Crime Doctor (1943)

To me, this movie is perfection.

Just perfect...

A Masterpiece!

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

When Warner Baxter won an Academy Award for his performance in "In Old Arizona" he embarked upon a solid career that only faltered at the beginning of the 1940s when he was off the screen for two years due to a nervous breakdown. He returned as the Crime Doctor, a popular CBS radio series bought to the screen by Columbia. Ray Collins (who in this movie played Dr. Carey) was radio's Dr. Ordway but Columbia was thrilled to sign Baxter, once one of the most prestigious and best actors in Hollywood. Baxter was never happy with the series (but it was definitely one of the better ones) - he hoped it would pave the way for character parts but unfortunately (for him) the series provided the bulk of his employment for the rest of his days. This was an excellent introduction to the series as it traced the origins of the "Crime Doctor".A man is bought to the hospital assumed to be the victim of a hit and run but in reality he has been thrown from a moving car. He is suffering from amnesia and takes the name Robert Ordway from the hospital wing he is bought to. Taken under the wing of kindly Dr. Carey, he believes that the only way he can get to the truth of who he is, is to become a doctor himself and ten years later, as Dr. Ordway, he has the reputation as one of the nation's most renowned psychiatrists. He has never stopped searching for his identity and a thug by the name of Caspari (John Litel) may know the answer - he seems to have an unhealthy interest in the doctor.Helping Robert is a social worker, Grace Fielding (the always welcome Margaret Lindsay) who decides to follow Caspari after he pays a particularly nasty visit to the confused doctor. This is a tightly paced crime drama - it turns out Robert is in reality Phil Morgan, mastermind of a jewelry heist ten years before. Only he knows where the money is but a crack on the skull by Caspari causes him to lose his memory and he is tossed from a moving car because his accomplices believe him dead. As Dr. Ordway he is given the job of Governor of Parole after his inspiring work with a returned serviceman in prison for manslaughter (Leon Ames) but another voice from his past causes him to have a breakdown and realise his past life. A re-enactment of the events leading up to his hospitalization forces him to remember the hiding place for the stolen money and the ending sees his acquittal by a jury so he can continue his sterling work.Margaret Lindsay had just finished a sleuth series of her own, "Ellery Queen" but unfortunately she only appeared in the first of the Crime Doctor films. I am sure I spotted Bruce Cabot as a background extra in the nightclub scene.

One of the wilder premises involving a movie series was in the Crime Doctor films that starred Warner Baxter. We are asked to believe that Baxter was once gentleman crook Phil Morgan who held out the loot from his gang and who slugged him and threw him from a moving car and left him for dead. He didn't die, but has a case of amnesia. In any event ten years go by and in those ten years we are asked to believe that Baxter has acquired the eduction and training to become criminal psychologist Robert Ordway a most respected gent. The Crime Doctor character came from radio and I assume that radio provided a lot of background so that the Ordway character became more believable. Given the fact that the movie-going public had been used to the Crime Doctor radio program the whole premise was easier to swallow in 1943 than it is today.Baxter who is now a successful criminal psychologist and engaged to Margaret Lindsay is visited by old gang member John Litel who wants to know where the stashed loot is. He's not buying the amnesia story. He assembles the rest of the gang and the film is a battle of wits between Baxter and the rest. Need I tell you who wins?Future Crime Doctor films gradually left out the part that Baxter was a convict and as a result they have not become as dated and are more believable than the first film. Some are actually pretty good with the simple premise that Baxter with his psychological training is a pretty good criminologist, better in many cases than those who carry a badge. In fact Jeff Goldblum's character on Law and Order: Criminal Intent who does carry a badge can trace his origins back to Warner Baxter's Robert Ordway. A good screen character with too much unbelievable baggage.

This film is much better than what one might expect, given the studio that made it and the other films of this type put out at the time. Warner Baxter was a good actor, the supporting cast is able, and the writing is taut, uncomplicated and well-done. Direction, lighting and photography are professional. In short, there are few, if any, faults, and the film is well worth a watch. Leon Ames makes an early appearance in a somewhat far fetched sequence involving the rehabilitation of a hardened, bitter convict, but this is a minor, minor flaw in an otherwise very well constructed film. As another reviewer wrote, there are, thankfully, no dumb cops or simple minded assistants, just a well thought out plot and good acting.

This was the opening chapter in the Crime Doctor series from Columbia, and as usual the first cut is the deepest. The other nine films veered from lightly sparkling to slightly insipid but all lovely to see - this one was strikingly thought provoking with many memorable scenes scattered throughout. Additionally the production values, acting and plots were of a consistently high standard, and basically Columbia allowed Warner Baxter a six year holiday with the filming of them to help him recover his dodgy health.A man is tossed out of a moving car as one dead in 1932, turns out an amnesiac who is nursed back to good health by a good doctor who encourages him to become a good friend, good citizen and ultimately a good psychiatrist. He achieves all this by 1943, by which time his shady past is starting to catch up with him, 3 dumb guys eager to reclaim USD 200,000 stolen in his previous life. How it all unfolds and is resolved is as ingenious as the b picture format and the Hays Office could allow. Favourite bits: The 4 of them sitting round the table in Frankie's, all wondering what was going off; Margaret Lindsay – almost too exquisite too watch here; Leon Ames, the violent patriot in prison for life then out in a twinkling; the trial of Phil Morgan and Robert Ordway.It should be an incredibly rewarding 65 minutes to fans of this genre of film, if you find yourself unmoved by it my advice is don't bother with the rest and do yourself and the fans a favour.