Bootmen (2000)

Good story, Not enough for a whole film

Fantastic!

Best movie ever!

Absolutely the worst movie.

This film was done to promote the Tap Dogs show and dance group, so don't expect complicated or sophisticated plot, cunning twists or even amazing acting.You can pretty much guess what happens, just from watching the trailer. There is nothing, plotwise, that hasn't been done before and the characters are all tried and tested stereotypes. Cinematography is solid and production quality is safe. There is a fair degree of bad language, which seems a touch out of place given that this film will appeal to a lot of young dance students. But none of this detracts from the basic underlying premise of the film... Basically, sit back, shut up and enjoy the fabulous tap dancing - That's what it's about and in that respect, it does NOT disappoint!!

I had forgotten about this film and I live in Sydney. NOT the public success it should have been and I suspect a major commercial disappointment for the ambitious producer, this film suffers so badly by stridently trying to be butch to avoid the poofy dancing thingy image. So trowled onto our heads is the "I'm tough - but I er, dance y'know" yobbo dialogue it severely pulls the patience of the audience away from enjoying the dynamic dance routines. In fact, it is also so SERIOUS and full of retarded bumpkin behaviour, someone forgot the jokes. BILLY ELLIOTT and FULL MONTY cover the same industrial tough family territory but they have hilarious moments and are properly fleshed out characters. BOOTMEN is just crude and embarrassing...until the dancing starts. Director andChoreographer extraordinaire Dein Perry upon whom this is based and whose live shows were a massive hit in the 90s mis-serves this Barry McKenzie take on his craft. One can see the stardom on the horizon for Adam Garcia but it is Sam Worthington who is the major talent here. He is only NOW just getting the recognition he deserves from SOMERSAULT just released. Viewers should check out the excellent crime caper DIRTY DEEDS for another level of his talent. BOOTMEN got the boot on first release and on TV as it is tonight, is is still a cringing experience...until the dance numbers (and they all shutup and concentrate). The awful Ric Carter, a failed 80s comedian is the absolute worst of this bad drama (but good dance pic).

I was born in Newcastle where this film was set, and was still living there at the time when this was filmed and when released was very interested in watching it.All I can say is that Adam Garcia was fantastic and showed his amazing dancing skills - he is also a great singer as well as shown on An Audience with Kylie Minogue last year and he is definitely such a versatile performer and one to watch in years to come.Seeing areas of where I grew up in Newcastle was surreal and I even recognised some local faces as extras. The theatre they used when Adam's character was in Sydney was really the Civic Theatre which is located in Newcastle.Sophie Lee has come a long way the past few years and definitely deserves higher recognition - I'm not saying this because she is also a Newcastle girl but I thought she outshone Kate Winslet in Holy Smoke and gave Toni Collete a run for her money in Muriel's Wedding and it was a shame she didn't have a bigger role.Australian movies are really hit or miss and this is definitely a hit, along with The Dish which was released around the same time. The dancing sequence is heartpounding and this is definitely one film worth a look.

The concept is good - to try to capture the style of the "Tap Dogs" and turn it into a feature film.Sadly, the transition to the big screen was not entirely successful. In order to reach the big tap finale, we had to wade through an hour and a half of paper thin plot - nice guy fails to make it in the big city, father-son conflict, brother-brother conflict and small scale organized crime racket.The quality of the acting left a bit to be desired (this is to be expected as the guys were selected for their tap ability, rather than their acting pedigree), and Sophie Lee was ... well, Sophie Lee (I'm yet to be convinced that she is an actor).The bleak industrial landscape and cinematography were quite good, as were the actors in the small supporting roles.So when push comes to shove - was the final tap spectacular worth sitting through the movie? Sure was, it's just a shame there wasn't a bit more of it.