Nishant (1975)

Really Surprised!

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

This story has more twists and turns than a second-rate soap opera.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Vishwam is the youngest brother of the powerful and cruel landowner Zamindar (Amrish Puri). He is married to Rukmani and, unlike his brothers, does not indulge in alcohol or women. But one day the village gets a new school teacher, whose wife Sushila (Shabana Azmi) instantly catches Vishwam's eye. Noticing this, his brothers come one night and kidnap Sushila for all to see, including her husband who tries to stop them but fails. He is shocked that no one of the so many present people dared to even raise a voice to stop this abduction. He turns to every possible authority, including the police, the court, the press, but is shocked to see a complete rejection resulting from the fear to face off the Zamindar. This is the story of Shyam Benegal's Nishaant, a well-made film which portrays the state of those times' rural India. The film depicts a reality which is a bit difficult to see. The proceedings are very serious and the film is dark and dim. Benegal's direction is excellent, with a serene narrative style that easily conveys the raw atmosphere of the village as well as the film's own mood. It is realistic and authentic, without any overt dramatisation. I did expect more from the ending though. The light at the end of the tunnel does finally seem to appear, but sadly the story itself remains somewhat incomplete and doleful. I think the ending did give the viewer an opportunity to interpret it the way he wants to, which is great, but one would expect to see some brightness in it. The film shows us the power of human nature. While Sushila terribly misses her son and goes through emotionally destructive experiences of gang-rape and humiliation, she later accepts the cruel reality, finds comfort in the house and ultimately starts getting attracted to the quiet Vishwam. Her absence tortures her husband and his helplessness makes his life miserable. One of the film's best scenes is when they finally meet in a local temple. She preaches him for his cowardice, ironically, in the same way he himself did with the people who did not stop her kidnappers. This makes him realise that a change must happen within the simple people and not the landowners.The film is very well acted. Girish Karnad is excellent as the tormented teacher who loses his wife and is unable to get her back. Shabana Azmi is outstanding as Sushila in a restrained and deep act. I particularly liked her outburst at her husband. Her anger was so easy to relate to. Smita Patil makes her acting debut with this very film and though her part is small, she makes the best of every scene she appears in. Amrish Puri is successfully frightening as the merciless Zamindar. Naseeruddin Shah is as always wonderful and his character is very sympathetic despite the conflict it creates. The boy who plays Sushila's son is extremely cute.Nishaant is a good film, a disturbing, real and engaging piece. What I particularly liked about the film is its unpredictability right until the very final scenes. My main complaint is that it was a tad too slow for my liking. While in the second half it gets far more enjoyable, and the film is thoroughly engaging thanks to its story and fantastic execution, the pace was still somewhat dragged, and at times made me like squirming in my seat. Nonetheless, it's a worthy effort. To those who expect to be purely entertained, this may not be the right film, but those who appreciate artistic excellence will definitely enjoy watching this picture.

This movie is a timeless classic. One more feather to the cap of the director Shyam Benegal. This movie was nominated for Cannes film festival and unfortunately did not win any award. Again Benegal takes us on a tour of rural Andhra and he does it with his characteristic grace and élan. The camera work is as usual good which can be expected of a Benegal movie. The music is good and above all , all the actors have turned in performances of their life time. Smita Patil, though in a not so significant role, excels. Shabana as usual shines. The fall of the feudal system because of it's excesses is very ably painted on the celluloid screen. Again this movie was a commercial failure, and the time of it's release was witnessing a birth of a phenomenon of Bollywood , Amitabh. Maybe that was the reason for this movie's failure at the box office. But again the movie going masses in India have always treated the alternative cinema in a not so fair manner, so this movie was no exception. The only small defect that anyone can point out in such movies, is the facial makeup of the main characters. Always the heroes and heroines are a stand out from the general crowds. But again one may condone them as a matter of artistic or artiste's liberty.Any collector of movies should cherish this movie.

I saw this film when it was released in the 70's, I was about 15 or so. I watched it again yesterday on DVD and once again was blown away by it brilliant acting, story, dialogue and subject matter.I love Indian mainstream cinema, it has a big place in Indian culture, which very unfortunately and sadly is dismissed by many as kitch, but popular culture is popular culture and it has it's importance in society.This movie on the other hand, is a perfect example of the other side of Indian cinema. I really wish movies by such great Indian directors (contemporary), can be shown in the West in regular cinemas (not small little places in remote parts of cities). To balance the mainstream of songs, dance, melodrama etc., we have this other cinema, which is so amazing, intelligent and brilliant, and very unfortunately has not been exposed to the NA market. It's just too sad!

Shyam Benegal has a well-deserved reputation for making hard-hitting social dramas which tell true Indian stories in a realistic manner, so you'll find no concessions to Bollywood here. The plot is brutal and compelling, and the film features an all-star cast who give uniformly excellent performances.Vishvam (Naseeruddin Shah) is one of four brothers who rule their feudal village in pre-independence India with an iron grip. They execute various criminal schemes to increase their own wealth at the expense of the villagers, with the village priest and constable powerless to stop them. However unlike his brothers he tries to lead a relatively restrained life, and at the start of the film we see him married and refraining from drinking and smoking.His brothers regularly exercise their droit de seigneur, ordering villagers to send their wives and daughters to the haveli so that they can be raped at leisure. At first Vishvam, restrained by his wife (played by beautiful and brilliant but tragically short-lived Smita Patil), refuses to join them. However when the new school teacher arrives with his young child and lovely wife he finds himself tempted, and the brothers abduct her.The rest of the film concerns the resolution of the abduction, with the villagers forced to make tough ethical decisions. The film ends in a shocking way which will leave audiences deeply disturbed, which is no doubt the cause of the low score that this film has received. However upon reflection the ending is thoroughly realistic, and provides a deep and unsettling insight into the human condition.Shyam Benegal grew up in rural India and so this film, which is based upon a true story, draws closely upon his own perceptions of village India and the people that inhabit it. However the story has universal appeal, and reveals how people's lives play out in the many parts of the world where civilization is still primitive and brutal.I am sad but unsurprised to see this film receive such low ratings. No doubt the viewers who rated it will have been expecting light Bollywood style entertainment, or at least some kind of feelgood resolution.This is an excellent social drama in the tradition of Ankur and Mandi, and should be seen by anyone interested in compelling stories, excellent acting and the realities of village life in the developing world.