Loophole (1981)

Memorable, crazy movie

I don't have all the words right now but this film is a work of art.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The acting in this movie is really good.

The whole movie goes well until it reaches its 20 final minutes, when the climax is about to happen. When you think you are going to have a lot of fun and a heck of a surprise, the movie just trolls you like you have never been trolled before. At first, I thought I was on Candy Camera or that I had seen an unofficial edited version of the movie. Unfortunately, it was neither case. It is ridiculous: the movie just ends, like a thunder. Boom: and you got the credits... At first is hard to believe, then you realize that was really it. I do not understand how the other critics do not point the obvious elephant in the room which is the lack of explanation regarding decisions taken by Martin Sheen at the end of the heist (which were a key part of the plot, at that stage of the movie) and how the other guys wrap up their activities... One guy simply dies out of nothing, for no reason, and the director does not even give us the opportunity to understand what took place... He simply appears floating dead in the water... At that moment, you just do not know if things went sour for the group or if they just went sour just for that one character. You also do not know if the poor guy got unlucky due to sabotage or forces of nature. The whole movie, in general, (until its 20 final minutes) is excellent: well produced, interesting, nicely filmed and edited. The last 20 minutes, however, destroy the whole venture and turn it into one of the worst wastes of time in the history of movies. How are people not raged with the meaningless cut in the picture? I searched several reviews to see if someone discussed the drastic unexplained cut, but it made me feel like I was in the Twilight Zone... No one touches the issue. Hahahaha... I have searched several videos in YouTube to make sure I got the version and all of them were like the one I saw, with the incredible cut right in the middle of the climax of the movie. No explanation is offered regarding the most interesting (and expected) part of the movie. It is just as if the money ended and they had to come to an abrupt "abort & shutdown". I visualize the funding people arriving at the studio and saying: "Stop everything right away. Let us go with what we have so far. Thank you, gentlemen, it was a pleasure working with you." A real shame for what could have been a fantastic movie.

Actually, I haven't seen the movie -- but three men in Texas rented this movie and were inspired to re-create the crime in 1984. They held a bank president's wife and daughter hostage in exchange for a ransom of $48,000. Once the money was left in a garbage can, the men used the sewer system to gain access to the false bottom of the garbage can... just like in the movie. However, the FBI arrested one of the men, who ratted out the other two, and they were all tried and convicted. Actually, they almost got away with it -- except the woman they'd counted on to be their alibi "remembered" that they'd been at her house in the afternoon, not the morning. Amusingly, the appellate court judge who heard their appeal started his summary of the case with the line, "The background facts to this case read like a movie script." There's a reason for that, Yer Honor! (If you want to read the case, it's United States v. Moore, 786 F.2d 1308.)

A thoughtfully planned ripoff of London's largest and most secure holding bank of the safety deposit boxes, a quite improbable venture, is basis for an action movie in this nicely finished film that successfully and consistently features valuable understatement in its script. American architect Stephen Booker (Martin Sheen), working and residing in England and married to an English woman (Susannah York), is facing a depressing future after an important contract for which he and his partner have bid is awarded to a competing consulting company, leaving Booker's firm essentially fund less and paving the way for a non standardized adventure film. The newly unemployed architect's efforts to find a new position are unsuccessful, as he is repeatedly reminded by those with oversight of the jobs for which he is applying that he is "overqualified", until he is of a suddenly hired by one Mike Daniels (Albert Finney) to design a conversion of an entire city block, an assignment that will serve to elide Stephen's rampant personal debts to his banker, played very well by Robert Morley. However, after Stephen has discovered that Daniels, his new boss, is an apparent mountebank, he resigns from his new position, thereby being forced to encounter his wife's displeasure, in addition to that of his banker, so that when Daniels, a proficient safe cracker, urges Booker to rejoin him as part of a carefully selected crew of criminal specialists organized for this bank job, Stephen decides that becoming a temporary accomplice is less intolerable than becoming increasingly destitute. And so, into mid-town London's rat infested sewer tunnels goes the skilled team of burglars toward their targeted vault, but their carefully devised heist,is fraught with unforeseen complications, realistically presented here by cast and crew. Direction is excellent, focusing upon convincing detail supplied by a well-written screenplay that avoids turgid psychodrama in favor of the mechanics of a scheme that becomes of compelling interest to a viewer who will additionally find the characters of interest simply because their innermost thoughts are not voiced, and the intriguing possibilities suggested by the climax are stimulative. Finney handily earns the acting laurels, dominating his scenes with an engaging performance as an actuating criminal specialist, and there is fine playing by all members of the talented cast, with markedly solid turns from Colin Blakely and Alfred Lynch as two of Daniels' henchmen. The superb editing of Ralph Sheldon serves to intensify this well-crafted affair, Maurice Cain for always appropriate designing, and Ian Wingrove for the special visual effects, in particular when the sewer exit route to be used by the thieves is flooded following an unfocused downpour.

A thoroughgoing plan toward husking London's largest and most secure holding bank of the contents of its safety deposit boxes, a quite improbable venture, is basis for action in this nicely finished film that successfully and consistently features valuable understatement in its script. American architect Stephen Booker (Martin Sheen), working and residing in England and married to an English woman (Susannah York), is facing a depressing future after an important contract for which he and his partner have bid is awarded to a competing contestant, leaving Booker's firm essentially fundless and paving the way for what will not be a standardized adventure film. The newly unemployed architect's efforts to find a new position are unsuccessful, as he is repeatedly reminded by those with oversight of the jobs for which he is applying that he is "overqualified", until he is of a sudden hired by one Mike Daniels (Albert Finney) to design a conversion of an entire city block, an assignment that will serve to elide Stephen's rampant personal debts to his banker, played incisively by Robert Morley. However, after Stephen has discovered from documents while developing plans for the project that Daniels, his new boss, is an apparent mountebank, he resigns from his new position, thereby being forced to encounter his ambitious wife's spleen, in addition to that of his banker, so that when Daniels, a proficient safebreaker, urges Booker to rejoin him as part of a carefully selected crew of criminal specialists organized for the bank break-in, Stephen decides that becoming a temporary accomplice is less intolerable than becoming increasingly destitute. And so, into mid-town London's rat infested sewer tunnels goes the skilled team of burglars toward their targeted vault (actually filmed within the Unilever Building upon the north side of Blackfriars Bridge), but their carefully devised heist, that will incidentally free Stephen Booker from his monetary obligations, is fraught with unforeseen complications, realistically presented here by cast and crew. Direction is excellent, focussing upon convincing detail supplied by a well-written screenplay that avoids turgid psychodrama in favour of the mechanics of a scheme that becomes of compelling interest to a viewer who will additionally find the characters of interest simply because their innermost thoughts are not voiced, and the intriguing possibilities suggested by the climax are stimulative. Finney handily earns the acting laurels, dominating his scenes with an engaging performance as an actuating criminal specialist, and there is fine playing by all members of the talented cast, quite synchronous to the refinements soaked throughout the script, with markedly solid turns from Colin Blakely and Alfred Lynch as two of Daniels' henchmen. The superb editing of Ralph Sheldon serves to intensify this well-crafted affair, not distributed within the United Kingdom, and it is salted with the valuable contributions tendered by Michael Reed and his camera, Maurice Cain for always appropriate designing, and Ian Wingrove for the special visual effects, in particular when the sewer exit route to be used by the thieves is flooded following an unforecast downpour.