Calling Philo Vance (1940)
Philo is in Vienna working for the US Government to see if Archer Coe is selling aircraft designs to foreign powers. He grabs the plans with Archer's signature, but is captured by police before he can escape. Deported he comes back to America and plans to confront Archer, but Archer is found dead in his locked bedroom with a gun in his hand. While it looks like a suicide, Vance knows better and the coroner finds that Archer has been shot, hit with a blunt instrument and stabbed - making suicide unlikely. But Vance is on the case and is looking to see if government secrets have been sold and who has murdered Coe. This is a remake of "The Kennel Murder Case" using aircraft designs and espionage instead of Chinese porcelain and dog shows.
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Fantastic!
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
The first must-see film of the year.
This remake of "The Kennel Murder Case" (the bulk of the film) and "Private Detective 62" (all the introductory sequences) offers quite passable entertainment for those of us who haven't yet had the pleasure of seeing William Powell in both these wonderful films directed by Michael Curtiz. This one is directed efficiently but somewhat less effectively by William Clemens. The best thing about it is Jimmy Conlin who does more amusingly by Doctor Doremus than did Etienne Girardot in the original adaptation of the S.S. Van Dine thriller. Edward Brophy is also a joy. On the other hand, James Stephenson who gave such a great performance opposite Bette Davis in "The Letter" (1940) makes a very disappointing Philo Vance. In fact, he was miscast. His accent is all wrong for a start, a problem that Stephenson himself seems acutely aware of. Instead of making Vance a debonair detective (William Powell style), he turns him into a stuffed shirt. Both his expressionless facial activity and his reading of his lines signally lack charisma. But at least you can hear him clearly. He doesn't mumble like many present-day leads, but a stuffed-shirt hero is also a deadly dull hero.
Calling Philo Vance (1940) * 1/2 (out of 4) In this entry, Philo Vance (James Stephenson) is working with the U.S. Government trying to determine if a man sold war plans to a foreign agent. I guess it was natural for this series to enter the foreign agent storyline since it was released during WW2 but it still makes for a pretty poor film. Stephenson is pretty bland in the role and sleepwalks throughout most of the film. The supporting cast doesn't fair any better but to their credit the screenplay doesn't give them much to work with. There are a couple of dogs in the film and they probably give the best performances.
While I do like JAMES STEPHENSON as an actor (he was excellent in THE LETTER with Bette Davis), he lacks the sort of debonair charm needed for the role of Philo Vance in CALLING PHILO VANCE. However, that's not integral to your enjoyment of this updating of "The Kennel Murder Case" which was made in '40 when the Nazis were making big strides during World War II.Secret stolen plans for a bomber falling into the hands of German agents is the crux of the matter here, to the tune of $250,000. The story begins with Vance accepting an assignment in Vienna where he is trying to find out whether Archer Coe is selling aircraft plans to a foreign country. But the main story begins when he's deported to the U.S., escapes authorities and returns to investigate the case for Chief Investigator Markham (HENRY O'NEILL).The wealthy household where Coe died in a locked room, is at first ruled as the scene of a suicide but soon evidence proves it to be a murder and there are several suspects--among them, RALPH FORBES, DONALD DOUGLAS and MARTIN KOSLECK, in an unusual role as a butler. Kosleck usually played German spies in all the Warner war films.Under Stanely Clements' direction, the tale moves quickly to an all too abrupt conclusion with very little explanation given for the intricate murder plot. While not exactly plausible, it does make an interesting mystery for who-dun-it fans with some clever touches in the script.But the main disappointment lies in not having a satisfactory actor in the Philo Vance role.
Warner Brothers probably of all the studios loved remaking its films. I guess Jack Warner thought it saved on buying new properties. Calling Philo Vance after a brief prologue updating the story to have Vance working for the State Department investigating the theft of airplane designs, it becomes almost a word for word remake of The Kennel Murder Case. Even the character names remain the same. Whole bits of dialog from the original are reused in this one.Too bad they couldn't have gotten William Powell as well. But he was over at MGM keeping Nora and Asta in line. So James Stephenson became the latest in a long line of Vances. Philo Vance would soon fade from the screen.Stephenson is serviceable, but lacks Powell's unique debonair charm. And of course we've seen it all before.