Pursuit (1972)

best movie i've ever seen.

Absolutely the worst movie.

It's entirely possible that sending the audience out feeling lousy was intentional

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I am surprised that no one has noticed that this film may have inspired 24 series, that's my own opinion at least. I appreciated this TV movie, very well paced but unfortunately too much foreesable, predictable. Good job anyway, no problem.

How this movie doesn't get more acclaim is strange.The prophetic and imaginative Michael Crichton ("Andromeda Strain", "Coma", "WestWorld" directs his own screenplay. Michael Crichton had a prescience in his vision and this movie is no exception. Getting hung up on setting the movie "in the future" never presented a dilemma for Crichton. He just uses contemporary settings to bring the movie closer to home. The technology may be beyond our means, but it still affects us all today.The movie stars brilliant and eclectic Ben Gazzara ("The Killing of a Chinese Bookie", "The Big Lebowski"), Storied great E.G. Marshall ("12 Angry Men", "Creepshow"), Prolific Martin Sheen ("Apocalypse Now", "The Dead Zone") and Television guest star William Windom ("Star Trek: The Doomsday Machine", "Escape from the Planet of The Apes").The musical score is even composed by composer-great Jerry Goldsmith. Its reminiscent of "Hawaii 5-0", "McQ" or "The French Connection" a typical, but lively, 70s-style action cop-show movie background score. I love background scores like this. Its a really good one. The sunset of actual orchestral background scores. The story revolves around a political activist-millionaire-terrorist who steals a large supply of nerve gas and threatens to release it in San Diego, which is hosting the Republican National Convention.Sounds simple. The movie is really thrilling for a TV Movie, the story has a familiar contemporary feel, the acting and musical score are good. The movie was filmed in early 1970s San Diego and for anybody who loves or lives in San Diego (like me), the movie is a great archive piece to record how San Diego was 40 years ago. Much more watchable than "Attack of the Killer Tomatoes".Could the movie have been better? Sure it could. It suffered from low-budget syndrome. Michael Crichton's visionary writing shakes most of the deficiencies the move has and makes this a great TV-Special...certainly one of my top 10-made for TV Movies of all time.

The good: From a historical perspective, very interesting to see all the classic elements of a Crichton story taking shape: medical mystery, technological danger, and a literal on-screen ticking clock. Big fans of Crichton's work (like me) who seek out this movie will definitely be able to appreciate it. And you can also see how Michael got better over time.The bad: Yes, I realize this was done for TV. And yes, I realize that watching in 2010 I have the benefit of seeing many slicker productions. But the camera work here could only be described as "70s cliché." Zooming in to a character while they deliver an important line is overused (there couldn't have been that many commercials right?). At the end, there is a wrap up discussion done in a long shot that drains all emotional impact from the lines. The Netflix DVD I watched was not remastered in any way, so there were jumps in the film and audio quality was abysmal.Gazarra and Marshall are fine actors, although I feel that Marshall was a bit miscast here. He seemed like he could play a good leader/planner but not so much a doer. Martin Sheen played his part very well, but was under-used.Maybe it's mainly a budget issue, but consider that WestWorld was just made a year later - what a better made movie that is! A few simple tweaks (and more money?) would have made this OK movie great.

I read Binary, Pursuit's first title, published under the pseudonym John Lange. Crichton published under a pseudonym because he was afraid his med school instructors would doubt his dedication to medicine (at that time he still wanted to be a doctor). The title Pursuit was ordered by the studio, fearing that the public would not understand the title Binary, and the general incomprehension about biowarfare agents in 1972 help land Crichton the Director's job. First run as an ABC TV movie of the week. Pursuit is fast paced with a surprisingly high powered cast: EG Marshall, Wm Windom, Ben Gazarra, and a young Martin Sheen as what may very well be the first role as the small screen's first computer hacker. It's a good TV thriller at least thirty years ahead of its time