A Fine Mess (1986)
Two friends an actor and a chef discover a plot to fix a horse race and try to capitalize on it. But also have to deal with the two men who fixed it who are trying to silence them. And there's also the mob boss whom the two guys work for who planned the fixing thing whose wife is having an affair with the actor.
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Sorry, this movie sucks
Powerful
One of my all time favorites.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Two idiots (Ted Danson, Howie Mandel) plan to bet on a horse in a race that's fixed to win. But they have to deal with the Mob and the Mob's head wife who is sleeping around.Wow--is this BAD! I saw it in a theatre in 1986 and remember hating it and being really amazed at how lousy this was. I figured with Ted Danson in it (who was popular from 'Cheers' at the time) it couldn't be bad. Well, I was wrong! He tries but the material is hopeless. Mandel was just annoying. The rest of the cast are just there.Purportedly Danson shot nude scenes for this movie but they weren't in the final cut. Also there were sequences shot with Danson and Mandel imitating old Laurel and Hardy routines (hence the title) but THOSE were cut too. I heard the studio was horrified by the final result (no shock there) and just released it very quietly and it died a quick deserved death. Easily one of the worst comedies of its time. Just painful. Avoid.
When Blake Edwards initially was putting this film together it was originally intended to star Burt Reynolds and Richard Pryor. Unfortunately due to Pryor's near fatal burning the film had to be recast. The Films original Title was 'The Music Box' taken from the Laurel & Hardy short film of the same title. Was made as a homage to classic comedies . Did not fair well at the box office. ************************************************************ ************************************************************ ************************************************************ ************************************************************
I suppose I shouldn't be surprised at the number of viewers whose comments generally trashed this picture, but I must admit that I'm astonished at the snobbery of some people when it comes to comedy. Not every movie has to have an intricate plot, Oscar caliber performances, and a perfect script to be a noteworthy movie. We have movies like Citizen Kane, The Killing Fields, A Dry White Season, Rain Man ect... for that. The most important aspect of a comedy is whether or not it is genuinely funny, and there's no way one can say that this flick is not. Just about every scene in the film is funny, physical as well as dialogue. Howie Mandel cracked me up constantly with the strange voices he used. It's vulgar in parts, and sure, the plot is weak. So what. It does it's job. Blake Edwards is a master at comedy. He never leaves me disappointed. If you're looking for a movie that will leave you with a sore ribcage at the end, this one will do the trick. As comedies go, I'd give it an 8/10.
You can't blame Blake Edwards for making this kind of movie.For years, he depended on the kind of pratfalls that course through "A Fine Mess" as his bread and butter, so to speak. They served the "Pink Panther" series well, and made Inspector Clouseau a world-wide reference point for the ultimate in clumsiness.But for a movie that basically features two losers crossing the mob in a horse race then moving a piano to a rich lady's house, this film is all over the place. So many people introduced then forgotten, plot lines that go nowhere, laughs that are fun for the moment but have no context.Shocking, really, this coming as it does from Blake Edwards, who once personified classy comedy with such works as the aforementioned "Panther" films, not to mention classics like "10", "Micki + Maude" and the under-appreciated "S.O.B.".And with the calibre of talent, you'd expect great things; the manic Mandel, lecherous Danson, luxuriant Alonzo, and wackos like Mulligan and Margolin as mob flunkies all have the fire, but there's just nothing here to stoke the furnace.There were separate moments here and there that gave me a smile but, like the movie itself, it just lives for the moment, then is gone.TIDBIT - The idea for this movie actually came from a Laurel and Hardy short where Stan and Ollie try to move a huge piano up innumerable flights of stairs. Hence, the name.It still is fitting: this movie is definitely a "Mess", if not a "Fine" one.Three stars. Saved but for the virtue of Mulligan in the cast and a bit part for pre-"NYPD Blue" Franz.