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Crush Proof

Crush Proof (1998)

September. 08,1998
|
5.9
| Drama Crime

Out of prison at last, charismatic sociopath Neal tries to visit the baby son he's never seen, his indifferent parents, and the grave of his horse - not in that order. But mainly he wants to rejoin his old gang in the "pony club" subculture of the wild Northside- would be urban cowboys riding horses rough shod and bare back through the streets of Dublin. He then runs into the squealer who set him up.

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Reviews

GamerTab
1998/09/08

That was an excellent one.

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SpuffyWeb
1998/09/09

Sadly Over-hyped

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Smartorhypo
1998/09/10

Highly Overrated But Still Good

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Doomtomylo
1998/09/11

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

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ciaraandersoncork
1998/09/12

I was really enjoying this film but it went a bit weird, shame

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Seána Harte
1998/09/13

The Good: Beautifully cast with a team of young actors who express their characters with comfort and ease. They act the part as if they know these characters because they are aspects of themselves, something that I didn't expect of such an young cast. I found them to be believable recognisable and likable. The language used is an accurate portrayal of the vernacular of the time and space, I haven't heard anyone called a 'geebag' in years and to hear it used so unselfconsciously made me snort with laughter. The Bad: While the sketches within the film were excellent stand alone pieces, together they didn't add to the overall story. You left with what you were given in the first five minutes. If there was a message in the story I left without it.In short: Plenty of texture but lacking in shape, though admittedly, I got a lot more out of this film than what I expected.

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FatherCrow
1998/09/14

Darren Healy stars in this mythic parable set in 1998 Dublin. A flawed but ambitious Irish movie set in my home town.Neil (Darren Healy) gets out of jail and tries to see his son, the mother tries to bar the door of her flat to him, slams and things rapidly get out of control from there.The director throws everything including the kitchen sink at the cinematic wall in the hope that something sticks, and surprisingly most do, there are moments of glaring awkwardness in the script and some dreadful miscasting (specifically Viviana Verveen as Nuala.) "Crushproof" works well as cinematic metaphor of the harshness of todays Dublin underclass and their dead end lives and our own ancient heroes who fought like lions despite the inevitable violent death. Looks like someone finally saw the parable between the "thug" mentality of Dublin's Lumpenproletariat and our own mythic heroic past. The spirit of "Hyla" lives on.Good soundtrack and some great performances, however the director tried too many different techniques, "Crushproof" manages to be both stylised and verite at different points depending on what was thought was needed for the scene. Unfortunately the styles do not seamlessly blend. Also at some points the mixture of the "humour of the damned" and the more serious scenes are juxtaposed to the point of being jarring and not helping the flow of the film. Still all in all I would give this a seven being all at once in touch with both our ancient and modern Irish identities. Many, many great and truthful moments, that do not all hang together comfortably as a film.Peace and Hope FatherCrow

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Mikew3001
1998/09/15

What a weird movie - a bunch of brutal and disillusioned youngsters from Dublin are on the run from the police and take some horses to "ride the high country"... During their trips their discussing about life and always run into new situations of violence, death and murder.There are some really remarkable scenes in this Irish movie, like a menacing sex scene and a guy being hanged by the bunch after a painful trial. The plot is unpredictable and twisted, and the actors are young and unknown, but very enthusiastic about their roles. The sound track features some of the best alternative, techno, trip hop and electronica grooves of the last few years.Watch this refreshing Irish-British-Dutch-German production, which sometimes appears like a bloody mixture of The Wild Bunch, Trainspotting and Fury. Outstanding European millennium cinema!

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