Ride Him, Cowboy (1932)

A different way of telling a story

There are better movies of two hours length. I loved the actress'performance.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Copyright 23 August 1932 by Vitagraph, Inc. U.S. release through Warner Bros: 27 August 1932. No New York opening. U.K. release by Warner Bros: January 1933. 6 reels. 56 minutes. SYNOPSIS: John Drury (Wayne) is a wandering cowboy who saves a spirited wild horse ("Duke") from being put down after a killer, whose identity the horse knows, tries to cover up his crime by laying the blame for the rancher's death on the animal. But what the townsfolk didn't know was that their fellow citizen is actually a mysterious but ruthless bandit known as "The Hawk". NOTES: A re-make of The Unknown Cavalier (1926), starring Ken Maynard as Drury, Kathleen Collins as Ruth Gaunt, David Torrence as Gaunt, and James Mason as the marauder. Albert Rogell directed for producer Charles R. Rogers. Wayne did not make the list of top ten money-makers until 1949, when he suddenly jumped into 4th place. However, he did rank 7th in the first annual survey of western stars in 1936. The first of six "B" westerns Wayne was to make for Warner Bros, all of them co-starring "Duke" (variously billed as "The Devil Horse" and "The Miracle Horse"). COMMENT: A fascinating little western with great production values (augmented by a few stock shots from the 1926 Ken Maynard version), a suspenseful story, a few offbeat characters and some great acting, particularly from "Duke" the horse, "Duke" the star, Otis Harlan the judge (repeating his role from the 1926 film), and Frank Hagney the villain. Director Fred Allen shows occasional flashes of genius. A less imaginative director could well have made this movie into just another routine little oater. But aided by Ted McCord's superlative camerawork and the availability of some inspiring locations, Allen has created a minor gem. In short, a very pleasing effort from all concerned. Wayne is already an engaging personality.

This movie starts with a horse named Duke coming to the rescue of a man being bushwhacked. The man is cracked over the head and killed, so one of the robbers claims the horse went mad and attacked them. So the horse is put on trial for murder. I'm not kidding -- the horse is brought to town and put on trial in front of the whole town! Before he's sentenced to death, a cowboy (John Wayne) shows up and offers to ride the horse to prove he's not wild. After he does and saves Duke, the horse's owner (great character actor Henry B. Walthall) asks Wayne to help the town catch a masked bandit named the Hawk. The first of six B westerns Wayne made for WB in the early '30s. He was named John something-or-other in every movie and always had his horse Duke. They're routine westerns. Forgettable but watchable.

A smart horse and a pretty girl are the hero and heroine of RIDE HIM, COWBOY, in which a very young JOHN WAYNE is a drifter mistaken for "The Hawk", a ruthless villain who's the leader of a bunch of gunfighters. Its plot sounds like something that Mel Brooks could make into one of his western satires about a villain called "The Hawk" and a weak sheriff, as well as the hero mistaken for a villain.It plays well, fast and furious with some plot devices that have become clichés over the years but manages to hold the interest throughout despite some obvious flaws and the dated look of the film itself.RUTH HALL is the pretty young woman and the smart horse is "The Duke", an amazing animal used well as the critter who identifies the masked man known as "The Hawk" and takes his revenge for the final scene. He's also involved in a clever rescue when Wayne is left strapped to a tree to die in the desert with the horse nearby, able to free himself and Wayne from the predicament.Summing up: Surprisingly good, unpretentious little western that winds up its tale in less than an hour. Easy to note how Wayne's acting skills became vastly improved over the years.

Worth watching Duke (the horse)...Duke (the human) leaves a lot to be desired. As a fairly early Western, this picture has many of the classic ingredients...bad guys, good guys, romance, lively crowds of town folks,and even a horse for a hero. The problem is sub-par acting, a ridiculous script, and amateurish direction. However, even with these faults whatever possible enjoyment Western fans might have found is ruined by the incredibly poor acting of John Wayne. It's impossible not to be distracted by his low level of performance and even a cowboy fanatic like myself could not suffer more than a few of his awkward scenes before fleeing the scene myself.