Naan Mahaan Alla (2010)

Good concept, poorly executed.

Admirable film.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

The acting in this movie is really good.

Most of the directors whose debut movie is a hit try to take a conservative path by repeating the genre of their first movie in their second one also. This invariably ends up as a disaster while those who endeavor on an altogether different path would succeed more likely than not. Suseenthiran has taken the second path & the result is all for us to see " Naan Mahan Alla" . After a lackluster "Paiyya" this one has come as a refresher for Karthi. All accolades for Suseendiran for he has improved leaps & bounds as far as story telling & effective use of visuals are concerned. Its been long since one has seen action sequences presented in such an aesthetic manner as in this movie. Director has succeeded in creating as much impact by not showing gore or violence explicitly which only substantiate the growth of him as a director. Movie is realistic and disturbing yet artistic which is a very difficult combo to accrue .On the downside , Suseenthiran may well have avoided certain scenes & sequences which reminds one of "Pollathavan" & kudos that he has resisted the inclusion of meaningless duets & song sequences and also irritating comedy sequences.He is amply supported by his troop headed by Mathi , the cinematographer . He has executed the vision of the director as visuals which is a sheer poetry on screen.Karthi is improving with each one of his movies & his choice of movies are amazing for a newcomer. But still he shows some amounts of "Paruthiveeran " hangover in him especially in the action sequences & sentimental scenes. Kajal Agarwal is just ornamental while Jayaprakash has improved a great deal in his histrionics. All those 5 youngsters in the anti roles are amazing in their enactment . In fact almost all the supporting cast are remarkable .Kasi Vishwanathan's editing is crisp while Baskar Sakthi's dialogs are crisper & casual."Iragai Pole" in Yuvan Shankar Raja's Music & voice is a blissful number while his BGM is awesome as ever.On the whole , "Naan Mahan Alla " is a promising movie from a promising youngster. Bottomline : Must watch.

After a spellbinding performance in Paruthi Veeran (2007) and a being a part of a plot less movie Paiyaa (2010), Karthik enticed me to watch his third popular film Naan Mahaan Alla. To say the least I was thoroughly disappointed by the movie. The movie like any other popular Tamil cinema starts of well but half way down the film becomes a mere drag. All characters including the protagonist seems like mere caricatures and the content of the story doesn't enhance the film in any way. Kajal is beautiful and cute as always but just an eye candy in the film. This is a clear indication of how male-dominated Tollywood is. An action South Indian cinema has to have some psychotic killers who don't think twice before committing a heinous crime like murder. This film is no different and of course only the 'Hero' of the movie can put them in place. All other characters like Kajal's father, the gangster who befriends Karthik, are developed only to enhance Karthik's role further, but the story is so mediocre that they cannot be blamed in failing to do so. To conclude, I would just say that this movie is only for those who do not expect anything from a movie, and accept whatever the director/writer offer them in platter. Poor writing, poor execution and waste-of-time-and-money movie. Purely based on karthik's performance (in his entire career), I will give this movie 1 out of 10 stars.

Director Suseendran stole the show with Venilla Kabadi Kuzhu.. here in NMA here he tackles a completely different scenario showing the crimes committed by misguided drug-addicted youth.Karthi takes off where he left over in Payya with the boy-next-door role and glides with ease.. He plays a revenge-monger whose family has been affected by a gang of youth serial killers..The first half and second half of the movie feel as if belonging 2 completely different tales. Music by Yuvan serves to sustain the tempo interspersed by sugary melodies, only he can deliver. Kajal plays the usual doe-eye heroine, but except for providing eye-candy does little else. Jayaprakash is great as the warm father of Karthi targeted by the killers..Overall a good movie, but not one for the family as there are couple of gruesome scenes. Karthi scores again and to an extent Suseendran....

a good movie about contemporary happenings in chennai. harsh reality on how dangerous city life can be with the kind of law enforcement in our metropolitan cities. shows how life can turn upside down when people take the law in their hands.the kind of havoc unknown people can cause in life for unknown reasons. the protagonist lives up to the title of the movie depicting the helplessness of finding the truth and ending up in the wrong side of the law though it appears justified. no eye-candy romance, no gravity defying stunts,no distracting comedy sidekicks the director delivers what he wants to say and boy is he spot on.refreshing change in Tamil films.hope people sit up and notice this genuine effort by the director and his team.