Beau Ideal (1931)

the audience applauded

Surprisingly incoherent and boring

i must have seen a different film!!

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Alpha have given us quite an acceptable 8/10 print of Beau Ideal (1931) which, partly thanks to Loretta Young, contrives to be one of the worst films ever made. Well, at least for the first 20 minutes or so. If you're watching this, fast-forward immediately after the credits past the scene with the chained prisoners (it's repeated later in the movie) and all the terrible stuff with a group of the worst child actors ever assembled, and all the tripe with Loretta Young (she is absolutely dreadful - and is photographed most unattractively to boot). Commence watching as soon as the Foreign Legion scenes appear. They may seem rather dull and over-familiar at first, but they do build up to a splendid all-action climax. Alas, director Herbert Brenon, a master of visual excitements, proves an almost total loss with his leads. Admittedly, given his ropey dialogue, Lester Vail is not too bad, but Ralph Forbes proves even more insufferable than Miss Young. And that's saying something!

It's too bad they don't make films like this anymore. They apparently used the wrong sorts of camels. I think they also used Europeans instead of Arabs, but as none of the Arabs do anything important, except for one or two of the most atrocious and treacherous ones, it doesn't matter. It could be a film noir, with the grim prison cell in stark contrast to the childhood Camelot at the opening. I think it was too early for the genre, but it's very dark, with the abandoned prisoners starving to death in the underground silo. But there is a happy ending, especially as the hero is freed from his promise to marry the half-caste who hated living among brown people. In fact, I think it's racism is cheerily redemptive, and no one of importance dies in the silo.

Beau Ideal (1931) ** (out of 4)Pervical Christopher Wren's sequel to Beau Geste has John Geste (Ralph Forbes) joining the French Foreign Legion after his love Isobel (Loretta Young) informs him that their friend (Frank McCormick) has joined. Pretty soon Geste finds himself in the desert and accused of leading a mutiny that he had nothing to do with. BEAU IDEAL has pretty much been forgotten today and if someone has heard of it it's probably because of how poorly it did when it was originally released. The film's quality also has a pretty low reputation but I didn't find the movie all that bad, although there's clearly something missing from it. The entire film has an incredibly strange structure that starts off with the two friends in the bottom of a dungeon and then we flashback to when they were children and then we flash-forward to a sequence between jumping yet again. I'm really not sure what the point of this was as it really adds nothing to the film and it also seems that more footage is missing. The film runs 80-minutes and while watching it I really wondered if perhaps it originally ran a lot longer but the studio cut it down before release. There are so many side plots that happen yet seem to never be mentioned again. The film also has some pretty bad moments that could become a cult classic if people actually watched the film. One example is the poor acting during the opening sequence and another happens during the mutiny in the desert. Both of these scenes are so poorly done that they will bring laughs when they're meant to be dramatic. Forbes isn't too bad in his role but he's certainly far from memorable. Young is pretty much in thankless cameo and it's funny seeing her working with the director again after the abuse he gave her on LAUGH CLOWN LAUGH.

This early version of Beau Geste deals with the youngest brother. It is still French Foreign Legion adventure, and looks more like a stage adaptation than a large budget movie.Like any Beau Geste, it deals with childhood companions who grow up and join the legion, and find themselves in heroic circumstances which remind them of their childhood.The Geste movies don't usually get into the grit and grim the way most modern movie makers like to. They generally speak in "larger than life" terms, which hold for a few minutes of a man's life.The acting leaves something to be desired. The plot is coherent, but barely. As adventure yarns go, there is no more silliness than usual.There is some grit and grind, which is theatrically done instead of graphically. The men in a prison pit languish from days of thirst and hunger. A few things that happen seem inconsistent, but we get the gist of the plot.Each Geste film has something going for it. One had Cooper, Milland, and Preston well cast. One had an introspective reluctant Cool Hand Luke sort of Geste, who was seen as a "mover" who wrote a letter, although the letter was really written by Leslie Nielson as a legion commander.This one has a historic novelty, an American who is gayer than the British characters. This apparently was not lost on the audience of the day, and was intentional, as we see from a bit of comic relief.