The Sea Lion (1921)

Thanks for the memories!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

. . . deals with a member of an intellectually inferior species committing genocide against Oceania's Whale Peoples simply because he was born with opposable thumbs, and his victims were not. But, as they say, Brains beat Brawn any day. From their fleets of sea gull spies, the Whales learn the weak spots in the psyche of their main threat, Captain John Nelson, a.k.a., THE SEA LION. That enables them to circle the boat of his wife Dolly's old flame, sending this Bob Simmons subliminal messages day and night via that humming thing that Whales do. Like a mind-controlled automaton, Bob shanghais pregnant Dolly, framing this abduction as an elopement, per the Whale's instructions. Then the smarter mammals stove in Bob's ship, killing him and the rest of the Whale Hunters. The kindly Guardians of the Deep help Dolly and her servant to Sanctuary, but stoke John's jealousy of Bob to such a fever pitch that John burns down his own house! When a freak water leak brings together John and his surviving daughter, Blossom, John does his best to kill this Flower Child. But then he reads in Dolly's Bible about how the Whales saved Jonah, so he spares Blossom's life and swears off whaling forever. Showing more respect for John than the Russians did for Hitler, the Whales allow John safe passage back to shore, where he's a homeless single dad without a job.

"The Sea Lion" is a watchable silent film, but it also suffers from the most ridiculous series of coincidences that it prevents the viewer from ever taking the film seriously. The film begins with a sea captain learning that his wife has abandoned him with her lover. As a result, he became a vicious brute--and took all his anger out on his crew. Later in the film, the ship discovers an island in the middle of no where. And, on a planet over 24,000 miles in circumference, this tiny speck of an island has two shipwrecked folks--one of which is his wife's child who was born after she left him!! Talk about ridiculous! And, when he learns that his wife died after giving birth to the kid, he makes it his life's work to make the teenager miserable. However, there are a few surprises that shake his world.As I said above, the film is absolutely silly with coincidences. However, the acting and direction are pretty good--and worth seeing if you are a huge fan of silents. Otherwise, there are definitely better films out there you should see first.

A Pacific drama of the Blue Lagoon school, the story is no more far fetched than most, and the acting style has to be seen in the context of what was expected at the time, not least in terms of helping the audience understand the plot. The use of flash-back was well handled, and one or two shots were technically brilliant, like the vertiginous view down to the ship's deck from the crow's nest. Some of the sea-going sequences were could induce mal-de-mer, and gave a realistic impression of sailing ships of the time, and the hardy life of whalers. The story itself is many stranded and generally well handled, with some decent performances from the principals, despite excessive religiosity towards the end. A sea-brother to Captain Ahab runs his ship with an iron fist. A sailor looking forward to seeing his baby reminds the captain of his own unhappy past when his wife deserted him for another man. Back in Frisco the ne'er-do-well son a wealthy man is disowned by his father, who has had to pay off a gold-digger of a fiancée (after some interesting high-life scenes). Out to prove himself, the son signs on the whaler, where he learns the meaning of hard and dangerous work. Becalmed, the ship runs short of water, and the sailors mutiny when the captain takes more than his share. However, the son rescues him, but is hardly thanked for his pains. They sight an island inhabited by a shipwrecked sailor and a sixteen year old girl, whose mother survived the wreck, gave birth then subsequently died. The captain takes on these passengers, provided they work their passage. When he discovers that the girl's mother was his wife, he takes against her assuming her father to be the other man. He is about to beat her again when a whale is sighted, and a boat lowered. To protect her, the girl is hidden in the boat, but the captain sees this, and when a storm comes up, he leaves the boat and its crew to their fate. Back in his cabin he discovers the girl's Bible in which her mother had written her story. It appeared that when he husband went to sea, she was expecting. A former suitor, and another sailor, abducts her, leaving her rejection letter to him to be found by her husband and misinterpreted. Realising the error of his ways, and full of repentance, the captain returns to look for the boat and finds it dashed on rocks with everybody in the water. He swims out to rescue them, explaining that he now knows the truth. At this point it is unclear whether the ne'er-do-well, who tries to protect the girl, drowns or not. Otherwise, there is a generally Happy Ending as the ship sails back to Frisco, probably without a full cargo of blubber.Bessie Love (1898 - 1986), who played the girl, had 142 titles to her credit. Her penultimate film was the 1981 film about John Reed and the Russian Revolution, Reds.The real name of the Sea Lion is not given, though her wheel was made in London.

Brisk little tale about a brutal sea captain (Hobart Bosworth) nicknamed "the Sea Lion" and the fateful voyage that involves mutiny and the depletion of their water supply.We're told in flashback that Bosworth was once a jolly fellow, eagerly anticipating his return from sea to his wife and new baby. But when he arrives home, the wife and baby are gone. She's run off with another man. Nearly 20 years later, he holds the bitterness like a shield as he goes about his job.On the current voyage, a first-time seaman (Emory Johnson) is escaping his family and is the butt of all jokes on board. But after months at sea, the water runs out and the crew mutinies while Johnson is atop the crow's nest. He helps the captain quell the riot and is made first mate. Soon thereafter they spot an island and head for it.On the island they find some people who were shipwrecked 16 years before. The young girl named Blossom (Bessie Love) is the daughter of a white woman who died on the island after the shipwreck. back on board, while Johnson and Love fall in love, Bosworth's hatred flairs when he learns that Love is the daughter of his runaway wife. But who was the father? Bosworth is solid as the brutal captain, and Love and Johnson make their stock characters interesting. The scenes at sea are surprisingly authentic and add immensely to this simple story of love and hate and redemption.My copy has an excellent and rousing piano score. Worth a look.