had to say, but his expressions, along with his silence, actually added to the tension. Overall, the casting was perfect.Eva Bartok was superb. I can't recall ever having seen an actress who was so beautiful seem so realistic. (If you read her biography at this site, you can understand why she played her role so convincingly. She had already suffered considerably, being forced to marry a Nazi officer at age 15 who continually raped her.) Nothing was overplayed by her or by anyone. As opposed to all the James Bond type movies these days, this was far more realistic, and the tension was palpable.I've now started to watch the film a second time (about 20 minutes so far), which I think this movie lends itself to doing. When you watch it the second time, you pick up many clues that become important as the story unfolds, such as the Dutch soldiers who are, indeed, Nazi sympathizers, and the policeman on the dock, in an early scene, who thinks that the spies are additional Germans in disguise, like the parachutists dressed in civilian clothes, whom he had already shot. The terse dialogue and context for many of these opening scenes may be missed the first time around. Also, when watching it again, one has the opportunity to catch more of the details and verisimilitude of the film.

It shouldn't be forgotten that anti - Semitism was quite widespread in Dutch society prior to the arrival of the Nazis.It is by no means accurate to describe the reception given to the German troops as a heroes' welcome,but there were a significant number of people in Holland willing to adopt a pragmatism that perhaps seems a tad too accommodating in retrospect. You will see little of this in "Operation Amsterdam" set in the first days of the Nazi invasion where most of the population seem to possess a very sensible desire to put as much distance between themselves and the advancing Germans as possible.And who can blame them with the Luftwaffe's penchant for strafing refugee columns all over Europe. In the circumstances it took not a little courage for the Dutch diamond merchants to hand over their stock of industrial diamonds to the British rather than curry favour with the Nazi hordes already pouring across the dykes. Led by a not really up to the job Tony Britton (he makes a right pigs' breakfast of doing away with a Dutch soldier),they are landed by destroyer during an air raid and make their way to Amsterdam in a grand Mercedes convertible driven by Miss Eva Bartok whom they have saved from a watery grave after she has attempted suicide on seeing her fiancé's boat bombed by the Germans.Presumably as part of the grieving process she spends the rest of the day(it seems much longer) driving the boys round the city getting shot at. "Operation Amsterdam" gives every impression of having been fatally mauled in the editing suite.Little master Melvyn Hayes appears as from a hole in the stage,plays a pipe organ,gets shot,smiles bravely and disappears again.Mr Peter Finch's coat collar goes up and down seemingly at random,a wheel change to the Merc whilst under fire from a Messerschmidt goes along at a pace that is almost indecent......... Alexander Knox has a certain rueful charm,Miss Bartok plenty of pluck,Mr Finch looks a little bewildered for most of the movie,possibly wondering why Mr Knox is with them in the first place as he seems to have no point. John le Mesurier is sublimely out of place as a Dutch Colonel with a mysterious smile,but it's nice to see him anyway. Had the picture been made 10 years earlier it might have had a bit more relevance,but a Britain on the cusp on the 60s and with most of Europe moving towards some sort of detente it was not the time to be reminding people of a time when its citizens were at each others' throats. Miss Bartok I believe was a "celebrity" here in the UK for being a close friend of the Marquis of Milford Haven.When we look at her then,we are seeing a proto Victoria Beckham,but I'm not sure that she'd choose to be remembered that way,rather as a mysterious Euro - enigma driving her convertible through the sun - dappled streets of Amsterdam before kissing Peter Finch goodbye and disappearing - mysteriously.