Francis Goes to West Point (1952)

I don't have all the words right now but this film is a work of art.

Good movie but grossly overrated

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

By the time the dramatic fireworks start popping off, each one feels earned.

The 3rd film in the Francis film series. I would judge this one to be less interesting than the next 2 installments. Our story begins ,not at West Point, but an atomic energy plant where Don is working and Francis hangs out. Francis tells Don about a sabotage to occur that night. The security forces are ready and nab the would be perpetrators. In reward, Don gets a recommendation to become a cadet at West Point.Early on, Don is last in his class in academics. Francis finds out and begins tutoring Don both in academics and field drills. Soon, he is near the top of his class.On the sidelines, Francis gives strategy advice to the football coach, who wonders where the voice comes from. Later, he finds out it comes from Francis, who continues to give him play advice.Don is accused of being married, with his wife pregnant(against regulations). If true, he will have to drop out. Don agrees he has a wife expecting a baby. He thinks he is protecting the star quarterback, but he has the truth garbled. Frances figures out what is going on and pleads with the commander to let Don stay. Francis also gives a locker room pep talk.Incidentally, while Don is doing punishment drills, the leader queries "What do you think you're doing? Walking your baby back home?" Interestingly, Don costarred in a musical comedy released the next year called "Walking My Baby Back Home"!

Although I have always had a strong affection for the Francis pictures, probably because I grew up with them, I always found that the preponderance of military settings in the series was a little claustrophobic and cramped the potential for humour. (Consequently my favourites have always been Francis Goes to the Races and Francis Covers the Big Town). In Francis Goes to West Point I find this tendency to be at its most pronounced. Not only are we saddled with a military setting (and a confined one at that, so that there is not even the chance to open the story out a little), but as well as the usual mandatory romance between Peter Stirling and some Universal starlet, there is a another romantic subplot involving other cast members, and a hackneyed football sub-plot as well. For this reason I have always found this instalment the weakest in the series, an honour generally accorded to Francis in the Haunted House, but I'd take that over this any day. Pity that the opening scenes where Stirling saves a government plant from saboteurs didn't lead to some other kind of storyline.

The third in the FRANCIS THE TALKING MULE series is yet another ordinary affair, with nothing much to recommend in it. The setting is military school, with Francis missing in action far too much of the time, as well as most of the laughs, apparently. The only thing interesting for me was spotting a very young Leonard Nimoy as a cadet late into the film. It's a shame that more entertainment was not accomplished with this formula, as Donald O'Connor and his jabbering jackass had the potential for being an entertaining pair together. ** out of ****

I have to admit, this film has nothing much to recommend it except for the fact that it was among the very first movies I ever saw. I believe it was in the Fox Theater in New Orleans, off Elysee Blvd. way, way back there. I know I was young enough to be mightily impressed at how on earth they got a mule to talk! I'm still not sure.Anyway, Donald O'Connor is one of the more underrated musical comedy guys from back then, and the show as a whole is pleasantly sawdust-brained. It's part of my education in films, and I love it just for that.